All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Volume 2 - An Mein Herz
Schubert: | Der Jungling und der Tod, D545 (Spaun) Das Lied im Grünen, D917 Die Herbstnacht (Wehmut) D404 (Salis-Seewis) Ins stille Land, D403 Abschied von der Harfe D406 (Salis-Seewis) Drang in die Ferne, D770 An Mein Herz D860 Der Wanderer, D649 (Friedrich von Schlegel) Über Wildemann D884 (Ernst Schulze) Klage D371 Am Bach im Fruhling, D361 An die Laute D905 Des Fräuleins Liebeslauschen, D698 Augenlied, D297 (Mayrhofer) Du bist die Ruh D776 (Rückert) An die Musik D547 An eine Quelle D530 (Claudius) Der Sänger am Felsen, D482 Abschied von der Harfe D406 (Salis-Seewis) Liedesend, D473 (Mayrhofer) Das Heimweh, D456 (Winkler) Auf der Donau, D553 (Mayrhofer) Wie Ulfru fischt, D525 (Mayrhofer) Die Sternennacht D670 (Mayrhofer) Ruckweg, D476 (Mayrhofer) Geheimnis, D491 (Mayrhofer) Gondelfahrer, D808 Abendstern, D806 Der Sieg D805 (Mayrhofer) Nachtstück, D672 (Mayrhofer) Auflösung, D807 Heiss mich nicht reden, D877/2 Nur wer die Sehnsucht kennt, D877/4 An Mignon D161 Harfenspieler I 'Wer sich der Einsamkeit ergibt', D478 Am Flusse D160 (Goethe) Nähe des Geliebten, D162 Der Fischer, D225 (Goethe) Auf dem See, D543 (Goethe) Wonne der Wehmut D260 (Goethe) Willkommen und Abschied, D767 |
Matthias Goerne (baritone), Eric Schneider (piano) and Helmut Deutsch (piano) Matthias Goerne has received worldwide praise for his warm, fluid baritone and his profound interpretations. Highly respected as a Lieder singer, he is a frequent guest at renowned festivals and prestigious venues like the Carnegie and Wigmore Halls. From 2008 to 2011, Matthias Goerne will perform and record Schubert on 11 CDs for harmonia mundi and important venues all over the world will present the complete series of Schubert recitals with Matthias Goerne in their coming seasons. This second volume speaks of death, of the 'Wanderer', and of the relationship between Schubert and his poets . . . For this occasion the singer has called on two travelling companions who have left a lasting artistic impression on the world of lieder: Eric Schneider and Helmut Deutsch. Helmut Deutsch's career as a song accompanist began with Irmgard Seefried; he spent twelve years in an intensive collaboration with Hermann Prey, and has been the partner of many other celebrated singers. Eric Schneider has appeared notably with Christine Schäfer, Matthias Goerne, Christiane Oelze and Stephan Genz. He is a regular guest with these partners at the Schwarzenberg Schubertiade, Salzburg Festival and the Tanglewood Summer Music Festival. | 
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Bryn Terfel - A Song in my Heart
| | The Vagabond Whither Must I Wander Sea Fever Little Prince (The Little Prince) They Call the Wind Maria (Paint Your Wagon) English Northern Philharmonia, Paul Daniel Come Home (Allegro) English Northern Philharmonia, Paul Daniel Ar Hyd Y Nos (All Through the Night) Suo-Gan (Lullaby) Sì, tra i ceppi e le ritorte (Berenice) Vouchsafe, O Lord (Dettingen Te Deum) Scottish Chamber Orchestra, Mackerras | Berlioz: | Une puce gentille (Flea Song) Voice des roses (Air de Méphistophélès) Philharmonia Orchestra and Chorus, Myung-Whun Chung | Gurney: | Sleep | Hughes, J: | Guide me, O thou great Redeemer (Cwm Rhondda) The Black Mountain Chorus, Risca Male Choir & The Orchestra of Welsh National Opera, Gareth Jones | Mahler: | In diesem Wetter, in diesem Braus (Kindertotenlieder) Philharmonia Orchestra, Giuseppe Sinopoli | Mendelssohn: | Lord God of Abraham (Elijah) Orchestra of the Age of Enlightenment, Paul Daniel | Mozart: | Le nozze di Figaro, K492 - Non piu andrai, farfallone amoroso Guglielmo and Dorabellas's Duet (Il core vi dono) from Così fan tutte Cecilia Bartoli (Dorabella) & Bryn Terfel (Guglielmo) Orchestra dell’Accademia die Santa Cecilia, Myung-Chun Chung Ein Mädchen oder Weibchen (from Die Zauberflöte) Concert Aria, KAnh. 245: Io ti lascio, oh cara, addio Scottish Chamber Orchestra, Sir Charles Mackerras | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) Malcolm Martineau (piano) | Rutter: | The Lord bless you and keep you London Symphony Orchestra, Barry