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| Crystal Tears (+free dvd)John Dowland & his contemporaries
Andreas Scholl (countertenor), Julian Behr (lute) Concerto di Viole There are few pleasures more delightful than musical melancholy, especially when it flows from the pen of the
finest Elizabethan poets and a composer whose name will be forever associated with that emotion: John
Dowland. His lute songs and consort songs form the backbone of Andreas Scholl's latest recital.
The countertenor has gathered his favourite partners around him in the service of this sublime vocal art,
elegantly distilling its fragile instants of grace.The songs are adroitly interspersed with instrumental pieces by
Dowland's contemporaries.
Bonus DVD NTSC: a performance of the song 'Venus' birds' and a documentary on the making of this
recording.Trailers available on harmoniamundi.com & Youtube.
Since it was founded in Basel in 1989, Concerto di Viole has played as a permanent ensemble. Its four
members all studied at the Schola Cantorum Basiliensis and each individual brings to it rich musical experience
with well-known international ensembles.They have recorded a number of CDs including German Baroque
cantatas with Andreas Scholl for harmonia mundi in 1998. “There is surely no voice more ethereal-sounding among contemporary falsettists than Scholl’s, and he lavishes a ravishingly beautiful sound on the Dowland “hits”: Go, crystal tears; Now, oh now, I needs must part; From silent night; Come, heavy sleep. The danger of monotony is averted with the interspersing of viol Fantasias by John Ward and Richard Mico, and of Dowland’s lute solos, Semper Dowland, Semper Dolens, The Lady Rich, Her Galliard and A Fancy, exquisitely played by Julian Behr. For fans of both Dowland and Scholl, this is a collector’s item.” Sunday Times, 29th June 2008 Disc of the Week “Since this is a collection dominated by John Dowland's consort songs, sobs and melancholy lie at its heart. But with Scholl's alto brand of counter-tenor floating the lines, polishing the vowels so beautifully, the sorrow never quite feels real. Occasionally he's too loud and hooty, and more than once monotonous. But Venus Birds is irresistible, he dies very nicely in Oh Death, Rock Me to Sleep, and he is always surrounded by succulent sounds from the lutenist Julian Behr. Even with the whistling and instrumental tracks, the variety of mood and texture remains limited - but who goes to Dowland to frolic?” The Times, 7th June 2008 *** “The exquisite melancholy pervading the disc, and its companion DVD, is the perfect balm to beguile you through a wistful summer evening” The Observer, 25th May 2008 “There is some magical singing here, and Scholl is supported by instrumental playing of rare subtlety and real finesse.” BBC Music Magazine, July 2008 **** “Scholl's technique is unimpeachable, his tone polished beyond doubt…” Gramophone Magazine, September 2008 | 
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| |  | Baroque Voices 18 - Dowland: Ayres
Gérard Lesne (alto) Ensemble Orlando Gibbons These beautiful and melancholy “Ayres” by the English 16th century composer John Dowland may be seen as precursors of the songs of the Romantic period, two centuries later. They are performed here by the renowned combination of Gerard Lesne and the Ensemble Orlando Gibbons. | 
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| |  | MuseVocal and instrumental works
Blow: | So ceas'd the rival crew | Cutting: | The Galliard to Mrs. Anne Markham's Pavan | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Come again, sweet love doth now invite Go From My Window, Loth to Depart I saw my lady weepe Lachrimae Amantis Lachrimae Antiquae Sorrow, come Time stands still | Hume, T: | My hope is revived | Purcell: | An Evening Hymn 'Now that the sun hath veiled his light', Z193 Fairest Isle Here the deities approve, Z.339 Music for a while, Z583 O solitude, my sweetest choice, Z406 Sonatas 3, 6, 9 & 12, Z 804, 807, 798 & 801 |
Daniel Taylor (counter-tenor), Andreas Martin (lute) Da Sonar & Les Voix Humaines 2CD for 1, combining two earlier releases - "Tears of the Muse" and "On the Muse’s Isle". | | | Usually despatched in 3 - 4 working days. |
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| |  | Consorts & Consort SongsMusic by William Byrd & His Contemporaries
Jill Feldman (soprano) Concerto delle Viole | | | Usually despatched in 3 - 4 working days. |
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| |  | John Dowland - Ayres
Gérard Lesne (alto) Ensemble Orlando Gibbons | | | Usually despatched in 2 - 3 working days. |
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| |  | Music Of The SpheresEnglish Consort Songs and Instrumental Music from the late 16th Century
Bennet: | Eliza, her name gives honour | Byrd: | Ye sacred muses - an elegy for Thomas Tallis Fantasia a 4 Come to me, grief, for ever | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) The Earl of Essex's Galliard Shall I strive with wordes to move? Fortune my foe Paduan - Courant - Volta (from Taffelconsort, 1621) Sorrow, come | Nicholson, R: | No more, good herdsman I am not, I, of such belief | Scheidt: | Cantilena Anglica Fortunae | Strogers: | A doleful deadly pang Mistrust not truth | Sweelinck: | Engelsche Fortuyn | Wigthorpe: | Were I made juror |
Maarten Koningsberger (baritone), Mike Fentross (lute), Brisk Recorder Quartet | | | Usually despatched in 3 - 4 working days. |
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| |  | Consort Songs
anon.: | Complain with tears When May is in his prime This Merry Pleasant Spring How can the tree (fromThe Parradise of Dainty Devices) | Byrd: | Wretched Albinus, consort song for voice & 4 viols With lilies white, consort song for voice & 4 viols | Cobbold: | Ye mortal wights | Dowland: | Sorrow, come Coranto, P100 Aria (instrumental) | Ferrabosco, A II: | Four-note pavan | Jenkins, J: | Fantasia VII | Mando: | Like as the day | Nicholson, R: | In a Merry May Morn, for voice & 4 instruments | Simpson, T: | Male Content Paduana Volta (fromTaffel-Consort) | Tallis: | When shall my sorrowful sighing slake, partsong for 4 voices |
Connor Burrowes (boy soprano) Amsterdam Loeki Stardust Quartet | | | Usually despatched in 2 - 3 working days. |
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| |  | An Elizabethan Songbook
Bartlet: | A pretty duck there was | Campion: | Sing a song of joy Break now, my heart, and die Woo her, and win her The Peaceful Western Wind I care not for these ladies Courante ['I care not for these ladies'] Faine would I wed Now hath Flora robbed her bowers Move now with measured sound | Danyel: | What thing is love? | Dowland: | Shall I strive with wordes to move? Sorrow, come Shall I sue? | Ford, T: | What then is love sings Coridon | Holborne: | The honeysuckle Heigh ho holiday | Johnson, E: | Eliza is the fairest Queen | Johnson, R: | Witty wanton | Jones, R: | Sweet Philomel | Morley: | Sing we and chant it | Pilkington: | I sigh, as sure to wear the fruit Rest sweet Nimphs | Rosseter: | What then is love but mouning | Vautor: | Mother, I will have a husband |
Boston Camerata, Joel Cohen | | | Usually despatched in 3 - 4 working days. |
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| |  | Dowland: Tears Of The Muse
Daniel Taylor (countertenor) Les Voix humaines | | | Usually despatched in 3 - 4 working days. |
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