This page lists all recordings of Lullaby, Op. 16 No. 1 (Kolybelnaya pyesyen), by Piotr Ilyich Tchaikovsky (1840-93) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | None But The Lonely Heart
Debussy: | Cinq poèmes de Baudelaire | Strauss, R: | Ständchen, Op. 17 No. 2 Allerseelen, Op. 10 No. 8 Glückes genug Op. 37 No. 1 Befreit, Op. 39 No. 4 Ruhe, meine Seele!, Op. 27 No. 1 Heimliche Aufforderung, Op. 27 No. 3 Cäcilie, Op. 27 No. 2 | Tchaikovsky: | Zakatilos solntse (The sun has set) Lullaby, Op. 16 No. 1 Why? Op 6 No. 5 Otchevo? Snova, kak prezhde, odin, Op. 73 No. 6 Zabït tak skoro (So soon forgotten) None but the lonely heart, Op. 6 No. 6 |
Amanda Roocroft (soprano) & Malcolm Martineau (piano) Recorded at Champs Hill, England April/July 2007 "If you are lucky, a song recitalist will take you to the edge of an inner world. A select few know how to draw you in further. And then there’s Amanda Roocroft. Her peachy soprano may be what we hear, but it is her heart that does the singing… This recital revealed Roocroft at the peak of her powers – a fully matured artist who combines technical and interpretative control with emotional freedom…. Such sincerity of feeling is only possible from someone who has lived a life. The striking quality about “None but the lonely heart” was the manner in which art concealed art – one of Roocroft’s golden charms. ..A rapturous “Ständchen”… impossible not to be swept along by “Heimliche Aufforderung”, and the ecstatic ardour of “Befreit” was overwhelming. Roocroft understands that the essence of the art song is not its outer beauty of form but its inner depth of feeling. She is a national treasure." (Financial Times on her 2007 recital - 25 May 2007) “A warm voice and an involved accompanist grace this enjoyable recital.” Gramophone Magazine, February 2008 “…there are certainly some five-star performances here - and Strauss's relatively unfamiliar 'Glückes genug' hints that she may make an Arabella of ideal candour and dignity.” BBC Music Magazine, January 2008 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Rachmaninov - Solo Piano Works
 BBC Music Magazine
Disc of the month - April 2005 |
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| |  | A Russian RomanceSung in Russian
Cui: | I have Touched a Flower | Dargomïzhsky: | Young Boy and Girl I Still Love Him | Glinka: | Fire in my Veins To the Zither Do not Tempt me Tell me Why | Rachmaninov: | Never Sing to me Again, Op. 4, No. 4 Lilacs, Op. 21 No. 5 The Soldier’s Wife, Op. 8, No. 4 At night in my garden, Op. 38 No. 1 Daisies, Op. 38 No. 3 I await you, Op.14 No. 1 | Rimsky Korsakov: | Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 Of What in the Quiet Night Early Spring, Op. 43, No. 4 | Tchaikovsky: | Lullaby, Op. 16 No. 1 If only I had known, Op.47, No.1 Zabït tak skoro (So soon forgotten) In the midst of the ball, Op. 38 No. 3 Song: 'Was I not a blade of grass?' Op. 47 No. 7 | Vlasov: | The Fountain of Bakhchisarai |
Elena Kelessidi (soprano) & Malcolm Martineau (piano) Elena Kelessidi is one of opera’s most touching and fiery artists and the most international Greek soprano of today. Here she makes her recital debut with this heartfelt programme of songs from a country whose language is natural to her. Born in Kazakhstan of Greek parentage, Kelessidi sprang to International attention in 1996 when she made a highly auspicious stage debut at London's Royal Opera House as Violetta in La traviata and was hailed as an important new discovery by the British musical press. She has returned to sing with the Royal Opera every year since and graced every important world opera house including Paris, the Met, Berlin and Vienna. Her signature roles apart from Violetta are Mimi in La Boheme and Liu in Turandot. Elena’s programme runs the gamut of Russian song, from Glinka and Rimsky-Korsakov, some familiar songs from Tchaikovsky and Rachmaninov through to some real discoveries from Cui, Darghomyzhsky and the 20th century composer Vladmir Vlasov. Elena’s pianist is the ever-superb Malcolm Martineau, also appearing this month on ONYX in Susan Graham’s recital, with previous ONYX releases from Amanda Roocroft and Barbara Bonney and a forthcoming recital from the outstanding Austrian bass-baritone Florian Boesch. | 
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| |  | Tchaikovsky - Piano Music
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| |  | Tchaikovsky Adagios
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| |  | Rachmaninov - Corelli Variations & Transcriptions
"Kern proves yet again that no-one can perform Russian music as well as Russians themselves." The Observer | | | Usually despatched in 2 - 3 working days. |
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| |  | TranscriptionsWorks transcribed for piano by Serge Rachmaninov
Vladimir Ashkenazy (piano), Vovka Ashkenazy (piano), Dody Ashkenazy (piano) & Alastair Mackie (trumpet) | | | Usually despatched in 8 - 10 working days. |
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| |  | EvocationLegendary Encores
Albéniz: | Evocación (from Iberia, Book I) | Chopin: | Waltz No. 2 in A flat major 'Grande Valse Brillante', Op. 34 No. 1 Nocturne No. 9 in B major, Op. 32 No. 1 Waltz No. 3 in A minor 'Grande Valse Brillante', Op. 34 No. 2 Mazurka No. 13 in A minor, Op. 17 No. 4 | Falla: | Cuatro piezas españolas: Andaluza | Granados: | Danza española, Op. 37 No. 5 'Andaluza' Goyescas: Quejas ó La Maja y el Ruiseñor | Handel: | Minuet in G minor from Suite de pièces | Kreisler: | Liebesfreud | Moszkowski: | Étincelles, Op. 36 No. 6 | Rachmaninov: | Lilacs, Op. 21 No. 5 Daisies, Op. 38 No. 3 | Tchaikovsky: | Lullaby, Op. 16 No. 1 | Weber: | Perpetuum Mobile (Rondo from Piano Sonata in C major, Op. 24) |
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| |  | Harp Music From Six Centuries
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| |  | Rachmaninov - The Transcriptions
'A true keyboard aristocrat' (Gramophone) | | | Usually despatched in 2 - 3 working days. |
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