All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Purcell - Here Let my Life and other songs
James Bowman & Daniel Taylor (counter tenors) Theatre of Early Music “Taylor Bowman…complement each other as perfectly as coffee and cream. A close-recorded perspective ensure the words cut through with compelling detail.” BBC Music Magazine, March 2008 **** “James Bowman has been around for decades, whereas Daniel Taylor is a comparative newcomer; despite the age difference, they are equals in all respects. They are heard together in "Sound the trumpet" and "In vain the am'rous flute", the fullness of Bowman's voice nicely offset by Taylor's leaner tones.” Gramophone Magazine, March 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | The Art Of Alfred DellerClassic Vanguard Recordings
Alfred Deller, Desmond Dupré (lute), Walter Bergman (harpsichord), Gustav Leonhardt (harpsichord) The Deller Consort, Oriana Concert Choir and Orchestra, Ensemble of Baroque Instruments, Leonhardt Baroque Ensemble | | | In stock - usually despatched within 1 working day. |
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| |  | Blow: | Ah, Heav'n! What is't I hear? Ode on the Death of Mr Henry Purcell | Purcell: | Sound the trumpet from Come ye Sons of Art, Z323 In vain the am'rous flute from Hail, bright Cecilia, Z328 O solitude, my sweetest choice, Z406 Sing, sing ye druids from Bonduca Z574 O dive custos Auriacae domus Z514 An Elegy upon the Death of Queen Mary No, resistance is but vain from The Maid's Last Prayer Z601 Hark how the songsters from Timon of Athens Z632 Incassum, Lesbia, rogas Z383 'The Queen's Epicedium' |
James Bowman (countertenor), Michael Chance (countertenor) The King's Consort, Robert King A sparkling collection which show both the composer and these fine artists in inspirational form. The performances are joyous, witty and ravishing in their Purcellian melancholy' (The Penguin Guide to Compact Discs) | | | In stock - usually despatched within 1 working day. |
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| |  | Legendary British Performers
anon.: | Have you seen but the white lily grow Filmed in Paris, 26 December 1972 Alfred Deller & Mark Deller (counter-tenors), Desmond Dupré (lute/guitar) | Bach, J S: | Jesu, Joy of Man's Desiring (from Cantata BWV147) Arr.: Dame Myra Hess, Filmed in London, 20 October 1954 Dame Myra Hess (piano) Adagio (from Toccata, Adagio & Fugue, BWV564) Filmed in London, 20 October 1954 Dame Myra Hess (piano) | Beethoven: | Piano Sonata No. 31 in A flat major, Op. 110 Filmed in London, 20 October 1954 Dame Myra Hess (piano) | Blow: | Ah, Heav'n! What is't I hear? Filmed in Paris, 26 December 1972 Alfred Deller & Mark Deller (counter-tenors), Desmond Dupré (lute/guitar) | Bridge: | Go Not, Happy Day Filmed in London, 7 May 1964 Peter Pears (tenor), Benjamin Britten (piano) | Britten: | Down by the Salley Gardens Filmed in London, 7 May 1964 Peter Pears (tenor), Benjamin Britten (piano) The Plough Boy Filmed in London, 7 May 1964 Peter Pears (tenor), Benjamin Britten (piano) | Dvorak: | Scherzo capriccioso, Op. 66 Filmed at the Free Trade Hall, Manchester, 30 January 1962 Hallé Orchestra, Sir John Barbirolli | Granados: | Intermezzo from the opera 'Goyescas' Filmed in London, 4 February 1962 Jacqueline du Pré (violoncello), Iris du Pré (piano) | Liszt: | Les Années de Pèlerinage II No. 7: Après une lecture du Dante - fantasia quasi sonata Filmed in London, 26 October 1961 John Ogdon (piano) | Mendelssohn: | Lied ohne Worte No. 49 in D major, Op. 109 Filmed in London, 4 February 1962 Jacqueline du Pré (violoncello), Iris du Pré (piano) | Mozart: | Piano Quartet No. 1 in G minor, K478 - Andante Filmed in London, 7 May 1964 Benjamin Britten (piano), Emanuel Hurwit (violin), Cecil Aronowitz (viola) Terence Weil (violoncello) | Purcell: | Sound the trumpet Filmed in Paris, 26 December 1972 Alfred Deller & Mark Deller (counter-tenors), Desmond Dupré (lute/guitar) | Rosseter: | What then is love but mourning? Filmed in Paris, 26 December 1972 Alfred Deller & Mark Deller (counter-tenors), Desmond Dupré (lute/guitar) | Saint-Saëns: | Allegro Appassionato in B minor Op. 43 Filmed in London, 4 February 1962 Jacqueline du Pré (violoncello), Iris du Pré (piano) | Schubert: | Impromptu in A flat major, D899 No. 4 Filmed in London, 15 January 1956 Solomon (piano) |
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| | To MusicSolos & Duets from their recordings 1941-46
Isobel Baillie, Kathleen Ferrier, with Gerald Moore (piano) | | | Usually despatched in 2 - 3 working days. |
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Elisabeth Söderström (soprano), Kerstin Meyer (mezzo-soprano), Jan Eyron (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Counter-tenor Duets and SongPurcell and his contemporaries
Ryland Angel (counter-tenor), Mark Chambers (counter-tenor), Laurence Cummings (h'chord, organ), Taro Takeuchi (lute, theorbo, baroque guitar), Reiko Ichise (bass viol), Becky Davies & Laura Hird (recorder), Rodolfo Richter and Claire Duff (violin) and Emma Alter (viola) "A welcome airing, delightfully performed, of the surprisingly low-profile Purcell" - Gramophone | | | Usually despatched in 2 - 3 working days. |
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