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James McCracken, Jessye Norman, Tatiana Troyanos, David Arnold, Kim Scown & Werner Klemperer Tanglewood Festival Chorus & Boston Symphony Orchestra, Seiji Ozawa Recorded: Symphony Hall, Boston, 04/79 | | | In stock - usually despatched within 1 working day. |
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Jessye Norman, Tatiana Troyanos, Kim Scown Boston Symphony Orchestra, Tanglewood Festival Chorus, Seiji Ozawa | | | In stock - usually despatched within 1 working day. |
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Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff, Philip Langridge Rundfunkchor Berlin, MDR-Rundfunkchor Leipzig, Ernst Sennf Choir, Berlin Philharmonic Orchestra, Simon Rattle | | | In stock - usually despatched within 1 working day. |
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Paul Frey (tenor) and Jard van Nes (mezzo-soprano) Radio-Sinfonie-Orchester Frankfurt, Chor des NDR Hamburg, Chor des Bayerischen Rundfunks & Opernchor der Städtischen Bühnen Frankfurt, Eliahu Inbal | | | Usually despatched in 2 - 3 working days. |
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Birgit Nilsson (soprano), Lili Chookasian (mezzo soprano), Carlo Bergonzi (tenor) & Ezio Flagello (bass) Boston Symphony Orchestra, Erich Leinsdorf | | | Usually despatched in 4 - 5 working days. |
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Stephen O’Mara (tenor), Melanie Diener (sopano), Jennifer Lane (mezzo-soprano), David Wilson-Johnson (bass), Martyn Hill (tenor), Ernst Haefliger Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | | | Usually despatched in 2 - 3 working days. |
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| |  | Documents of the Munich Years, Volume 1
Heppner, Voigt, Meier, Schulte, Polenzani, Haefliger Munich Philharmonic Orchestra & Chorus, James Levine | | | Usually despatched in 3 - 4 working days. |
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Gesell (Morris), Gruber (Ferry), Lewis (Richard), Riley (John), Semser (Ethel), Tangemann (Nell) Leibowitz (René) | | | Usually despatched in 3 - 4 working days. |
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| |  | Giuseppe Sinopoli conducts Berg, Schoenberg & Webern
Berg: | Violin Concerto 'To the Memory of an Angel' (1935) Reiko Watanabe (violin) Chamber Concerto for Piano and Violin with 13 Wind Instruments Reiko Watanabe (violin) & Andrea Lucchesini (piano) Lyric Suite for soprano and string quartet Alessandra Marc (soprano) 3 Wozzeck-Fragments Alessandra Marc (soprano) Lulu-Symphonie - Soprano and orchestra Alessandra Marc (soprano) Sieben frühe Lieder Orchestral version 1928 Juliane Banse (soprano) 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4 Alessandra Marc (soprano) Der Wein Doborah Voigt (soprano) Drei Orchesterstücke, Op. 6 | Schoenberg: | Pierrot lunaire, Op. 21 Luisa Castellani (voice) & Andrea Lucchesini (piano) Erwartung, Op. 17 live recording Alessandra Marc (soprano) 6 Lieder for soprano and orchestra, Op. 8 Alessandra Marc (soprano) Accompaniment to a Cinematographic Scene, Op. 34 A Survivor from Warsaw, Op. 46 John Tomlinson (narrator) Chamber Symphony No. 1 in E major, Op. 9 Gurrelieder live from the Semper Opera, Dresden Deborah Voight, Jennifer Larmore, Bernd Weikl & Kenneth Riegel | Webern: | Im sommerwind (Idyl for large orchestra) (1904) Idyll after a poem by Bruno Wille Passacaglia for Orchestra, Op. 1 Six Pieces for Orchestra Op. 6 arr. For reduced orchestra 1928 Five Pieces for Orchestra Op. 10 Symphony, Op. 21 Concerto for Nine Instruments Op. 24 Variations for Orchestra, Op. 30 |
Staatskapelle Dresden, Giuseppe Sinopoli This set shows the so-called bogey-men of the Second Viennese School, from their hyper Romantic height, through Expressionism and onto the more entertaining aspects of Serialism, as entertainers of a great order. The Nineteenth-Century heritage of Schubert, Brahms and Wagner are never far from Schoenberg, Berg and Webern in these 8 CDs, which concentrate on the earlier, more approachable (and often finest) products of three distinct composers, rather than any school. The performers reflect the composers' Romantic leanings here; Sinopoli bringing in artists at the height of their early careers: Deborah Voigt, Alessandra Marc and Juliane Banse. The ever-approachable Berg is seen at his kindest and Webern, a figure who looked as far back as he did forward is as finely tuned in Im Sommerwind as in the Op.21 Symphony – a simply and fascinating journey. Schoenberg is in full splendour, too. Sounding more like Mahler's heir than a prophet of total change. “In his highly compelling live recording, Sinopoli conducts a most sensuous reading of Gurrelieder, bringing out all it’s romantic voluptuousness… anyone who has ever thought of Schoenberg as cold should certainly hear this, magnetic from first to last…" Penguin Guide *** “It would be hard to imagine more romantic readings of Berg’s principal orchestral works than those under Giuseppe Sinopoli. The atonal arguments of Berg have never been presented more sinuously, cocooning the ear, helped by sumptuous playing and recording” Penguin Guide *** | 
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