All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Bruckner: Mass No. 3 in F minor
Ingela Bohlin (soprano), Ingeborg Danz (alto), Hans-Jörg Mammel (tenor) & Alfred Reiter (baritone) RIAS Kammerchor & Orchestre des Champs-Élysées, Philippe Herreweghe The Mass in F minor, composed 1867-68, shortly after the First Symphony, was one of his first large works with orchestra. It is also the one which best lends itself to concert performance, divorced from a liturgical function. This Mass ushers in his output of the 1870s, a point of equilibrium between a secularised style, influenced by Wagnerian harmony, and the religious academicism of his early works. “The music of Bruckner has long had a special meaning for me. During my childhood in Ghent, Bernard Haitink's Concertgebouw orchestra would come to the cathedral to play two Bruckner symphonies each year. Long before I ever thought of a career in music, I would sit motionless, awestruck by the way this music could fill the entire building, making it shine with sound. And although when I perform Bruckner, I may be using different instruments and interpreting the music in a different way, this is still the effect I am looking for…This is not music for channel-hoppers, or those in search of instant rewards. To deliver his music, you have to be a strong performer - whether you're a conductor like Celibidache or Karajan, or someone with a completely different musical background - like myself. And you also have to be a strong listener.” Philippe Herreweghe on Bruckner, major feature on his appearance at Edinburgh Festival, The Guardian, August 22nd | 
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| |  | Bruckner - Masses 1-3
Edith Mathis, Marga Schiml, Wieslaw Ochman, Karl Ridderbusch, Maria Stader, Claudia Hellman, Ernst Haefliger, Kim Borg Bavarian Radio Chorus & Symphony Orchestra, Eugen Jochum Judged to perfection, Jochum's mass series holds in exquisite balance the choral line, the perfect tempo and a keen feeling for the works' spiritual dimension - James Jolly, Gramophone 1000th issue | | | In stock - usually despatched within 1 working day. |
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Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, Anna Pashley, Birgit Finillä & Don Garrard John Alldis Choir, English Chamber Orchestra & New Philharmonia Chorus & Orchestra, Daniel Barenboim | | | Usually despatched in 3 - 4 working days. |
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| |  | Sergiu Celibidachein rehearsal
Margaret Price, Doris Soffel, Peter Straka, Matthias Hölle, Hans Sotin Munich Philharmonic, Sergiu Celibidache | | | Usually despatched in 2 - 3 working days. |
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| |  | Bruckner: Mass in F minor
Judith Booth (soprano), Jean Rigby (mezzo soprano), John Mark Ainsley (tenor), Gwynne Howell (bass) Corydon Singers, Corydon Orchestra, Matthew Best | | | Usually despatched in 2 - 3 working days. |
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Dagmar Maskvoá, Eva Zbytovska, Vladimir Nacházel, Jirí Ujerek, Jirí Novotny, Jirí Seiler, Jan Votava Josef Pancik | | | Usually despatched in 2 - 3 working days. |
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| |  | Bruckner: Mass No. 3 in F minor
Doris Soffel, Matthias Holle, Margaret Price, Peter Straka Munich Philharmonic Orchestra, Sergiu Celibidache | | | Usually despatched in 3 - 4 working days. |
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| |  | Bruckner - The Three Masses
Joan Rodgers (soprano), Catherine Wyn-Rogers (contralto), Keith Lewis (tenor), Alastair Miles (bass), James O'Donnell (organ), Colin Sheen, Roger Brenner, Phillip Brown (trombones), Olga Hegedus (cello), Thomas Martin (double bass), Juliet Booth (soprano), Jean Rigby (mezzo soprano), John Mark Ainsley (tenor), Gwynne Howell (bass) Corydon Orchestra, Corydon Singers, English Chamber Orchestra, Matthew Best 'For any listeners who missed out these individual issues the first time out, this compendium will fill an important gap. Under-performed and highly worthy music is awarded knowing performances' (The American Organist) | | | Usually despatched in 2 - 3 working days. |
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| |  | Bruckner - Masses
Bruckner: | Mass No. 1 in D Minor Isabelle Müller-Kant (soprano), Eibe Möhlmann (mezzo soprano), Daniel Sans (tenor), Christof Fischesser (bass) Chamber Choir of Europe, Württembergische Philharmonic Reutlingen, Nicol Matt Te Deum in C Major Mass No. 2 in E minor Pamela Coburn (soprano), Ingebrog Danz (alto), Christian Elsner (tenor), Franz-Josef Selig (bass) Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling Mass No. 3 in F minor Verena Schweizer (soprano), Elisabeth Glauser (alto), Uwe Heilmann (tenor), Matthias Goerne (baritone/bass) Gächinger Kantorei Stuttgart, Radio-Sinfonieorchester Stuttgart, Helmuth Rilling |
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| |  | Celebidache Edition - Volume 2Bruckner
Margaret Price (soprano), Christel Borchers (mezzo-soprano), Claes-Håkan Ahnsjö (tenor), Karl Helm (bass), Doris Soffel (mezzo-soprano), Peter Straka (tenor), Matthias Hölle (bass) and Elmar Schloter (organ) Philharmonische Chor München, Münchner Bach-Chor & Münchner Philharmoniker, Sergiu Celibidache | | | Usually despatched in 3 - 4 working days. |
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