Wordsworth | Schubert: | Erlkönig, D328 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 Die beiden Grenadiere, Op. 49 No. 1 Mein Wagen rollet langsam, Op. 142 No. 4 | Sullivan: | Hereupon we’re both agreed (The Yeomen of the Guard) Academy of St. Martins in the Fields, Sir Neville Marriner | trad.: | Amazing Grace London Symphony Orchestra, Barry Wordsworth Shenandoah London Symphony Orchestra, Barry Wordsworth Deep River arr. Chris Hazell | Vaughan Williams: | Silent Noon | Verdi: | Eh Paggio! (from Falstaff) MET Orchestra, James Levine | Wagner: | Die Frist ist um (Holländer) Berliner Philharmoniker, Claudio Abbado O du, mein holder Abendstern (Wolfram) The Metropolitan Opera Orchestra, James Levine |
Bryn Terfel (bass-baritone) | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Ian Bostridge - Schubert Lieder
Schubert: | Die Forelle, D550 Ganymed, D544 (Goethe) Im Frühling, D882 An den Mond, D193 Geheimes, D719 (Goethe) Heidenröslein, D257 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Erster Verlust, D226 (Goethe) Der Fischer, D225 (Goethe) Fischerweise, D881 (Schlechta) Nacht und Träume, D827 Der Zwerg, D771 (Collin) Wehmut, D772 (Collin) An die Musik D547 Du bist die Ruh D776 (Rückert) Auf dem Wasser zu singen, D774 An Sylvia, D891 Litanei auf das Fest Allerseelen, D343 Frühlingsglaube, D686 Sei mir gegrüsst! D741 (Rückert) Im Haine, D738 Der Musensohn, D764 (Goethe) Wandrers Nachtlied I 'Der du von dem Himmel bist', D224 Seligkeit D433 (Holty) Erlkönig, D328 |
Ian Bostridge & Julius Drake (piano) Recorded 1996 & 2000 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Dietrich Fischer-Dieskau - Schubert
Dietrich Fischer-Dieskau & Gerald Moore (piano) (CD + DVD) | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Felicity Lott sings Schubert Favourites
Schubert: | Die Forelle, D550 An Sylvia, D891 Heidenröslein, D257 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) An die Musik D547 Auf dem Wasser zu singen, D774 Sei mir gegrüsst! D741 (Rückert) Litanei auf das Fest Allerseelen, D343 Die junge Nonne, D828 Ave Maria, D839 Im Frühling, D882 Gretchen am Spinnrade, D118 Nacht und Träume, D827 Ganymed, D544 (Goethe) Nur wer die Sehnsucht kennt, D877/4 Seligkeit D433 (Holty) |
Felicity Lott (soprano), Graham Johnson (piano) | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Schubert - Lieder
Schubert: | Die Gotter Griechenlands D677 (Schiller) An die Musik D547 Ganymed, D544 (Goethe) Nur wer die Sehnsucht kennt, D877/4 Gretchen am Spinnrade, D118 Wonne der Wehmut D260 (Goethe) Rastlose Liebe, D138 Auf dem See, D543 (Goethe) Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe) An Sylvia, D891 An die Nachtigall, D196 (Holty) An den Mond, D193 Nachtviolen D752 (Mayrhofer) Schlaflied D527 (Mayrhofer) Die Sternenwelten, D307 (Fellinger) Romanze, D114 (Matthisson) Die junge Nonne, D828 Auf der Riesenkoppe, D611 Im Frühling, D882 Sei mir gegrüsst! D741 (Rückert) Dass sie hier gewesen! D775 (Rückert) Du bist die Ruh D776 (Rückert) Lachen und Weinen, D777 An die untergehende Sonne, D457 Im Abendrot, D799 |
Bernarda Fink (mezzo) & Gerold Huber (piano) The pieces selected for this recording mark out the milestones of a brief, rich and critically important career as a song composer, ranging in time from 1814 to 1826.Alongside the classic Schubert themes found here, such as deliverance and night, death, flight from the world and hope, we also encounter poets who were more than merely fixed stars in the composer's cosmos, including Johann Wolfgang von Goethe, the writer he most often set, and Johann Baptist Mayrhofer.We can hear for ourselves a captivating, evocative musical language. It speaks of the constant struggle of an individual, his bitterness, his longing, and his desire for deliverance. Yet, however deeply Schubert bathed in this Romantic current, throughout his life art remained for him the only key that might perhaps lead to a 'better world'.And so, in 1817, he took up a text by his friend Franz von Schober to compose an ode to the all-placating 'blessed art' in An die Musik D547: music, which for Schubert, as he wrote to Schober in 1818, was nothing less than 'my