All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Simon Rattle conducts StravinskyRecorded Live in September 2007
Berliner Philharmoniker & Rundfunkchor Berlin, Sir Simon Rattle The album comprises three of the five works by Stravinsky which contain the word ‘symphony’ in their titles, including the Symphony in C which Sir Simon has never before performed and which the BPO haven’t played for over 20 years. “As one might expect from these forces, the asceticism of neo-Classical Stravinsky plays second fiddle to the orchestra's natural plushness. But while the textures sound a little weightier than we are used to, Simon Rattle's mastery in orchestral balancing ensures that nothing is compromised.
There is some delectable playing here, especially from the woodwind in the Bachian counterpoint at the heart of the Symphony of Psalms, where the Berlin Radio Chorus also excels. And the richness of sound does nothing to dampen the rhythmic vitality that is at the heart of the two purely instrumental works” Matthew Rye, Daily Telegraph, 28th June 2008 “Rattle's performances, all taken from concerts in Berlin's Philharmonie, are as energised and impeccably played as one would expect, with the woodwind contributions a particular delight. Predictably, it's the last of the trilogy, the stark Symphony in Three Movements from 1946, that makes the biggest impression, with Rattle channelling its energy and athleticism uncompromisingly. Yet all three works have a litheness and confidence, a perfect balance between the sections, and, in the Symphony of Psalms, between the orchestra and the superbly groomed choir, that give the music a transparent, "classical" feel. Rattle's performance of the Symphony of Psalms gets the balance between celebratory exuberance and liturgical grandeur exactly right, releasing the energy of the finale in a controlled display of orchestral virtuosity.” The Guardian, 20th June 2008 **** “Rattle gives [the woodwind] Mozartian prominence above the transparent strings, and this is music to which the British conductor brings a special empathy. In the Psalm settings, the Rundfunkchor Berlin, now under Simon Halsey, give exemplary accounts of their music. These are luxury interpretations in every sense, sumptuously recorded.” Sunday Times, 15th June 2008 **** “The real highlight of this CD is Rattle's pressing but never impatient account of what in my view is Stravinsky's greatest symphony, the terse and poignant Symphony in C… Stravinsky himself is faster and lighter… but Rattle gives us both urgency and tonal body. Henceforth, his is a digital front-runner.” Gramophone Magazine, August 2008 “The slow movements of both the Symphony in Three Movements and the Symphony in C are beautifully done.” BBC Music Magazine, Proms 2008 *** | 
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Vera Soukupova (mezzo-soprano), Zdenek Kroupa (bass), Karel Berman (bass), Eduard Haken (bass), Ivo Zidek (tenor), Antonin Zlesak (tenor), Jean Desailly (the Narrator) Czech Philharmonic Orchestra, Prague Philharmonic Choir (=Czech Philharmonic Chorus), Karel Ancerl, Josef Veselka | | | In stock - usually despatched within 1 working day. |
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| |  | Svetlanov Edition Volume 26
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Mary Ann Hart (mezzo-soprano), Thomas Bogdan (tenor), Fred Sherry (cello), Stephen Taylor (oboe), Melanie Feld (oboe and cor anglais), Michael Parloff and Bart Feller (flutes) & David Wilson-Johnson (narrator) The Simon Joly Chorale, The Gregg Smith Singers, Orchestra of St. Luke’s & Philharmonia Orchestra, Robert Craft | | | Usually despatched in 2 - 3 working days. |
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Southwest German Radio Symphony Orchestra, Michael Gielen Maestro Michael Gielen presents the three Symphonies of Stravinsky in is certain to become one of the definitive interpretations for our time. The Symphony in Three Movements was composed during the height of WWII (1942-45), and reflects the composer’s impressions, mostly gained through cinematic representations, of the ongoing war. The Symphony in C was composed during one of the darkest periods in Stravinsky’s – years marked by illness and the death of his mother, his wife and a daughter. However, in trying to focus on formal concerns in the music, Stravinsky tried to keep his personal feelings out of the symphony. The first two movements were composed in Europe and reflect more of a traditional style. The third and fourth movements were composed after Stravinsky moved to America and herald his growing experiments with rhythmic meter change. The final composition on this CD, Symphony of Psalms, is based on various psalms from the Bible and consists of three parts. The score’s inscription à la gloire de Dieu, “to the glory of God,” reveals Stravinsky’s purpose for the work. The text, in Latin, is based on Psalm 150, which exhorts worship through the music of several different instruments, and Psalm 40, a prayer of supplication. | | | Usually despatched in 3 - 4 working days. |
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Munich Philharmonic Orchestra & Philharmonischer Chor München, Sergiu Celibidache | | | Usually despatched in 3 - 4 working days. |
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McNair, Murray & Shaw Atlanta Symphony Orchestra “Robert Shaw's legendary gift as a choir trainer shines through here. The balance between chorus, orchestra and soloist is finely handled, and Sylvia McNair gives a performance of great beauty.” BBC Music Magazine, June 2008 | | | Usually despatched in 2 - 3 working days. |
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Orchestre de Paris, Daniel Barenboim | | | Usually despatched in 3 - 4 working days. |
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| |  | à la Gloire de Dieu
The Sixteen, BBC Philharmonic Orchestra, Harry Christophers | | | Usually despatched in 2 - 3 working days. |
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| |  | Igor Markevitch
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