This page lists all recordings of The most sacred Queene Elizabeth her Galliard, by John Dowland (1563-1626) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Julian Bream plays Dowland and Bach
Bach, J S: | Partita for solo violin No. 2 in D minor, BWV1004: Chaconne Prelude for Lute in C minor, BWV999 played in D minor Lute Suite No. 1 in E minor, BWV996: Sarabande Lute Suite No. 1 in E minor, BWV996: Bourrée Prelude from Lute Suite No. 2 in C minor, BWV997 played in A minor Fugue from Lute Suite No. 2 in C minor, BWV997 played in A minor Prelude, Fugue & Allegro for Lute in E flat major, BWV998 played in D major | Dowland: | The most sacred Queene Elizabeth her Galliard Lachrimae Antiquae Mrs Whittes Nothing, P56 Mrs. Vaux Jig A Fancy Orlando Sleepeth Fantasia P72 The King of Denmark, His Galliard Melancholy Galliard Lady Hunsdon's Puffe Semper Dowland Semper Dolens Almain Sir Henry Umpton's Funeral Forlorn Hope Fancy (Fantasie No. 2) Ayres for 4 voices Humour say what mak’st thou here Can she excuse my wrongs? (First Booke of Songes, 1597) His golden locks Stay time awhile thy flying The lowest trees have tops Unquiet thoughts Praise blindness, eyes, for seeing is deceit My heart and tongue were twins |
Julian Bream (lute & guitar), Edith Steinbauer (treble viol), Beatrice Reichert (alto & tenor viol), Frieda Litschauer (tenor viol), Ernst Knava (bass viol) & Elizabeth Osborn (soprano) The Golden Age Singers, Margaret Field-Hyde The set comprises Bream’s solo Dowland LP (1954) – which was his debüt solo recording, played on lute - and his solo Bach LP (1956), both originally recorded on the Westminster label and justly celebrated at the time. Here they are brought together with a wide selection of Dowland ayres, sung by The Golden Age Singers with Bream’s lute accompaniment. The CD booklet has a newly commissioned note by Tully Potter, a personal friend of Julian Bream, and includes reproductions of the original LP covers, LP labels and photos of the artists. “…Bream's genius transcends all. Whether it's in the astonishing intensity of Dowland's Melancholy Galliard and Forlorn Hope Fancy or in the finely proportioned sense of pace and drama in Bach's Chaconne, the impression is ultimately of a meeting of equals.” Gramophone Magazine, October 2008 | 
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| |  | Awake, sweet love
| | In terrors trapp’d with thraldom thrust William Hunnis (attributed) | anon.: | Come tread the paths of pensive pangs | Campion: | Author of Light Oft have I sigh’d for him that hears me not | Danyel: | Eyes, look no more Thou pretty bird, how do I see I die whenas I do not see | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Flow my teares (Lacrimæ) A Fancy solo lute Sorrow, stay The most sacred Queene Elizabeth her Galliard solo lute Go, nightly cares Now, O now, I needs must part Prelude for lute A Fantasie solo lute Say love if ever thou didst find The Frog Galliard solo lute Awake, sweet love Tell me, true Love | Ferrabosco, A I: | Pavin solo lute | Ford, T: | Since first I saw your face | Johnson, E: | Eliza is the fairest Queen |
James Bowman (countertenor) & David Miller (lute, the viols of The King’s Consort) | | | Usually despatched in 2 - 3 working days. |
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| |  | The John Dowland CollectionWith new booklet article, Dowland timeline, and sung texts in English
Dowland: | Lachrimae Antiquae If my complaints could passions move Can she excuse my wrongs? (First Booke of Songes, 1597) Come away, come, sweet love My Lady Hudson's Allmande A Piece without title The Shoemaker's Wife Come again, sweet love doth now invite Come heavy sleep Mr. Dowland's Midnight Sir John Smith, His Almain Semper Dowland Semper Dolens Lachrimae Gementes I saw my Lady weepe Flow my teares (Lacrimæ) Fine knacks for ladies Shall I sue? Lachrimae Tristes Me, me, and none but me Forlorn Hope Fancy (Fantasie No. 2) Weepe you no more, sad fountaines Lachrimae Coactae Go, nightly cares The Right Honourable Ferdinando The most sacred Queene Elizabeth her Galliard Tell me, true Love Lachrimae Amantis In darkness let me dwell A Fantasie My Lord Chamberlaine his Galliard Far from triumphing Court I shame at mine unworthiness Lachrimae Verae |
Barbara Bonney, Anne Sofie von Otter, Nigel Rogers, Andreas Scholl & Göran Söllsche The Consort of Musicke Whether gay or sad, simple or complex, John Dowland’s music has the power to move us four centuries after its composition. This wide-ranging anthology explores all aspects of the work of England’s greatest songwriter and lutenist, performed by leading exponents of his art today. | | | Usually despatched in 2 - 3 working days. |
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| |  | Semper Dowland Semper DolensMusic for lute
José Miguel Moreno (Renaissance lute), Eligio Quinteiro (theorbo & gittern) | | | Usually despatched in 2 - 3 working days. |
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| |  | A Varietie of Lute Lessons
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| |  | The Queen's Goodnight
Susanne Heinrich (treble, tenor and bass viols), Kah-Ming Ng (keyboards) & Lynda Sayce (lute) Charivari Agréable | | | Usually despatched in 2 - 3 working days. |
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Gramophone Magazine