beloved'. Bernarda Fink, has sung in numerous opera productions and has made over fifty recordings with a repertoire ranging from Monteverdi to Brahms and Bruckner, many for harmonia mundi and with René Jacobs. She has been flatteringly referred to as the natural successor to the late Lorraine Hunt Lieberson and to both [the living] Brigitte Fassbaender and Dame Janet Baker. Gerold Huber studied with Friedemann Berger and Helmut Deutsch in Munich, then attended Dietrich Fischer-Dieskau's lied class in Berlin. In addition to his regular appearances with Christian Gerhaher, he also performs with Ruth Ziesak, Cornelia Kallisch, Diana Damrau and Franz-Josef Selig and has also performed with the Artemis Quartet. “One of the most versatile, as at ease in Baroque repertoire as in music from Handel and Mozart to Schumann, Fink's rich, warm voice boasts the perfect blend of colour and clarity.” The Observer “[Fink's] Schubert springs directly from the eloquence of her diction, her understanding of the text and the velvet-like beauty of her exquisite mezzo-soprano. Nobody who loves Schubert should forgo the pleasures of this fine singing and playing. One of the records of the year, no doubt” Sunday Times, 24th August 2008 ***** “We're conscious throughout of a great voice superbly controlled, though [Fink] doesn't give nearly enough attention to words or expressive detail.” Tim Ashley, The Guardian, 12th September 2008 *** “Supported by Huber's faultless articulation, Fink's tender tone and perfect diction relect every nuance of emotion in the modulations of 'Im Frühling' and 'Dass sie hier gewesen'” The Independent, 7th September 2008 “The clear, unfettered lyrical mezzo of Bernardo Fink makes this a winning new Schubert recital…” BBC Music Magazine, October 2008 **** | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Barbara Bonney
Schubert: | Ave Maria, D839 Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) (with clarinet) Gretchens Bitte D564 (Goethe) Gretchen am Spinnrade, D118 Du bist die Ruh D776 (Rückert) Ständchen 'Horch! Horch! die Lerch!', D889 Im Abendrot, D799 Auf dem Wasser zu singen, D774 Die Forelle, D550 Nähe des Geliebten, D162 Heidenröslein, D257 Liebhaber in allen Gestalten, D558 Nur wer die Sehnsucht kennt, D877/4 Heiss mich nicht reden, D877/2 So lasst mich scheinen, D877 No. 3 Kennst du das Land (Mignons Gesang), D321 Ganymed, D544 (Goethe) |
Barbara Bonney & Geoffrey Parsons (piano) “Barbara Bonney’s Schubert recital is clear-eyed, simple and eloquent…” (BBC Music Magazine) | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | Volume 24 - Romantic Poets Volume 1
Schubert: | Die junge Nonne, D828 Die Liehe hat gelogen D751 (Platen) Frühlingsglaube, D686 Morgenlied, D685 Abendröte, D690 Der Schmetterling D633 Das Mädchen D652 (Schlegel) Der Knabe, D692 Die Rose, D745 Der Wanderer, D649 (Friedrich von Schlegel) Die Berge, D634 Der Fluss, D693 Die Vogel D691 Die Sterne, D684 Die Gebüsche, D646 Du liebst mich nicht D756 (Platen) Dass sie hier gewesen! D775 (Rückert) Du bist die Ruh D776 (Rückert) Lachen und Weinen, D777 Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' |
Julia Borchert (soprano) & Ulrich Eisenlohr (piano) | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Schubert - An Die Musik
Schubert: | Gruppe aus dem Tartarus Litanei auf das Fest Allerseelen, D343 Am Tage aller Seelen (Litanei) D343 (Jacobi) Die Forelle, D550 Lachen und Weinen, D777 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Der Fischer, D225 (Goethe) Die Taubenpost D957 No. 14 Meeres Stille, D216, Op. 3 No. 2 (Goethe) Der Wanderer, D493 Erlkönig, D328 Der Tod und das Mädchen, D531 Heidenröslein, D257 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 An die Musik D547 Auf der Bruck, D853 Schäfers Klagelied, D121 (Goethe) An Sylvia, D891 Du bist die Ruh D776 (Rückert) An die Laute D905 Rastlose Liebe, D138 Ganymed, D544 (Goethe) Der Musensohn, D764 (Goethe) |
Bryn Terfel & Malcolm Martineau “Terfel's gift […] is a generous, individual voice, a natural feeling for German and an inborn ability to go to the heart” – Gramophone | | | Usually despatched in 2 - 3 working days. |
|
|
| |
|