Stravinsky: Symphony in 3 movements

“As one might expect from these forces, the asceticism of neo-Classical Stravinsky plays second fiddle to the orchestra's natural plushness. But while the textures sound a little weightier than we are used to, Simon Rattle's mastery in orchestral balancing ensures that nothing is compromised. There is some delectable playing here, especially from the woodwind in the Bachian counterpoint at the heart of the Symphony of Psalms, where the Berlin Radio Chorus also excels. And the richness of sound does nothing to dampen the rhythmic vitality that is at the heart of the two purely instrumental works” Matthew Rye, Daily Telegraph, 28th June 2008

“Rattle's performances, all taken from concerts in Berlin's Philharmonie, are as energised and impeccably played as one would expect, with the woodwind contributions a particular delight. Predictably, it's the last of the trilogy, the stark Symphony in Three Movements from 1946, that makes the biggest impression, with Rattle channelling its energy and athleticism uncompromisingly. Yet all three works have a litheness and confidence, a perfect balance between the sections, and, in the Symphony of Psalms, between the orchestra and the superbly groomed choir, that give the music a transparent, "classical" feel. Rattle's performance of the Symphony of Psalms gets the balance between celebratory exuberance and liturgical grandeur exactly right, releasing the energy of the finale in a controlled display of orchestral virtuosity.” The Guardian, 20th June 2008 ****

“Rattle gives [the woodwind] Mozartian prominence above the transparent strings, and this is music to which the British conductor brings a special empathy. In the Psalm settings, the Rundfunkchor Berlin, now under Simon Halsey, give exemplary accounts of their music. These are luxury interpretations in every sense, sumptuously recorded.” Sunday Times, 15th June 2008 ****

“The real highlight of this CD is Rattle's pressing but never impatient account of what in my view is Stravinsky's greatest symphony, the terse and poignant Symphony in C… Stravinsky himself is faster and lighter… but Rattle gives us both urgency and tonal body. Henceforth, his is a digital front-runner.” Gramophone Magazine, August 2008

“The slow movements of both the Symphony in Three Movements and the Symphony in C are beautifully done.” BBC Music Magazine, Proms 2008 ***

“This is a highly individual Rite, well played, translucently clear in detail and full of character…..The performance of the engaging Symphony in Three Movements makes a perfect foil, a beautifully judged performance that relishes the syncopations and lighter scoring.” Ivan March, Gramophone, December 2007 – Gramophone recommendation

“Jonathan Nott and the Bamberger Symphoniker have plenty of shock and awe, notably in the transition to the 'Glorification of the Chosen One'; but the effect, if not the volume, is muted, while the poetry and excitement is only rarely apparent. …the Symphony in Three Movements are significantly better, though not enough to challenge Simon Rattle's masterly account (EMI).” BBC Music Magazine, January 2008 ***