All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Prokofiev - Visions fugitives
An exclusive artist for EMI Classics Japan since 2003, whose career is now growing with extraordinary momentum, this release sees Ayako Uehara continue her exploration of Russian music from the nineteenth century: 10 Pieces from Romeo and Juliet Op.75; the Piano Sonata No.7 in B flat major Op.83 and Vision Fugitives Op.22. A rare combination on disc. This repertoire is close to Ayako's heart - her passion for Russian music dating back to early studies in Japan with a visiting teacher from the Moscow Conservatory. Her understanding of this repertoire was clear when she became the youngest ever semi-finalist at the 1998 Tchaikovsky Competition, performing Mussorgsky’s Pictures at an Exhibition.Ayako soon became the focus of international attention, winning the first prize in the 12th International Tchaikovsky Competition in Moscow, 2002, aged just 22. Significantly, she was the first woman and the first Japanese pianist to do so. Her debut album followed - a live recording from the competition - which was released in Japan and sold over 30,000 copies.Born in 1980 in Takamatsu, Japan, Ayako Uehara studied music at the Yamaha Music School from the age of three, taking lessons in piano, composition and general musicianship. In 1990, she graduated to the Yamaha Master Class studying piano under Fumiko Eguchi, Shinji Urakabe and Vera Gornostaeva. She is now sponsored exclusively by Yamaha. Based in Paris since 2002, Ayako now performs regularly with such renowned conductors as Valery Gergiev and Lorin Maazel. In order to produce the necessary depth and volume of sound, Uehara has to place her body-weight effectively on the keyboard, at times almost lifting herself off the piano stool. This adds to the special intensity that characterises her performances. “Following her excellent Tchaikovsky and Mussorgsky CD, the young Japanese pianist drops a star in this Prokofiev recital. For crisp fingerwork and genuine feelings she’s still supreme, but dainty prettiness invades her Romeo and Juliet selection. The seventh Sonata has more consistent bite, until the finale, which doesn’t hurtle nearly enough. The Visions Fugitives come off the best: darting poetic miniatures, dispatched with delicacy and panache.” The Times, 25th April 2008 *** “Superb recording quality plus instances of star-quality pianistic texturing are not to be sneezed at, and Uehara is undoubtedly a talent to watch. But the evidence of this disc is that her transition from competition gladiator to artist is only just beginning.” Gramophone Magazine, July 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Messe Noire
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| |  | Alexander Korsantia Live in Concert
Bach, J S: | Jesu, Joy of Man's Desiring (from Cantata BWV147) arr Hess Chorale Prelude BWV639 'Ich ruf' zu dir, Herr Jesu Christ' arr Busoni Sheep May Safely Graze, from Cantata BWV208 arr Petri | Haydn: | Piano Sonata No. 13 in G major Hob.XVI:6 Piano Sonata No. 10 in C major, Hob.XVI:1 | Kancheli: | Instead of a Tango | Mozart: | Piano Sonata No. 10 in C major, K330 | Prokofiev: | Sonatine Pastorale, Op. 59, No. 3 Piano Sonata No. 7 in B flat major, Op. 83 Piano Sonata No. 8 in B flat major, Op. 84 Visions fugitive No. 10, Op. 22 | Stravinsky: | Lullaby from The Firebird (arr Agosti/Korsantia) Finale from The Firebird (arr Agosti/Korsantia) Infernal Dance of the King Katschei from The Firebird Suite (arr Agosti/Korsantia) Tango |
Alexander Korsantia (piano) Since winning the Arthur Rubinstein Competition and the Sidney Piano Competition, Alexander Korsantia’s career has taken him to many of the world’s major concert halls, collaborating with renowned conductors such as Valery Gergiev, Rafael Frühbeck de Burgos, Christoph Eschenbach, Yuri Bashmet and Paavo Jarvi and orchestras as the Chicago Symphony, the Kirov, Israel Philharmonic and Oslo Philharmonic. He has also given many recitals with renowned violinist Vadim Repin. Born in Tbilisi, Georgia, Korsantia has lived in the United States since 1992. He now resides in Boston where he is Professor of Piano at the New England Conservatory. Enjoying great popularity in his country of birth, he performed at the inauguration of Georgian President Saakashvili in 2004. Korsantia’s live recordings, on two discs, present an attractive