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Latest News: Classical, Recording of the Week

  • Recording of the Week, Sublime Vivaldi from Nathalie Stutzmann

    by Chris O'Reilly

    The French contralto sings and conducts her chamber ensemble Orfeo 55 (formed two years ago) with passion and panache in a celebration of the ‘Red Priest’’s roles for female characters – many of them originally portrayed by castrati.

  • Recording of the Week, Beethoven’s Fidelio from Abbado and Kaufmann

    by Katherine Cooper

    The German tenor is mesmerising from his very first note, whilst Nina Stemme is scarcely less compelling as his heroic wife Leonore in this exhilarating live concert recording from last year’s Lucerne Festival.

  • Recording of the Week, Byrd’s Complete Consort Music

    by Chris O'Reilly

    The Gramophone Award-winning viol consort Phantasm brings sweetness and sensuality to the English composer’s fantasias, In Nomines and pavans and galliards on Linn Records.

  • Recording of the Week, Vaughan Williams’s The Garden of Proserpine

    by Chris O'Reilly

    Paul Daniel and the Bournemouth Symphony Orchestra make a splendid case for Vaughan Williams’s early setting of poetry by Algernon Charles Swinburne for solo soprano, chorus and orchestra, coupled with In the Fen Country.

  • Recording of the Week, Beethoven's Diabelli Variations from Paul Lewis

    by Chris O'Reilly

    Following his masterly traversals of the complete piano concertos and sonatas, the British pianist imbues the Diabelli Variations with humour, exuberance and poetic beauty in a recording which stands comparison with his mentor Alfred Brendel.

  • Recording of the Week, New DVDs from Glyndebourne

    by Chris O'Reilly

    South African baritone Jacques Imbrailo is endearing and compelling in the title-role of Billy Budd (directed by Michael Grandage), whilst Gerald Finley is an elegantly rakish Don Giovanni in Jonathan Kent’s 1950s staging.

  • Recording of the Week, Handel's Ariodante

    by Katherine Cooper

    Joyce DiDonato sings the title-role on Alan Curtis’s recording of Handel’s Scottish opera, with Marie-Nicole Lemieux as the dastardly Polinesso and Karina Gauvin as the woman they both love.

  • Recording of the Week, Daniel Barenboim plays Chopin and conducts Tchaikovsky

    by Chris O'Reilly

    The pianist joins Andris Nelsons and the Staatskapelle Berlin for the two Chopin piano concertos, and conducts an electrifying Pathétique with the West-Eastern Divan Orchestra, which he co-founded with the late Edward Said.

  • Recording of the Week, Fliter and Ibragimova excel in Beethoven

    by Chris O'Reilly

    Ingrid Fliter records the Piano Sonatas Nos. 8, 17 and 23 on Warner Classics, and Alina Ibragimova and Cédric Tiberghien continue their excellent series of the violin sonatas on Wigmore Hall Live.

  • Recording of the Week, Julia Lezhneva sings Rossini

    by Katherine Cooper

    Katherine enjoys a hugely promising debut solo album from the Russian soprano (who was just nineteen when the recording was made), including arias from La cenerentola, La donna del lago and Guillaume Tell with Marc Minkowski and Sinfonia Varsovia.

  • Recording of the Week, Lully’s Bellérophon

    by Chris O'Reilly

    Christophe Rousset presides over a splendidly elegant account of Lully’s 1679 opera, with Cyril Auvity in the title-role, and Les Talens Lyriques on vigorous form.

  • Recording of the Week, Rachmaninov's Second Symphony

    by Chris O'Reilly

    Antonio Pappano and the Orchestra dell’Accademia Nazionale di Santa Cecilia bring unrivaled passion and commitment to the 1907 symphony in this live recording made in Rome in 2009.

  • Recording of the Week, Suk's Asrael Symphony

    by Chris O'Reilly

    In one of his last performances with the Czech Philharmonic Orchestra, the late Sir Charles Mackerras conducts a magnificent account of the underrated 1906 symphony, composed in memory of Suk’s mentor and father-in-law Dvořák.

  • Recording of the Week, Pergolesi's Stabat Mater

    by Chris O'Reilly

    Anna Netrebko and Marianna Pizzolato join Antonio Pappano and the Orchestra dell’ Accademia di Santa Cecilia for an unusually full-blooded account of Pergolesi’s best-known work, plus a chamber cantata apiece.

  • Recording of the Week, Striggio: Mass in 40 Parts

    by Chris O'Reilly

    Robert Hollingworth and I Fagiolini give the world premiere recording of the Italian Renaissance composer’s mighty Missa Ecco si Beato Giorno, rediscovered and identified in Paris five years ago, and composed shortly before Tallis’s Spem in alium.

  • Recording of the Week, Tomás Luis de Victoria

    by Chris O'Reilly

    Harry Christophers and The Sixteen marks the 400th anniversary of the Spanish composer’s death with a ‘beautifully sung and superbly recorded’ new album centring on the Missa Alma Redemptoris Mater.

  • Recording of the Week, Lisa Batiashvili - Echoes of Time

    by Chris O'Reilly

    The Georgian violinist makes her debut on Deutsche Grammophon with a program of works by composers whose lives and music were influenced by political upheaval in the former Soviet Union, including Shostakovich, Kancheli and Pärt.

  • Recording of the Week, Kate Royal: A Lesson in Love

    by Chris O'Reilly

    The British soprano and Malcolm Martineau present an eclectic programme of German, French, American and Italian songs tracing a young girl’s first love-affair, including music by Debussy, Liszt, Wolf, Schumann and Bolcom.

  • Recording of the Week, Simon Rattle's new Mahler 2

    by Chris O'Reilly

    24 years after his landmark recording of the ‘Resurrection’ Symphony with Dame Janet Baker and the City of Birmingham Symphony Orchestra, Rattle returns to the piece with the Berliner Philharmoniker, Kate Royal and Magdalena Kožená.

  • Recording of the Week, Percy Grainger

    by Chris O'Reilly

    The fiftieth anniversary of the Australian pianist, composer and all-round eccentric brings reissues of his own recordings on APR and a tribute from Benjamin Britten and friends, plus the Jungle Book from John Mark Ainsley, Polyphony and Stephen Layton.