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Leopold Stokowski Symphony Orchestra, Leopold Stokowski | 
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| |  | Debussy - Complete Works for Solo Piano Volume 3
Jean-Efflam Bavouzet (piano) Jean-Efflam Bavouzet here offers the third volume in his series devoted to the complete works for piano by
Debussy. The music now moves to a more playful strand in Debussy’s compositional career, with generally shorter
pieces of the salon genre, including the two famous collections Children’s Corner and Suite bergamasque.
In addition to these well-known works are several that are more rarely heard. Two such are La plus que lente,
which seems to look ahead to the Études of 1915, and Élégie. Roger Nichols describes the former as ‘one of his
most delightful pieces… the harmonic turns are particularly sophisticated and enchanting’. The Élégie was written
in 1915 following the composer’s move to the coast. The outbreak of the First World War had initially depressed
Debussy into a state of creative sterility but the move was to prove most productive. The Élégie was written for a
charity and, dedicated to Queen Alexandra, honours the role of women in wartime. It is now rarely performed but
Roger Nichols writes, ‘it is one of the composer’s most extraordinary works… and we are left wondering what on
earth Debussy would have written in the 1920s and beyond’.
Bavouzet’s previous two volumes have been very well received both critically and commercially. In a recent
review of volume two the LA Times wrote, ‘In what may turn out to be the greatest complete recorded survey of the
composer’s piano music yet, Jean-Efflam Bavouzet… plays with such bracing clarity that hearing the early
Romantic pieces, one feels like jumping into an icy pond after an hour in the sauna’. Of the same volume
International Record Review has noted, ‘I had the highest praise for Jean-Efflam Bavouzet’s first volume of
Debussy, and the present disc is fully the equal of that one in terms of colour, refinement of touch, spontaneity and
technical finish… Bavouzet has written that his Debussy playing has been influenced by that of Gieseking,
Michelangeli and Richter. You may hear something of each of these pianists in his playing but more than that you
will hear his own distinctive and special voice’.
This series is a deeply personal project for Bavouzet who has been involved in all aspects of the recording process. “This third volume confirms Jean-Efflam Bavouzet's winning affinity for Debussy's music. Such familiar pieces as the Suite bergamasque, Deux Arabesques or Children's Corner come across with their colours luminous, their ideas voiced fluently and the moods atmospherically fixed.” The Telegraph, 31st May 2008 “Fiercely energised yet superfine, his performances are not for those with comfortable drawing-room notions of Debussy.” Gramophone Magazine, July 2008 “…this delightful disc places Debussy's two most modest cycles (Children's Corner and Suite bergamasque) within a broadly chronological sequence of pieces spanning the composer's career.” BBC Music Magazine, June 2008 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Debussy - Orchestral Works Volume 1
Orchestre National de Lyon, Jun Märkl Debussy was one of the most important and influential composers of the early twentieth century. This recording features two of Debussy’s most harmonically innovative and imaginatively orchestrated works. Prélude à l’après-midi d’un faune (Prelude to the Afternoon of a Faun) evokes a pagan world, as the faun of the title takes his ease in the afternoon shade on a summer day. The three symphonic sketches that constitute La mer (The Sea), inspired partly by Katsushika Hokusai’s famous colour woodcut The Great Wave Off Kanagawa, offer subtly nuanced evocations of the sea from dawn to midday, of the waves and of the dialogue of wind and sea. “The Prélude à l'Après-Midi opens with a beautifully shaped flute solo, but then becomes too generalised, without enough stabs of drama to lift its general mood of indolence, while La Mer motors along rather complacently and Jeux totally lacks the quicksilver wit and colouristic imagination that makes it one of the most elusive and potent of Debussy's late works. Whether it's more obvious delight in the luxuriance of the textures, or a sharper analytical insight into the way in which the pieces are constructed, it needs more character; what we get instead is elegant, undemanding background music.” The Guardian, 30th May 2008 ** “Debussy ushered in the modern age with breezy whole-tone scales and mere impressions of keys, which the musicians under Märkl paint with delicious colour. Märkl moves the phrases of La Mer like plump, urgent waves, or smoothes them like the deceptive calm ready to surge at any moment. A sense of lurking danger might have been more apparent, however. The Prélude à l'après-midi d'un faune paints beautifully the dancing sunlight but lacks that haunting hollowness in the flute that evokes the pagan past. Jeux is both playful and as tense as a tennis racket. But Children's Corner is a little overpowering for the nursery, the jauntiness now rather grotesque in expanded form.” The Times, 24th May 2008 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Debussy - Images
