Schoenberg: Erwartung, Op. 17

Schoenberg’s polyphonic tone poem Pelleas und Melisande is often compared to Debussy’s opera based on the same text by Maurice Maeterlinck.

According to the composer, “The first performance, 1905, in Vienna, under my own direction, provoked riots among the audience and even the critics. Reviews were unusually violent and one of the critics suggested putting me in an asylum and keeping music paper out of my reach. Only six years later, under Oscar Fried’s direction, it became a great success, and since that time has not caused the anger of the audience”.

The most innovative features of Erwartung, a “monodrama for soprano and large orchestra”, are the continual variation of orchestral textures, and the constantly changing tempi. Not only are the instrumental combinations new, but the instruments themselves are required to produce new sounds.

This set shows the so-called bogey-men of the Second Viennese School, from their hyper Romantic height, through Expressionism and onto the more entertaining aspects of Serialism, as entertainers of a great order. The Nineteenth-Century heritage of Schubert, Brahms and Wagner are never far from Schoenberg, Berg and Webern in these 8 CDs, which concentrate on the earlier, more approachable (and often finest) products of three distinct composers, rather than any school. The performers reflect the composers' Romantic leanings here; Sinopoli bringing in artists at the height of their early careers: Deborah Voigt, Alessandra Marc and Juliane Banse.

The ever-approachable Berg is seen at his kindest and Webern, a figure who looked as far back as he did forward is as finely tuned in Im Sommerwind as in the Op.21 Symphony – a simply and fascinating journey. Schoenberg is in full splendour, too. Sounding more like Mahler's heir than a prophet of total change.

“In his highly compelling live recording, Sinopoli conducts a most sensuous reading of Gurrelieder, bringing out all it’s romantic voluptuousness… anyone who has ever thought of Schoenberg as cold should certainly hear this, magnetic from first to last…" Penguin Guide ***

“It would be hard to imagine more romantic readings of Berg’s principal orchestral works than those under Giuseppe Sinopoli. The atonal arguments of Berg have never been presented more sinuously, cocooning the ear, helped by sumptuous playing and recording” Penguin Guide ***