This page lists all recordings of Accompaniment to a Cinematographic Scene, Op. 34, by Arnold Schoenberg (1874-1951) on CD & DVD. Generally, more recent CDs and DVDs are listed first, but with priority given to items that are in stock. |
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BBC Symphony Orchestra, Pierre Boulez Booklet Notes:Tracklisting in English, French, German. This first DVD release of Boulez' most famous interpretations is a must-have! His ground breaking Debussy interpretations Nocturnes: Fêtes Jeux - Poème dansé and Images freed Debussy from cliché. Stravinsky's Rite of Spring (1913) and Schoenberg's Accompaniment to a Cinematographic Scene (1930) confirmed Boulez as the authority on 20th century music. A composer himself, Boulez conducts with precision and a deep understanding of the sound worlds of the composers: he "thinks music". Includes film footage of Boulez' conducting Images and working on Fêtes Jeux. "Pierre Boulez is arguably the most influential, and controversial, figure in the world of music today. Boulez is known as the young Turk of post-war avant-garde composition who has steadily transformed himself into one of the most authoritative interpreters of standard 19th and 20th-century music." The Guardian | 
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Ulster Orchestra, Takuo Yuasa "As an example of Naxos's daring these days, for only its second disc of Schoenberg, it has headed for the Second Chamber Symphony - a work begun in 1906 but not completed after 1939 - rather than the familiar First. Like the Gurrelieder, which was part-orchestrated after Schoenberg's style had moved on from his late-Romantic phase, so the Second Chamber Symphony bears the mark of those missing 33 years in its combination of chromaticism and more acerbic dynamism. The Ulster Orchestra gives a vibrant performance of the work."
- BBC Music Magazine (Matthew Rye), October 2000 | | | In stock - usually despatched within 1 working day. |
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| |  | Giuseppe Sinopoli conducts Berg, Schoenberg & Webern
Berg: | Violin Concerto 'To the Memory of an Angel' (1935) Reiko Watanabe (violin) Chamber Concerto for Piano and Violin with 13 Wind Instruments Reiko Watanabe (violin) & Andrea Lucchesini (piano) Lyric Suite for soprano and string quartet Alessandra Marc (soprano) 3 Wozzeck-Fragments Alessandra Marc (soprano) Lulu-Symphonie - Soprano and orchestra Alessandra Marc (soprano) Sieben frühe Lieder Orchestral version 1928 Juliane Banse (soprano) 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4 Alessandra Marc (soprano) Der Wein Doborah Voigt (soprano) Drei Orchesterstücke, Op. 6 | Schoenberg: | Pierrot lunaire, Op. 21 Luisa Castellani (voice) & Andrea Lucchesini (piano) Erwartung, Op. 17 live recording Alessandra Marc (soprano) 6 Lieder for soprano and orchestra, Op. 8 Alessandra Marc (soprano) Accompaniment to a Cinematographic Scene, Op. 34 A Survivor from Warsaw, Op. 46 John Tomlinson (narrator) Chamber Symphony No. 1 in E major, Op. 9 Gurrelieder live from the Semper Opera, Dresden Deborah Voight, Jennifer Larmore, Bernd Weikl & Kenneth Riegel | Webern: | Im sommerwind (Idyl for large orchestra) (1904) Idyll after a poem by Bruno Wille Passacaglia for Orchestra, Op. 1 Six Pieces for Orchestra Op. 6 arr. For reduced orchestra 1928 Five Pieces for Orchestra Op. 10 Symphony, Op. 21 Concerto for Nine Instruments Op. 24 Variations for Orchestra, Op. 30 |
Staatskapelle Dresden, Giuseppe Sinopoli This set shows the so-called bogey-men of the Second Viennese School, from their hyper Romantic height, through Expressionism and onto the more entertaining aspects of Serialism, as entertainers of a great order. The Nineteenth-Century heritage of Schubert, Brahms and Wagner are never far from Schoenberg, Berg and Webern in these 8 CDs, which concentrate on the earlier, more approachable (and often finest) products of three distinct composers, rather than any school. The performers reflect the composers' Romantic leanings here; Sinopoli bringing in artists at the height of their early careers: Deborah Voigt, Alessandra Marc and Juliane Banse. The ever-approachable Berg is seen at his kindest and Webern, a figure who looked as far back as he did forward is as finely tuned in Im Sommerwind as in the Op.21 Symphony – a simply and fascinating journey. Schoenberg is in full splendour, too. Sounding more like Mahler's heir than a prophet of total change. “In his highly compelling live recording, Sinopoli conducts a most sensuous reading of Gurrelieder, bringing out all it’s romantic voluptuousness… anyone who has ever thought of Schoenberg as cold should certainly hear this, magnetic from first to last…" Penguin Guide *** “It would be hard to imagine more romantic readings of Berg’s principal orchestral works than those under Giuseppe Sinopoli. The atonal arguments of Berg have never been presented more sinuously, cocooning the ear, helped by sumptuous playing and recording” Penguin Guide *** | 
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