This page lists all recordings of Spleen, Op. 51 No. 3 (Verlaine), by Gabriel Urbain Fauré (1845-1924) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Fauré - La Chanson d'Eve and other songs
Fauré: | Le papillon et la fleur, Op. 1 No. 1 Chanson du pêcheur Op. 4 No. 1 Rêve d'amour, Op. 5 No. 2 Hymne Op. 7 No. 2 Aubade, Op. 6 No. 1 Barcarolle Op. 7 No. 3 Toujours!, Op. 21 No. 2 Les berceaux, Op. 23 No. 1 Le secret Op. 23 No. 3 Aurore, Op. 39 No. 1 Les roses d'Ispahan Op. 39 No. 4 En prière Les présents Op. 46 No. 1 La chanson d'Ève, Op. 95 Spleen, Op. 51 No. 3 (Verlaine) Green, Op. 58 No. 3 (Verlaine) En sourdine, Op. 58 No. 2 (Verlaine) Mandoline, Op. 58 No. 1 (Verlaine) Après un rêve, Op. 7 No. 1 |
Janet Baker (mezzo soprano) & Geoffrey Parsons (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Verlaine: Symbolist Poets and the French MélodieSettings of poems by Paul Verlaine
Jean-François Lapointe (baritone) & Louise Andrée Baril (piano) | | | Usually despatched in 3 - 4 working days. |
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| |  | Fauré - The Complete Songs - 2Un paysage choisi
Jennifer Smith, Geraldine McGreevy, Felicity Lott, Stella Doufexis (soprano), John Mark Ainsley, Jean-Paul Fouchécourt (tenor), Christopher Maltman, Stephen Varcoe (baritone), Graham Johnson (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Melodies françaises
Chausson: | La Caravane Le temps des lilas Les Heures La Chanson perpétuelle | Debussy: | Ariettes Oubliées - six songs Cinq poèmes de Baudelaire Trois Chansons de Bilitis | Fauré: | Le papillon et la fleur, Op. 1 No. 1 Mai Op. 1 No. 2 Chanson du pêcheur Op. 4 No. 1 Lydia, Op. 4 No. 2 Rêve d'amour, Op. 5 No. 2 Tristesse, Op. 6 No. 2 Après un rêve, Op. 7 No. 1 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Nell, Op. 18 No. 1 Automne, Op. 18 No. 3 Poème d'un jour Op. 21 3 Songs, Op. 23 Aurore, Op. 39 No. 1 Les roses d'Ispahan Op. 39 No. 4 Nocturne, Op. 43 No. 2 Clair de Lune, Op. 46 No. 2 Spleen, Op. 51 No. 3 (Verlaine) Cinq Melodies ‘de Venise', Op. 58 Prison, Op. 83 No. 1 | Poulenc: | Montparnasse | Ravel: | Histoires naturelles |
Nathalie Stutzmann (contralto) | | | Usually despatched in 4 - 5 working days. |
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| |  | Gérard Souzay
Falla: | Siete Canciones populares españolas | Fauré: | C'est l'extase langoureuse, Op. 58 No. 5 (Verlaine) Green, Op. 58 No. 3 (Verlaine) Mandoline, Op. 58 No. 1 (Verlaine) Prison, Op. 83 No. 1 Spleen, Op. 51 No. 3 (Verlaine) Tristesse, Op. 6 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 (Verlaine) Arpège, Op. 76 No. 2 (Samain) En sourdine, Op. 58 No. 2 (Verlaine) L'horizon chimérique, Op. 118 | Ravel: | Histoires naturelles |
Gérard Souzay (baritone), Jacqueline Bonneau & Dalton Baldwin (piano) Recorded 1950-55 | | | Usually despatched in 2 - 3 working days. |
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| |  | Fauré - Chansons Vol. 3
Sarah Walker, Tom Krause & Malcolm Martineau (piano) | | | Usually despatched in 2 - 3 weeks. |
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| |  | Mélodies
Duparc: | Chanson triste Soupir L'Invitation au voyage Élégie Extase Le Manoir de Rosemonde Phidylé Lamento | Fauré: | Lydia, Op. 4 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Après un rêve, Op. 7 No. 1 Nell, Op. 18 No. 1 Automne, Op. 18 No. 3 Aurore, Op. 39 No. 1 Les roses d'Ispahan Op. 39 No. 4 Les présents Op. 46 No. 1 Clair de Lune, Op. 46 No. 2 Spleen, Op. 51 No. 3 (Verlaine) Cinq Melodies ‘de Venise', Op. 58 La Bonne Chanson, Op. 61 Prison, Op. 83 No. 1 Soir Op. 83 No. 2 Le parfum impérissable Op. 76 No. 1 Le plus doux chemin Op. 87 No. 1 Mirages, Op. 113 L'horizon chimérique, Op. 118 |
Marin Isepp (piano), Geoffrey Parsons (piano) It was in 1972, when he was singing at Glyndebourne, that Cuenod began recording for Nimbus. In these records he leaves a unique and precious account of French song, which, incidentally, he taught every year in Europe and the United States. This album of Fauré and Duparc has never previously been released. Hugues Cuenod was between seventy and seventy-six at the time and the result is miraculous. Hear how skilfully he 'speaks' the text like an actor, with perfect diction and clarity. His style is admirably simple and natural, which is the most difficult thing to achieve in the very special art of the French 'mélodie'. He never descends into sentimentality or over-interpretation, temptations to which many singers of both sexes too often succumb. | | | Usually despatched in 4 - 5 working days. |
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Yumi Nara (Soprano), Claude Lavoix (Piano) | | | Usually despatched in 3 - 4 working days. |
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Penguin Guide