This page lists all recordings of Come to me, grief, for ever, by William Byrd (1543-1623) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Byrdland
Lawrence Zazzo (countertenor) Paragon Saxophone Quartet A tantalising fusion of ancient and modern, ‘Byrdland’ explores the world of the Renaissance song accompanied by
a modern-day saxophone quartet. All the songs on the disc were written by the great composers working in England in
the 16th and 17th centuries. Recent recordings by artists as diverse as Sting and Brian Asawa have partnered the
singer with the more traditional lute. | | | Usually despatched in 2 - 3 working days. |
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| |  | William Byrd - Consort Songs
Robin Blaze (countertenor) Concordia ‘Blaze continues to chart new territories of vocal expression. Blending purity with confidence, he draws on his
vocal strengths—effortlessly sustained legato, delicate pianissimos, crisp declamation—to starkly varied effect, depending on the context of each song’ (BBC Music Magazine) | | | Usually despatched in 2 - 3 working days. |
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| |  | Music Of The SpheresEnglish Consort Songs and Instrumental Music from the late 16th Century
Bennet: | Eliza, her name gives honour | Byrd: | Ye sacred muses - an elegy for Thomas Tallis Fantasia a 4 Come to me, grief, for ever | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) The Earl of Essex's Galliard Shall I strive with wordes to move? Fortune my foe Paduan - Courant - Volta (from Taffelconsort, 1621) Sorrow, come | Nicholson, R: | No more, good herdsman I am not, I, of such belief | Scheidt: | Cantilena Anglica Fortunae | Strogers: | A doleful deadly pang Mistrust not truth | Sweelinck: | Engelsche Fortuyn | Wigthorpe: | Were I made juror |
Maarten Koningsberger (baritone), Mike Fentross (lute), Brisk Recorder Quartet | | | Usually despatched in 3 - 4 working days. |
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| |  | What is our life?Renaissance Laments and Elegies
Cambridge Taverner Choir, Owen Rees Recorded March 1995 at Charterhouse Chapel, Surrey | | | Usually despatched in 3 - 4 working days. |
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| |  | English Madrigals (a cappella)
Bateson: | Those sweet delightful lilies Phyllis, farewell | Byrd: | Come to me, grief, for ever Come, woeful Orpheus | Farmer: | Fair Phyllis I saw | Morley: | Now is the month of maying Farewell, disdainful | Pilkington: | Why should I grieve? Sweet Phyllida | Tomkins: | Phyllis, now cease to move me Too much I once lamented | Weelkes: | The nightingale, the organ of delight Hark, all ye lovely saints above | Wilbye: | Weep, weep, mine eyes I fall, I fall, O stay me (1st Part) And though my love abounding (2nd Part) Adieu, sweet Amaryllis |
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| |  | The Queen's Men
Camarata of London, Glenda Simpson and Barry Mason | | | Usually despatched in 2 - 3 weeks. |
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| |  | William Byrd: Vocal Music
| | | Usually despatched in 3 - 4 working days. |
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