This page lists all recordings of Rheinlegendchen (Des Knaben Wunderhorn), by Gustav Mahler (1860-1911) on CD & DVD. Generally, more recent CDs and DVDs are listed first, but with priority given to items that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Anne Sophie von Otter - In My Element
| | I let the music speak No Wonder (arr. by Elvis Costello and Ensemble) I Want to Vanish (arr. by Elvis Costello and Ensemble) | Bizet: | L’amour est un oiseau rebelle (Carmen) Les tringles des sistres tintaient (from Carmen) | Brahms: | He, Zigeuner, greife in die Saiten ein! Brauner Bursche führt zum Tanze | Chaminade: | Ah! si l'amour prenait Mignonne, à l'amour j'ai lié | Dowland: | In darkness let me dwell | Grieg: | Haugtussa, Op. 67 No. 8 'Ved Gjætle-Bekken' | Haas, P: | Seven Songs in a Folk Style, Op. 18 (unreleased) | Handel: | Qui d'amor from Ariodante The world, when day's career is run (Hercules) When beauty sorrow's liv'ry wears (Hercules) | Mahler: | Rheinlegendchen (Des Knaben Wunderhorn) Oft denk' ich, sie sind nur ausgegangen | Monteverdi: | Adagiati, Poppea - Oblivion soave (L'incoronazione di Poppea) Disprezzata regina (L'incoronazione di Poppea) A Dio, Roma! (L'incoronazione di Poppea) | Mozart: | Parto! Parto, ma tu ben moi (from La Clemenza di Tito) Oh Dei, che smania è questa (La Clemenza di Tito) Ah, qual gelido orror; Il padre adorato (from Idomeneo) No, la morte io non pavento (Idomeno) Non so più cosa son, cosa faccio (from Le nozze di Figaro) Le nozze di Figaro, K492 - Voi che sapete | Offenbach: | Barcarolle (from The Tales of Hoffman) Portez armes Vous aimez le danger… Ah! que j’aime les militaires! | Purcell: | When I am laid in earth (Dido's Lament) from Dido and Aeneas | Schubert: | Im Abendrot, D799 Erlkönig, D328 | Schumann: | Süsser Freund Die Meerfee Op. 125 No. 1 | Strauss, R: | Ariadne auf Naxos: Composer's Aria: Sein wir wieder gut | Weill: | Buddy on the Nightshift My ship Surabaya Johnny (from Happy End) |
“Smart, sophisticated and opinionated, Anne Sofie von Otter has become a star by doing exactly what she wants” (Opera News) | | | In stock - usually despatched within 1 working day. |
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| |  | Mahler - Songs from Des Knaben Wunderhorn
Stephan Genz (baritone) & Roger Vignoles (piano) “Both "Dras irdische Leben" and "Der Tambourg'sell" - two starkly different songs - have a gentle lyricism that's deeply affecting. Genz is partnered by Roger Vignoles, whose playing is so sharply characterised and finely weighted that I hardly missed the better-known orchestral version.” Gramophone Magazine, July 2008 “Stephan Genz's light, warm and cultured baritone is especially fine in reflecting the ghost voices and moonlight serenades of Mahler's folk-inspired anthology. Yet more attack is surely needed for the prisoner in the tower and the what should be the increasingly desperate pleas of the starving child is 'Das irdische Leben'.” BBC Music Magazine, February 2008 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Mahler - UrlichtLieder
Christianne Stotijn (mezzo-soprano) & Julius Drake (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Alma & Gustav Mahler - Lieder
Sabine Ritterbusch (soprano), Heidi Kommerell (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Mahler: Lieder
Christoph Prégardien (Tenor), Michael Gees (Piano) The cosmos of Mahler’ songs is by nature smaller and more straightforward than that of his symphonies, hence the technical style of the songs is also simpler and more limited, never touching upon the borders of the possible in this musical world, as do the symphonies. Yet within these narrow confines and with this modest vocabulary, Mahler achieves an intensity of expression which is hardly inferior to that of his symphonies. | | | Usually despatched in 3 - 4 working days. |
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| |  | Dame Margaret Price & Geoffrey ParsonsSongs by Schubert, Mahler & R.Strauss
Mahler: | Rheinlegendchen (Des Knaben Wunderhorn) Wer hat dies' Liedlein Erdacht? (Des Knaben Wunderhorn) Wo die schönen Trompeten blasen (Des Knaben Wunderhorn) Das irdische Leben | Schubert: | Du bist die Ruh D776 (Rückert) Die Forelle, D550 Der blinde Knabe D833 Liebhaber in allen Gestalten, D558 Der König in Thule, D367 Gretchen am Spinnrade, D118 | Strauss, R: | Heimliche Aufforderung, Op. 27 No. 3 Freundliche Vision, Op. 48 No. 1 Ruhe, meine Seele!, Op. 27 No. 1 Du meines Herzens Krönelein, Op. 21 No. 2 Seitdem dein Aug' in meines schaute, Op. 17 No. 1 Cäcilie, Op. 27 No. 2 Morgen, Op. 27 No. 4 Zueignung, Op. 10 No. 1 |
Dame Margaret Price (soprano) & Geoffrey Parsons (piano) A Wigmore Hall/BBC Archive recording from 1987 - recorded live in the world-renowned acoustic of