Reviewing a performance by Trpceski of Debussy’s Images (Book I), The Seattle Times wrote earlier this year “Here is a pianist who really gets to the heart of the Impressionist style, one who can make the textures shimmer.” The Toronto Star said (of Images Book II): “he turned ordinary notes into gently shimmering cascades of colour, finally building up to the rollicking, occasionally jazzy ‘Poissons d’or.’ His playing was so perfect that it took an effort to remember to breathe while listening.” “Following his fire-eating Chopin recital, Simon Trpceski retreats into Debussy's more withdrawn poetry and fantasy with an ease and delicacy that suggest, once more, a wholly exceptional artist.” Gramophone Magazine, March 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Debussy - Complete Piano Works Volume 2
“A model of piano recording” (Daily Telegraph) | | | In stock - usually despatched within 1 working day. |
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| |  | Complete Solo Piano Music, Vol.2
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| |  | Debussy Orchestrations
Orchestre Symphonique de Quebec, Yoav Talmi | | | In stock - usually despatched within 1 working day. |
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| |  | Verbier Festival Highlights 2007
The Verbier Festival, created in 1994, rapidly acquired a reputation for artistic excellence and is now
considered to be among the major European music festivals. During a fortnight each July, the greatest stars of
the classical music world come together against the magical backdrop of the Swiss Alps. The Verbier Festival gives musicians the opportunity to perform original programmes with fellow musicians
they admire, but with whom they may never have performed before.These world première performances
produce innovative and exciting results, as much for artists as for audiences. Through the Academy, the Verbier Festival invests in the talents of young artists, while creating, and promoting
excellence in the performing arts. “In just a few years, the Verbier Festival has built up a reputation for quality, youth and frenetic artistic activity. We are proud regularly to welcome artists who are well-known all round the world, who so enjoy coming to play for us.” Martin T:son Engstroem, Festival Director “Whatever the reason, Verbier attracts great artists and inspires them to new heights, helped by the canny casting of the festival founder and artistic director Martin Engstroem. Martha Argerich… is absolutely astounding in the finale of Bartók's Sonata for Violin and Piano No 1 with a demonically driven Renaud Capuçon. ...Nelson Freire, offers a tender, one might say avuncular, view of Debussy's Children's Corner, a contrast to the glacial Hélène Grimaud in Schumann and Ravel, and Evgeny Kissin's Liebesträume No 3 where love is clearly a cross to be borne (though his Bizet-Horowitz Variations justifiably raise the roof). Rounding off proceedings is a fired-up Joshua Bell in the finale of Tchaikovsky's Violin Concerto. Visually, the camerawork is efficient and nothing more.” Gramophone Magazine, 2008 Awards Issue | 
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| |  | Debussy - Impressions
Although he never envisioned a career as a virtuoso performer, Debussy was a highly
accomplished pianist having studied at the Paris Conservatoire from the age of 10. His piano
pieces are some of the most sublime in the repertoire and the collection on this release are some
of his most popular.
Japanese pianist Momo Kodama studied with Murray Perahia and Andreas Schiff. These are
fine and accomplished performances form this young and extremely talented artiste. | | | Usually despatched in 3 - 4 working days. |
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| |  | Steinway Legends - Arturo Benedetti Michelangeli
Arturo Benedetti Michelangeli (piano) | | | Usually despatched in 2 - 3 working days. |
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