Bruckner: Symphony No. 7 in E Major

Otto Klemperer (1885-1973) was one of the most celebrated Bruckner conductors of the 20th Century and recorded in the studio all the symphonies except for Nos 1-3.

The Bavarian Radio live concert performance from the Herkulessaal in Munich in 1956 has not been available before and was recorded 4 years before Klemperer made a commercial studio version in 1960. It came at a time of the conductor's 'rebirth' as a major force in classical music which Medici has been documenting with some of the great performances he gave in Cologne. This is an important and rare release for any collector.

Equally the rare broadcast of a concert featuring Wagner's Prelude to Act 1 of Die Meistersinger given in Turin by the RAI in 1956 is of major importance to collectors. This has only appeared on LP and represents Klemperer's occasional appearances in Italy.

Both the Bavarian Radio and RAI recordings are of superb technical quality.

Throughout his later decades, Bruno Walter (1876-1962) was considered to be one of the world’s most noteworthy Brucknerians. Among his valedictory recordings his most prized are arguably those of Bruckner’s Fourth, Seventh and Ninth Symphonies with the Los Angeles-based Columbia Symphony Orchestra, recorded between 1959 and 1961. Yet Walter came to conduct Bruckner relatively late in his career. His first known Bruckner performance was a 1914 performance of the Fourth. Walter admitted that he himself did not feel entirely comfortable conducting Bruckner’s music until 1927, when he was over fifty years of age, as a result of enforced rest and contemplation caused by a bout of double pneumonia. Until almost twenty years after his death, in 1962, none of the numerous surviving live Bruckner recordings had come to light. Suddenly, within a few short years, a number of live Bruckner Ninths started appearing. Six are now known, including three with the New York Philharmonic. A relatively early Bruckner Fourth (from 1940) surfaced, and a unique recording of the Bruckner Eighth (from 1941) was undoubtedly the highlight of the new discoveries. All the while, no broadcast of the Seventh could be found. This was especially unfortunate, given that Walter’s tempi slowed down markedly after his heart attack in 1957. On 27 December 1953, Columbia Records recorded Walter conducting the New York Philharmonic-Symphony Orchestra (as it was then known) in Bruckner’s Symphony No.9, a live concert that was also broadcast. The following year, on 23 December 1954, Columbia recorded the entire, non-broadcast concert, in which the Bruckner Symphony No.7 was included in the programme. The next afternoon, in another concert that was not broadcast, Columbia again recorded the exact same programme. While the 1953 Columbia recording of the Ninth has not, apparently, survived (although, fortunately, broadcast tapes do), both 1954 concerts exist in their entirety. (It is not altogether clear, however, which recording is from which concert: only the 23 December concert is mentioned in Columbia’s paperwork, and the tapes are undated, simply being listed as ‘A’ and ‘B’.)

Extract from the boolet note Jon M. Samuels, 2008