All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Nathan Berg - Lieder Recital
Brahms: | Vier Ernste Gesänge, Op. 121 | Schubert: | Im Abendrot, D799 Der Strom, D565 (poet unknown) Das Abendrot D627 (Schreiber) Der Jüngling an der Quelle, D300 (Salis-Seewis) Der Tod und das Mädchen, D531 An den Frühling, D338 | Schumann: | Sechs Gedichte Und Requiem Op. 90 | Strauss, R: | Traum durch die Dämmerung, Op. 29 No. 1 Efeu, Op. 22 No. 3 Ach weh mir unglückhaftem Mann, Op. 21 No. 4 Morgen, Op. 27 No. 4 |
Nathan Berg (bass baritone) & Julius Drake (piano) Nathan Berg is already well known to audiences from his many recordings in operas, cantatas, masses and symphonies working with conductors such as Rene Jacob, William Christie and Robert Shaw. He has recorded for Harmonia Mundi, Telarc, Philips and Erato. On Hyperion he has recently appeared with Marjana Lipovsek in Graham Johnson’s complete Schubert series, and with Sophie Daneman in Mendelssohn. For his debut solo disc on ATMA Nathan Berg has selected a programme covering more than a century of romantic German lieder, including some of the best-loved songs of the genre by Schumann, Brahms, Strauss and Schubert. | 
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| |  | Strauss - 14 Lieder
Strauss, R: | Die Nacht, Op. 10 No. 3 Meinem Kinde, Op. 37 No. 3 Morgen, Op. 27 No. 4 Heimliche Aufforderung, Op. 27 No. 3 Fruhlingsgedrange, Op. 26 No. 1 Ich liebe dich Op. 37 No. 2 Ruhe, meine Seele!, Op. 27 No. 1 Befreit, Op. 39 No. 4 O wärst du mein Op. 26 No. 2 Nichts, Op. 10 No. 2 Schlechtes Wetter, Op. 69 No. 5 Allerseelen, Op. 10 No. 8 Zueignung, Op. 10 No. 1 Cäcilie, Op. 27 No. 2 |
Sophie Koch (mezzo) & Philippe Entremont (piano) | 
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| |  | Kate Royal - Recital
anon.: | The Sprig of Thyme arranged John Fraser | Canteloube: | Songs of the Auvergne: Baïlèro Malurous qu’o uno fenno (3rd series, no.5) from Chants d’Auvergne La Delaïssado (2nd series, no.4) from Chants d’Auvergne | Debussy: | Lia's Aria (‘l'enfant Prodigue') | Delibes: | Les filles de Cadix Chanson Espagnole | Granados: | Goyescas: Quejas ó La Maja y el Ruiseñor | Orff: | Carmina Burana: In trutina | Ravel: | Vocalise-étude en forme de habanera | Rodrigo: | Pastorcito santo - ¿Con qué la lavaré? - Vos me matasteis Cuatro madrigales amatorios: De dónde venís, amore? Cuatro madrigales amatorios: De los álamos vengo, madre | Strauss, R: | Wiegenlied, Op. 41 No. 1 Ich wollt ein Sträusslein binden, Op. 68 No. 2 Morgen, Op. 27 No. 4 | Stravinsky: | Anne's Lullaby from The Rake's Progress, Act III No word from Tom Cabaletta “I go, I go to him” from The Rake’s Progress, Scene III |
Kate Royal (soprano) Academy of St Martin in the Fields, Edward Gardner “Creamy and pure, Royal's voice is directly in the aristocratic line of Kiri Te Kanewa and Reneé Fleming” Gramophone Magazine BBC Music Magazine
Choral & Song Choice - September 2007 |
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| |  | R.Strauss - Vier letzte Lieder and Other Lieder
Jessye Norman (soprano) Gewandhausorchester Leipzig, Kurt Masur ["Norman is] grand, impassioned, noble, dignified, unmannered in this unforgettable interpretation"
Gramophone | | | In stock - usually despatched within 1 working day. |
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| |  | Joshua Bell - Voice of the Violin
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| |  | R Strauss - Lieder
