This page lists all recordings of Come again, sweet love doth now invite, by John Dowland (1563-1626) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
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See Terms & Conditions for p&p rates. | |  | Baroque Voices 18 - Dowland: Ayres
Gérard Lesne (alto) Ensemble Orlando Gibbons These beautiful and melancholy “Ayres” by the English 16th century composer John Dowland may be seen as precursors of the songs of the Romantic period, two centuries later. They are performed here by the renowned combination of Gerard Lesne and the Ensemble Orlando Gibbons. | 
| | | In stock - usually despatched within 1 working day. |
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| |  | Best of Daniel Taylor
Daniel Taylor (countertenor) Daniel Taylor is one of the most sought-after countertenors in the world today. This album represents a compilation taken from the almost twenty recordings Taylor has made for the ATMA label since 1997, and includes music by Bach, Handel, Purcell, Dowland and Buxtehude, among others. Taylor is heard performing solo, as well as with such singers as Suzie LeBlanc and Jan Kobow, in what promises to be the definitive portrait of this gifted artist. | | | Usually despatched in 3 - 4 working days. |
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| |  | The John Dowland CollectionWith new booklet article, Dowland timeline, and sung texts in English
Dowland: | Lachrimae Antiquae If my complaints could passions move Can she excuse my wrongs? (First Booke of Songes, 1597) Come away, come, sweet love My Lady Hudson's Allmande A Piece without title The Shoemaker's Wife Come again, sweet love doth now invite Come heavy sleep Mr. Dowland's Midnight Sir John Smith, His Almain Semper Dowland Semper Dolens Lachrimae Gementes I saw my Lady weepe Flow my teares (Lacrimæ) Fine knacks for ladies Shall I sue? Lachrimae Tristes Me, me, and none but me Forlorn Hope Fancy (Fantasie No. 2) Weepe you no more, sad fountaines Lachrimae Coactae Go, nightly cares The Right Honourable Ferdinando The most sacred Queene Elizabeth her Galliard Tell me, true Love Lachrimae Amantis In darkness let me dwell A Fantasie My Lord Chamberlaine his Galliard Far from triumphing Court I shame at mine unworthiness Lachrimae Verae |
Barbara Bonney, Anne Sofie von Otter, Nigel Rogers, Andreas Scholl & Göran Söllsche The Consort of Musicke Whether gay or sad, simple or complex, John Dowland’s music has the power to move us four centuries after its composition. This wide-ranging anthology explores all aspects of the work of England’s greatest songwriter and lutenist, performed by leading exponents of his art today. | | | Usually despatched in 2 - 3 working days. |
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| |  | Love Bade Me WelcomeSongs and poetry from the Renaissance
James Bowman, Daniel Taylor (counter-tenors), Frances Kelly (harp), Elizabeth Kenny (lute), Mark Levy (gamba), Ralph Fiennes (recitation) This programme has been devised by Daniel Taylor and the Theatre of Early Music to present the idea of love as painted by poets and composers between 1560-1630. The musicians are joined by critically acclaimed Shakespearean actor Ralph Fiennes who recites poems by Shakespeare, Sir Walter Raleigh, Ben Jonson, Thomas Campion and others. These poems intersperse a collection of songs, duets and instrumental pieces by Dowland, Robert Jones and Robert Johnson. | | | Usually despatched in 2 - 3 working days. |
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| |  | MuseVocal and instrumental works
Blow: | So ceas'd the rival crew | Cutting: | The Galliard to Mrs. Anne Markham's Pavan | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Come again, sweet love doth now invite Go From My Window, Loth to Depart I saw my lady weepe Lachrimae Amantis Lachrimae Antiquae Sorrow, come Time stands still | Hume, T: | My hope is revived | Purcell: | An Evening Hymn 'Now that the sun hath veiled his light', Z193 Fairest Isle Here the deities approve, Z.339 Music for a while, Z583 O solitude, my sweetest choice, Z406 Sonatas 3, 6, 9 & 12, Z 804, 807, 798 & 801 |
Daniel Taylor (counter-tenor), Andreas Martin (lute) Da Sonar & Les Voix Humaines 2CD for 1, combining two earlier releases - "Tears of the Muse" and "On the Muse’s Isle". | | | Usually despatched in 3 - 4 working days. |
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| |  | John Dowland - Ayres
Gérard Lesne (alto) Ensemble Orlando Gibbons | | | Usually despatched in 2 - 3 working days. |
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| |  | Elisa is the fayrest Quene
Bassano, A: | Pavana Galiarda | Bull, J: | Chromatic Pavan Chromatic Galliard | Byrd: | Fantasia 'A Lesson of Voluntaire' | Coprario: | Fantasia | Cutting: | Divisions on 'Walsingham' | Dowland: | Come again, sweet love doth now invite Come away, come, sweet love | Gervaise/Byrd: | Suite of Almands | Holborne: | Pavan Galliard, Lullabie Almaine, The Honey-Suckle | Johnson, E: | Elisa is the fayrest Quene Come againe, sweet Nature's treasure | Parsons, R: | In nomine | Wilbye: | Sweet Love, if thou wilt gaine a Monarches glory |
Stephen Wallace, Timothy Massa (counter-tenors), Julian Podger (tenor), Robert McDonald (bass), Elizabeth Pallett (lute), Raf Mizraki (percussion) QuintEssential Sackbut and Cornett Ensemble | | | Usually despatched in 2 - 3 working days. |
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| |  | The Radiant Voice of Barbara Bonney
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| |  | Dowland: Flow My Tears and other Lute Songs
Dorothy Linell (lute), Steven Rickards (counter-tenor) | | | Usually despatched in 2 - 3 working days. |
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| |  | John Dowland: Lute Songs
Andrew Dalton (Countertenor), Yasunori Imamura (Lute) | | | Usually despatched in 3 - 4 working days. |
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