Wigmore Hall. “This is one of the most thrilling performances I have ever seen” The Guardian | | | Usually despatched in 2 - 3 working days. |
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| |  | Else Paaske: Live and Studio Recordings 1967-1983
Bach, J S: | Aria: Betörte Welt, betörte Welt! From Kantate 94 (BWV 94) "Was frag' ich nach der Welt" Bereite dich Zion (from Christmas Oratorio, BWV248) | Berg: | Vier Lieder, Op. 2 | Brahms: | Heimweh, Op. 63, No. 8 An eine Äolsharfe, Op. 19 No. 5 Ständchen, Op. 106 No. 1 Die Mainacht, Op. 43 No. 2 Vergebliches Ständchen, Op. 84 No. 4 | Debussy: | Trois chansons de Bilitis | Heise: | Skønne fru Beatriz Gudruns Sorg | Lange-Müller: | Genboens første vise, Op. 13, 1 from I mester Sebalds have Yderst i slæbet, det lette, opus 48, no. 5 Åkande, opus 4, no. 2 Dybt i skumring, opus 20, no. 1 Der sang en fager fugl Himlen ulmer svagt i flammerødt, opus 19, no. 1 Sulamith og Salomon Op. 1 | Mahler: | Rheinlegendchen (Des Knaben Wunderhorn) Wo die schönen Trompeten blasen (Des Knaben Wunderhorn) Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn) | Nørholm: | Tre Sange for Alt og Klaver, Op. 54 | Poulenc: | La grenouillère, Op. 5 Deux Mélodies FP162 Carte Postale - From Quatre Poèmes FP58 1904 from Quatre Poèmes FP58 | Reger: | Zwei Geistliche Lieder Op. 105 Wenn in bangen, trüben Stunden Geistliches Lied: Wohl denen | Schumann: | Liederkreis, Op. 39 |
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| |  | Lieder
Brigitte Fassbaender (soprano), John Wustmann (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Elisabeth Schwarzkopf, Irmgard Seefried & Dietrich Fischer-Dieskau
Mahler: | Rheinlegendchen (Des Knaben Wunderhorn) Wo die schönen Trompeten blasen (Des Knaben Wunderhorn) Ich bin der Welt abhanden gekommen (from Rückert-Lieder) | Schubert: | An die Musik D547 Erlkönig, D328 Im Frühling, D882 Der Lindenbaum, D911 No. 5 | Strauss, R: | Zueignung, Op. 10 No. 1 Ständchen, Op. 17 No. 2 Morgen, Op. 27 No. 4 (wds. J H Mackay: orch 1897) Wiegenlied, Op. 41 No. 1 wds. Dehmel: orch 1916) Da geht er hin from Der Rosenkavalier,Op. 59 Ach, du bist wieder da! From Der Rosenkavalier, Op. 59 Die Zeit, die ist ein sonderbar Ding from Der Rosenkavalier,Op. 59 |
Elisabeth Schwarzkopf (soprano), Irmgard Seefried (soprano), Dietrich Fischer-Dieskau (baritone) "……..Also from Paris, comes Fischer-Dieskau’s Lieder eines fahrenden Gesellen in a performance, with the admirable Paul Kletzki, that proves, if proof were needed, his command of every aspect of a singer’s art. In its absolute prime, the voice rings out freely in forte passages, reduces to a mellow mezza voce in piano ones, while the interpretative intensity is beyond reproach. And so, too, is it in four excerpts from a BBC studio recital a year earlier, the faithful Moore in attendance. Four of Schubert’s most popular songs are delivered with all the breadth of tone and intelligence for which the baritone was noted, culminating in a hair-raising Erlkönig, Moore as virtuoso as ever in the taxing piano part." Gramophone 2/2004 | | | Usually despatched in 3 - 4 working days. |
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| |  | The Art of Sofie von Otter
Andersson: | Like an angel passing through my room | Bach, J S: | Mass in B minor, BWV232: Qui sedes ad dexteram Patris St Matthew Passion: 'Buss und Reu' | Berlioz: | La Damnation de Faust, Op. 24 - Le Roi de Thulé | Bizet: | Les tringles des sistres tintaient (from Carmen) Habanera (L'amour est un oiseau rebelle) (from Carmen) | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) | Chaminade: | L'Anneau d'argent Je Voudrais... | Costello: | For the Stars | Grainger: | The Sprig of Thyme | Grieg: | Haugtussa: 'Ved Fjaetle-Bekken' | Grüber, F: | Stille Nacht | Hahn, G: | Hjärterovet: Visa från Lappland | Handel: | Dopo notte (Ariodante) Agrippina: 'V'accendano le tede' Hercules: 'Cease, ruler of the day, to rise' Haec est Regina virginum Messiah: O thou that tellest good tidings to Zion | Korngold: | Die tote Stadt: Marietta's Lied Songs of the Clown: 'Come Away, Death' | Mahler: | Rheinlegendchen (Des Knaben Wunderhorn) Ging heut' morgen übers Feld (from Lieder eines fahrenden Gesellen) | Mendelssohn: | Elijah: O rest in the Lord | Meyerbeer: | Mina | Mozart: | Le nozze di Figaro, K492 - Voi che sapete Ah, guarda, sorella (from Così fan tutte) Smanie implacabili (from Così fan tutte) Soave sia il vento (from Così fan tutte) La clemenza di Tito, K621 - Parto parto Mass in C minor, K427 'Great' - 'Laudamus te' | Offenbach: | Barcarolle (from The Tales of Hoffman) Tales of Hoffman: 'Une poupée yeux d'émail' | Purcell: | Oh solitude! | Schubert: | Ave Maria, D839 An Sylvia, D891 | Schumann: | Frauenliebe und Leben: 'Du Ring an meinem Finger', Op. 42, No. 4 | Torme: | The Christmas Song | Weill: | One Life to Live |
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