This page lists all recordings of Captain Digorie Pipers Galliard, by John Dowland (1563-1626) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
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See Terms & Conditions for p&p rates. | |  | Britten & Dowland - Lute Songs
Mark Padmore (tenor), Elizabeth Kenny (lute) Mark Padmore is widely acknowledged as one of the greatest tenors working today, celebrated in the opera house, the concert hall and as a peerless recording artist. He is admired—among other things—for his ‘extraordinary diction and whispering chamber-like intimacy … [his] joy in conveying the emotional core of each situation’ (Gramophone) “Padmore provides context by singing Dowland's original song before Craig Ogden steals in, alert to the Nocturnal's every nuance, and with a palette of colours both caressing and disquieting. Completing the frame, 'Flow my Tears' is beautifully inflected, though finer still is 'In Darkness let me Dwell' where in the final bars Padmore's enrapt engagement seems to conjure up the very chill of death.” BBC Music Magazine, February 2008 **** “Mark Padmore again shows why he is one of today's finest tenors. The quicker songs, like "Away with these self-loving lads", gain in clarity from a semi-declamatory approach, while the slower are eerily viol-like.” Gramophone Magazine, Janurary 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Dowland - Lute Music Volume 2Dowland's Tears
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| |  | Segovia - 1950's American Recordings Volume 41952-1957 Recordings
Volume 4 of Segovia’s 1950’s American recordings is devoted in the main to his arrangements of music composed between 1535 and 1750. Although today it is customary to play this repertoire on reproductions of instruments authentically modelled on concepts of musicological research, Segovia preferred the 20th Century guitar to all other instruments as an expressive medium. To his interpretations of the 16th century works of Milan, Narvaez, Mudarra and Dowland, as well as the Baroque guitar of Robert de Visee and transcriptions from Scarlatti or Rameau, Segovia brings the same application of colour, variety of dynamics and rhythmic freedom as he applied to romantic pieces. This full blooded approach to early music was greatly appreciated during his lifetime and often provided one of the few opportunities for the general public to become acquainted with this area of the repertoire. | | | Usually despatched in 2 - 3 working days. |
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| |  | Segovia - The Great Master
Castelnuovo-Tedesco: | 5 Pieces from "Platero y yo", Op. 190 Quintet for guitar and string quartet, Op. 143 with strings of the Quintetto Chigiano | Dowland: | Captain Digorie Pipers Galliard First release on CD Allemande | Esplá: | Dos Impresiones Levantinas | Handel: | Suite in G minor, HWV 453: Allegretto grazioso Gavotte in G major, HWV 491 (transposed to A major) Minuet in G major, HWV 531 (transposed to D major) | Lauro: | Vals venezolano No. 3 'Vals criollo' or 'Natalia' | Milán: | Pavane Nos. 5 & 6 First release on CD | Narvaez: | Canción del Emperador (sobre "Mille Regretz" de Josquin des Prez) Variation on "Guárdame las vacas" | Ponce, M: | Canción Canción y Paisaje Preambulo (originally attributed to A. Scarlatti) Gavotta (originally attributed to A. Scarlatti) Prelude / Ballet and Gigue (originally attributed to S.L. Weiss) First release on CD Six Preludes First release on CD Valse | Scarlatti, D: | Keyboard Sonata K391 in G major | Tansman: | Suite in Modo Polonico First release on CD | Torroba: | Albada (from: Piezas características) First release on CD Sonatina in A major | Villa-Lobos: | Etude for Guitar, W 235 No. 8 in C sharp minor First release on CD Etude for Guitar, W 235 No. 1 in E minor First release on CD | Visée: | Passacaille First release on CD | Weiss, S: | Fantasie |
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| |  | Pavana, The Virgin Harpsichord
Pierre Hantai (harpsichord), Skip Sempé (virginal and harpsichord), Olivier Fortin (harpsichord) | | | Usually despatched in 2 - 3 working days. |
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| |  | Dowland: Consort Music and Songs
Jacob Heringman (lute), Catherine King (mezzo-soprano) Rose Consort of Viols | | | Usually despatched in 2 - 3 working days. |
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| |  | Dowland - Lute Songs
Dowland: | Flow my teares (Lacrimæ) Galliard Lady Laiton's Almain Fortune my foe Frogg Galliard Weepe you no more, sad fountaines Me, me, and none but me What if I never speed? Lasso vita mia The Shoemaker's Wife Can she excuse my wrongs? (First Booke of Songes, 1597) Mistress White's Thing Round Battle Galliard Wilt thou unkind thus reave me? Come away, come, sweet love Sorrow, stay If that a sinner's sigh Mr. Dowland's Midnight Say love if ever thou didst find Lachrimae Pavan Can she excuse my wrongs? (First Booke of Songes, 1597) If my complaints could passions move Katherine Darcy's Galliard Come again, sweet love doth now invite I saw my Lady weepe Orlando Sleepeth Tarleton's Riserrectione Sir John Smith, His Almain Mistress White's Nothing My Lord Chamberlaine his Galliard From silent night Flow not so fast, ye fountains My Lord Willoughby's Welcome Home Mrs. Winter's Jump Melancholy Galliard Lady Hunsdon's Puffe Shall I sue? In darkness let me dwell The First Galliard Can she excuse my wrongs? (First Booke of Songes, 1597) Come heavy sleep Captain Digorie Pipers Galliard Go, nightly cares |
Alfred Deller (counter-tenor), Robert Spencer (lute) Alfred Deller’s Dowland has become part of our history. The most legendary of English countertenors distilled the very essence of the melancholy of the 17th century English song in general and of the composer of the Lachrimae in particular. | | | Usually despatched in 2 - 3 working days. |
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