programme carefully chosen from recitals he has given since 1995 in Jerusalem, Tel Aviv, Toulouse, Boston and New York. The first CD features arrangements of Bach by Busoni, Egon Petri and Myra Hess’s famous version of the chorale Jesu, Joy of Men's Desiring, two Piano Sonatas by Haydn and Mozart’s Sonata in C major, KV330 and 20th century Russian and Georgian music. Korsantia has rearranged Gwido Agosti’s magnificent 1934 piano transcription of the last three pieces from The Firebird Suite to reflect more of Stravinsky's original orchestral sound. Stravinsky’s Tango is followed by Giya Kancheli’s Instead of Tango originally written in 1996 for violin, piano, bandoneon and double bass. Kancheli’s own piano arrangement is dedicated to three Georgian pianists, one of them Alexander Korsantia. The second disc is devoted to Sergei Prokofiev: his Pastoral Sonatina and Vision Fugitive, No 11, Op 22 bookend the Piano Sonata No 7 in B flat major and the substantial Piano Sonata No 8. | 
| | | Unfortunately, as of December 3rd 2008 the UK distributor for this label is in administration. Although an agreement has already been signed with a new distributor, we expect some delay before stock is available again. You may order this item now but please be aware that it may be early 2009 before we are able to despatch it. |
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| |  | Kapell reDiscovered
Features five works new to Kapell’s discography: Prokofiev’s Sonata No. 7, Debussy’s Suite bergamasque, Chopin’s Barcarolle, Op. 60 & Scherzo No. 1, Op. 20, Kapell’s rendition of ‘God Save the Queen’ A virtuoso pianist of the mid-twentieth century, William Kapell’s brooding good looks and explosive interpretations of Russian piano literature made him a star. His death in a plane crash at the age of 31 put an end to a career marked by fiery personality, technical mastery, and unstinting devotion to his craft. Many considered him the first virtuoso American pianist — certainly the most famous one until Van Cliburn — whose early death denied him more enduring popularity. These recordings are a stirring reminder of the talent upon which his fame rested during his lifetime This digitally remastered two-disc set — the latest in Sony BMG Masterworks’ reDiscovered series — compiles performances from four of the concerts on Kapell’s tour of Australia and makes them available for the first time as a lasting tribute to the incredible talent and influence of William Kapell. | 
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| |  | Volume 34 of the Glenn Gould Complete Jacket Collection
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| |  | The Soviet Years Volume 5
Svatoslav Richter (piano) They are taken from two concerts given on 15th November and 24th November 1954 in Warsaw. “Tchaikovsky's flawed Sonata is a performance of breathtaking technical accomplishment. The Prokofiev, which Richter premiered in 1943, was his personal property… a great artist truly at the height of his powers.” Gramophone Magazine, August 2008 | | | Usually despatched in 3 - 4 working days. |
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| |  | Live Performances from the Tchaikovsky State Conservatory
Alexei Sultanov died in 2005, at only 35 years of age. These performances date from two concerts given in
the 1st and 2nd rounds of the International Tchaikovsky Competition in 1998. | | | Usually despatched in 3 - 4 working days. |
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Leschenko, Argerich, Poltera & Lakatos “…no orchestra could possibly compete with the micro-fine gestural reactions and textural clarity exhibited by MarthaArgerich and Polina Leschenko in Terashima’s stunning transcription for two pianos (Prokofiev: Symphony No.1)…such is the chimerical nature of artistry on display here – not to say stunning virtuosity…Leshenko’s pulverising account of Prokofiev’s Seventh Sonata…is barely less technically formidable, but temperamentally she is a different class, so that the…opening movement hits home with mind-numbing potency…Add to this Roby Lakatos’s captivatingly “gypsyesque” Tchaikovsky and Prokofiev…and you have a very special disc indeed.” Julian Haylock, IRR | | | Usually despatched in 3 - 4 working days. |
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| |  | Kempf - Prokofiev
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