Strauss, R: | Zueignung, Op. 10 No. 1 Nichts, Op. 10 No. 2 Die Nacht, Op. 10 No. 3 Wer hat’s getan Op. 10 No. 6 bis Befreit, Op. 39 No. 4 Allerseelen, Op. 10 No. 8 Ruhe, meine Seele!, Op. 27 No. 1 Cäcilie, Op. 27 No. 2 Heimliche Aufforderung, Op. 27 No. 3 Morgen, Op. 27 No. 4 Freundliche Vision, Op. 48 No. 1 Ich liebe dich Op. 37 No. 2 All mein Gedanken ... Op. 21 No. 1 Du meines Herzens Krönelein, Op. 21 No. 2 Ach Lieb, ich muß nun scheiden!, Op. 21 No. 3 Ach weh mir unglückhaftem Mann, Op. 21 No. 4 Die Frauen sind oft fromm und still Op. 21 No. 5 Traum durch die Dämmerung, Op. 29 No. 1 Nachtgang Op. 29 No. 3 Wozu noch, Mädchen Op. 19 No. 1 Breit' über mein Haupt Op. 19 No. 2 Schön sind, doch kalt die Himmelssterne, Op. 19, No. 3 Wie sollten wir geheim sie halten, Op. 19 No. 4 Hoffen und wieder verzagen Op. 19 No. 5 Mein Herz ist stumm, Op. 19 No. 6 Ich trage meine Minne, Op. 32 No. 1 Sehnsucht Op. 32 No. 2 Schlechtes Wetter, Op. 69 No. 5 |
Jonas Kaufmann (tenor) & Helmut Deutsch (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Liszt & R Strauss - Lieder
Liszt: | Vergiftet sind meine Lieder Über allen Gipfeln ist Ruh Ein Fichtenbaum steht einsam Die Drei Zigeuner Es muss ein Wunderbares sein, S. 314 Oh! quand je dors Comment, disaient-ils (Hugo) S'il est un charmant gazon Enfant, si j'étais roi (Hugo) | Strauss, R: | Liebeshymnus, Op. 32 No. 3 Die Nacht, Op. 10 No. 3 Allerseelen, Op. 10 No. 8 Zueignung, Op. 10 No. 1 Morgen, Op. 27 No. 4 Am Ufer, Op. 41 No. 3 Funf Lieder, Op. 15 |
Brigitte Fassbaender (mezzo-soprano), Irwin Gage (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Of ladies and love ...
Beethoven: | Adelaide, Op. 46 Wonne der Wehmut, Op. 83 No. 1 Der Kuss, Op. 128 | Fauré: | Nell, Op. 18 No. 1 Adieu, Op. 21 No. 3, from Poème d'un jour Sylvie, Op. 6 No. 3 Lydia, Op. 4 No. 2 Fleur jetée, Op. 39 No. 2 | Liszt: | Tre sonetti di Petrarca, S270 | Ravel: | Cinq mélodies populaires grecques | Schubert: | Trost: An Elisa, D97 Laura am Klavier, D388 An Sylvia, D891 Der Jüngling an der Quelle, D300 (Salis-Seewis) | Strauss, R: | Cäcilie, Op. 27 No. 2 Zueignung, Op. 10 No. 1 Nichts, Op. 10 No. 2 Morgen, Op. 27 No. 4 |
Michael Schade (tenor), Malcolm Martineau (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Strauss R: Four Last Songsand other works
Strauss, R: | Four Last Songs Wiegenlied, Op. 41 No. 1 Ruhe, meine Seele!, Op. 27 No. 1 Freundliche Vision, Op. 48 No. 1 Waldseligkeit, Op. 49 No. 1 Morgen, Op. 27 No. 4 Das Rosenband, Op. 36 No. 1 Zueignung, Op. 10 No. 1 Des Dichters Abendgang, Op. 47 No. 2 Capriccio: closing scene Capriccio: Intermezzo (Moonlight Music) |
Felicity Lott (soprano) Royal Scottish National Orchestra, Neeme Jarvi 'She [Felicity Lott] never loses sight of what the words are about; her vocalism is consistently poised and centered; and its no wonder that the wealth of commitment and knowledge shes brought to Strauss music over the years has made her a prime exponent of this repertoire.'
Fanfare | | | In stock - usually despatched within 1 working day. |
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| |  | Strauss, R: | Four Last Songs Muttertändelei, Op. 43 No. 2 Waldseligkeit, Op. 49 No. 1 Zueignung, Op. 10 No. 1 Freundliche Vision, Op. 48 No. 1 Die heliegen drei Könige aus Morgenland Op. 56 No. 6 Ruhe, meine Seele!, Op. 27 No. 1 Meinem Kinde, Op. 37 No. 3 Wiegenlied, Op. 41 No. 1 Morgen, Op. 27 No. 4 Das Bächlein, Op. 88 No. 1 Das Rosenband, Op. 36 No. 1 Winterweihe, Op. 48 No. 4 |
Elisabeth Schwarzkopf Berlin Radio Symphony Orchestra / London Symphony Orchestra, George Szell | | | In stock - usually despatched within 1 working day. |
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