All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Beethoven - Piano Concertos Nos. 1, 3, & 4
John O’Conor (piano) London Symphony Orchestra, Andreas Delfs Hailed for his interpretation of Beethoven’s piano concertos, Irish pianist John O’Conor completes the cycle with Nos. 1, 3, and 4. Beethoven composed the first four of his five mature piano concertos for his own concerts. The Concerto No. 1 in C major (1798) was actually the second to be written, but it was given the lower number because the earlier B-flat Concerto (1795) was published several months later. The opening movement of the First Piano Concerto is indebted to Mozart for its handling of the concerto-sonata form, for its technique of orchestration, and for the manner in which piano and orchestra are integrated. The first movement of the Concerto No. 3 opens with the longest introductory orchestral tutti in Beethoven’s concertos, virtually a full symphonic exposition in itself. Of the nature of the Fourth Concerto, the music authority Milton Cross wrote, “[Here] the piano concerto once and for all shakes itself loose from the 18th century. Virtuosity no longer concerns Beethoven at all; his artistic aim here, as in his symphonies and quartets, is the expression of deeply poetic and introspective thoughts.” Critical acclaim for John O’Conor’s Beethoven Piano Concerto recordings: ‘… in an overcrowded Beethoven concerto market these distinctive and excellently engineered performances are well worth hearing…….Beethoven’s Second and Fifth concertos make for an uncommon yet attractively contrasted CD coupling. More importantly, pianist John O’Conor and conductor Andreas Delfs invest their much-recorded scores with deep feeling, relaxed yet never draggy tempi, and freshly considered details that provide a welcome corrective to the attention-getting elbow-pokes and finger-jabs favoured by certain recent contenders in the name of “interpretation”’ GRAMOPHONE | 
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| |  | Beethoven Piano Concertos 2 & 3
Jorge Federico Osorio (piano) Mexico City Philharmonic Orchestra, Herrera de la Fuente | 
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| |  | Beethoven - Piano Concertos Nos. 3 & Piano arrangement of Violin Concerto
Arthur Schoonderwoerd (conductor & fortepiano) Cristofori Ensemble Alpha continues the musical tour of XIXth century piano music on ancient
instruments with Arthur Schoonderwoerd's recordings of Beethoven's
concerti. Going firmly against the prevailing tide,Arthur Schoonderwoerd
offers us colours, accents and tempi that cannot but deeply stir our perceptions of this music, so often
biased by huge orchestras or by powerful modern pianos.The first volume [alpha096] disturbed common
wisdom - a good thing - and gave tremendous pleasure to music lovers who discovered unknown riches in a
work they thought they knew. "Beware, this is a radical experience!" Le Monde de la Musique | 
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| |  | Beethoven - Piano Concertos Nos. 1 & 3
Ronald Brautigam (piano) Norrköping Symphony Orchestra, Andrew Parrott This is the first disc in Ronald Brautigam’s Beethoven Piano Concertos cycle; part of his ongoing cycle to record all of Beethoven’s music for solo piano. Brautigam now takes on Beethoven’s complete works for piano and orchestra, choosing to do so on a modern piano and with a modern instrument orchestra: the Norrköping Symphony Orchestra, internationally acclaimed for its many fine recordings on BIS. Conducting the series is Andrew Parrott, and together with the soloist, he brings all his expertise in period performance practice to bear in interpretations that in many ways are as fresh and revolutionary as those of the sonata cycle. As Ronald Brautigam explains in the liner notes: ‘I truly believe that what Beethoven wanted was chamber music rather than a battle between orchestra and soloist, and this makes for a wonderfully interactive set-up, where individual players have far more contact with the pianist than in a regular concert set-up’. “This is a recording set-up with consequences. Out the window goes the romantic 19th-century notion of the concerto as a titanic conflict between soloist and orchestra. In come intimate performances, styled almost as chamber music. In an early, Mozartean concerto like the C major, Op 15 (the first to be published, but not the first written), this scale of delivery is ideal. Brautigam’s fingering is so agile and clear that he makes you tingle in arpeggio runs; he’s equally splendid capering about, lightweight and giggly, in the rondo finale...If you want the blunt power of the old mighty Russians, Brautigam is probably not your pianist. But there’s fierce clarity here, and musical refreshment of a high order.” The Times, 18th July 2008 **** “…the playing is refreshingly alert throughout, with tempos noticeably on the fast side.” BBC Music Magazine, August 2008 **** | 
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| |  | Volume 8 of the Glenn Gould Complete Jacket Collection
Beethoven: | Piano Concerto No. 3 in C minor, Op. 37 |
Glenn Gould (piano) Leonard Bernstein The Canadian musician Glenn Gould was undoubtedly one of the greatest pianists of all time. To mark the 75th anniversary of his birth, and the 25th anniversary of his death, Sony BMG Masterworks presents this seminal artist’s vinyl recordings as re-mastered CDs, designed to replicate the exact artwork of the original gramophone records in miniaturised form. Already issued as part of an 80-CD box set (88697130942), these albums are now being made available individually. | 
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| |  | Rubenstein in Concert
Artur Rubenstein (piano) Concertgebouw Orchestra, Bernard Haitink “Rubinstein’s superb form is matched by the incredible musical sensitivity of Haitink and the orchestra” (New York Times) | | | In stock - usually despatched within 1 working day. |
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| |  | Friedrich Gulda
Friedrich Gulda (piano) Kölner Rundfunk-Sinfonie-Orchester, Mario Rossi Recording: Saal 1, Funkhaus, Cologne, 25 February 1957 & Saal 2, Funkhaus, Cologne, 22 February 1957 The two Beethoven piano sonatas precede his Decca recordings of the same works. Jeremy Siepmann in his notes says, “One of the things that most impresses here is the sheer wholeness of the playing. Outstanding examples include all of Op. 101. Nor by any means is the Appassionata to be sniffed at, though unlike some, Gulda makes a clear distinction between passion and hysterics.” “Gulda's subjective and impulsive way with Op 101's first movement brings his often underappreciated lyrical gifts to the fore.” Gramophone Magazine, June 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Beethoven - The Piano Concertos
Krystian Zimerman (piano) Wiener Philharmoniker, Leonard Bernstein Directed by Humphrey Burton | | | In stock - usually despatched within 1 working day. |
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| Beethoven - Piano Concertos Nos. 1 & 3
Mikhail Pletnev (piano) Russian National Orchestra, Christian Gansch 'For me Beethoven is like a god. I worship him, and I admire his music. It always produces very deep emotions in me when I'm conducting it or playing it on the piano.' (Mikhail Pletnev) | | | In stock - usually despatched within 1 working day. |
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Leon Fleisher (piano) The Cleveland Orchestra, George Szell | | | In stock - usually despatched within 1 working day. |
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