All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Edition Staatskapelle Dresden - Volume 6
Dvorak: | Rusalka, Op. 114 MDR production recorded on October 13, 1948 |
Elfride Trötschel (soprano), Helmut Schindler (tenor), Ruth Lange (soprano), Gottlob Frick (bass), Helena Rott (contralto), Erich Zimmermann (tenor), Lisa Otto (soprano) & Kurt Preuss (tenor) Staatskapelle Dresden, Joseph Keilberth “Restored, a famous labour-of-love broadcast from the ruins of Dresden… a good performance in astonishingly good sound” Gramophone September 2006 | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114Sung in German
Richard Schneider, Waldemar, Kmentt, Walter Berry & Hilde Rossl-Majdan Vienna Radio Orchestra, Felix Prohaska recorded 1954 | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114
Eilene Hannan, Ann Howard, Rodney Macann, John Treleaven, Phyllis Cann Chorus and Orchestra of the English National Opera, Mark Elder, stage direction by David Poutney | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114
Beno Blachut, Ludmila Cervinkova, Eduard Haken & Marta Krasova Kormbholc & Prague National Theatre Orchestra, Jaroslav Krombholc | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114
Czech National Theatre Opera Company, directed by Bohumil Zoul TV film made in 1975 by Czech Television, Prague. In Czech with subtitles in English, French and German | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114
Peter Dvorsky; Eva Randova; Gabriela Benackova-Cap; Jewgenij Nesterenko; Alexander Maly; Noriko Saski; Gabriele Sima; Margareta Hintermeier Chor und Orchester der Wiener Staatsoper, Vaclaqv Neumann Live recording, 1987 | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114
Renée Fleming, Eva Urbanova, Larissa Diadkova, Sergei Larin, Franz Hawalata Orchestra and Choirs of the Opéra National de Paris, James Conlon, directed by Robert Carsen | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114
Ivo Zidek, Eduard Haken & Maria Ovcacikova Prague National Theatre Orchestra, Zdenek Chalabala | | | Usually despatched in 2 - 3 working days. |
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| |  | Dvorak: Rusalka, Op. 114(complete opera)
Renée Fleming, Ben Heppner, Eva Urbanová, Iván Kusnjer Kühn Mixed Choir, Czech Philharmonic Orchestra, Charles Mackerras Renée Fleming gives a tender and heart-warming account ... the joy of this set is that it fulfils every expectaton and more, offering a recording with glowing sound that reveals the richness and subtelty of Dvorak's score.
The Gramophone Good CD Guide “Renée Fleming and Ben Heppner are dream recording voices who have also benefited from the experience of playing the same roles opposite each other on stage in the US. The other singers are well cast, too, and Sir Charles Mackerras and the Czech Philharmonic Orchestra have the music in their blood.” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Dvorak: Rusalka, Op. 114Recorded live at the Sydney Opera House in March 2007
Cheryl Barker (soprano) / Rosario La Spina (tenor) / Bruce Martin (baritone) / Elizabeth Whitehouse (soprano) / Anne-Marie Owens (mezzo-soprano) / Sarah Crane (soprano) / Taryn Fiebig (soprano) / Dominica Matthews (mezzo-soprano) / Barry Ryan (baritone) & Sian Pendry (soprano) Opera Australia Chorus & Australian Opera and Ballet Orchestra, Richard Hickox 3 CDs for the price of 2 ‘It is hard to imagine anyone doing the title role better” (The Australian) “Hickox conducts with real theatrical warmth…” BBC Music Magazine, March 2008 **** “As music director of Opera Australia… Richard Hickox… has made a bold choice in Dvorák's last and greatest opera, Rusalka, when there is a near-definitive version available on Decca with a mainly Czech cast and the Czech Philharmonic conducted by Sir Charles Mackerras. Cheryl Baker may not have so creamily beautiful a voice as Renée Fleming but she sounds more aptly girlish and fresh. Tenor Rosario La Spina as the Prince is younger-sounding, more virile and more expressive than the Heldentenor Ben Heppner on decca. As for Hickox, he conducts this magical score with a bite that brings out the elements so closely related to the Salvonic Dances. A final choice must remain marginal, but anyone who wants a new-minted version of one of the most magical of all operas... more atmospherically recorded than on Decca - this new Chandos version makes an excellent choice.” Gramophone Magazine, March 2008 | | | Usually despatched in 2 - 3 working days. |
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Gramophone Awards 1999
Gramophone Magazine