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See Terms & Conditions for p&p rates. | |  | None But The Lonely Heart
Debussy: | Cinq poèmes de Baudelaire | Strauss, R: | Ständchen, Op. 17 No. 2 Allerseelen, Op. 10 No. 8 Glückes genug Op. 37 No. 1 Befreit, Op. 39 No. 4 Ruhe, meine Seele!, Op. 27 No. 1 Heimliche Aufforderung, Op. 27 No. 3 Cäcilie, Op. 27 No. 2 | Tchaikovsky: | Zakatilos solntse (The sun has set) Lullaby, Op. 16 No. 1 Why? Op 6 No. 5 Otchevo? Snova, kak prezhde, odin, Op. 73 No. 6 Zabït tak skoro (So soon forgotten) None but the lonely heart, Op. 6 No. 6 |
Amanda Roocroft (soprano) & Malcolm Martineau (piano) Recorded at Champs Hill, England April/July 2007 "If you are lucky, a song recitalist will take you to the edge of an inner world. A select few know how to draw you in further. And then there’s Amanda Roocroft. Her peachy soprano may be what we hear, but it is her heart that does the singing… This recital revealed Roocroft at the peak of her powers – a fully matured artist who combines technical and interpretative control with emotional freedom…. Such sincerity of feeling is only possible from someone who has lived a life. The striking quality about “None but the lonely heart” was the manner in which art concealed art – one of Roocroft’s golden charms. ..A rapturous “Ständchen”… impossible not to be swept along by “Heimliche Aufforderung”, and the ecstatic ardour of “Befreit” was overwhelming. Roocroft understands that the essence of the art song is not its outer beauty of form but its inner depth of feeling. She is a national treasure." (Financial Times on her 2007 recital - 25 May 2007) “A warm voice and an involved accompanist grace this enjoyable recital.” Gramophone Magazine, February 2008 “…there are certainly some five-star performances here - and Strauss's relatively unfamiliar 'Glückes genug' hints that she may make an Arabella of ideal candour and dignity.” BBC Music Magazine, January 2008 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Nathan Milstein
Bohm, C: | Comme la nuit Ezio Pinza (bass) & Gibner King (piano) | Fauré: | Après un rêve, Op. 7 No. 1 | Foster, S: | Old folks at home | Glazunov: | Meditation, Op. 32 Recorded 26th February, 1949 in RCA Victor Studio No. 2, NYC Artur Balsam (piano) | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 | Poldini: | Poupée Valsante (Dancing Doll) | Schubert: | Ave Maria, D839 Ständchen 'Leise flehen meine Lieder', D957 No. 4 | Stravinsky: | Chanson Russe Recorded 26th February, 1949 in RCA Victor Studio No. 2, NYC Artur Balsam (piano) | Tchaikovsky: | Violin Concerto in D major, Op. 35 Recorded 29th March, 1953 in Symphony Hall, Boston Boston S.O, Charles Munch None but the lonely heart, Op. 6 No. 6 | Wieniawski: | Mazurka, Op. 19, No. 2, "Village Fiddler" Recorded 26th February, 1949 in RCA Victor Studio No. 2, NYC Artur Balsam (piano) |
Nathan Milstein (violin) RCA Victor Orchestra, Arthur Fiedler Rec. 17th/19th January, 1950 in Manhattan Center, New York City “Nathan Milstein was an assured, craftsman-like player with a silken tone, a superb technique and a stylish turn-of-phrase.” Gramophone | | | In stock - usually despatched within 1 working day. |
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| |  | Joshua Bell - Voice of the Violin
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| |  | Tchaikovsky Adagios
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Bryn Terfel (bass-baritone) | | | Usually despatched in 2 - 3 working days. |
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| |  | Elisabeth Söderström
Grieg: | With a Primrose With a Waterlily Jeg Elsker Deg, Op. 41 No. 3 | Liszt: | S'il est un charmant gazon Oh! quand je dors Enfant, si j'étais roi (Hugo) Comment, disaient-ils (Hugo) Mignons Lied (Kennst du das Land) | Nielsen: | Apple Blossom | Rachmaninov: | Sing not, O lovely one, Op. 4 No. 4 Fragment from A. Musset, Op. 21 No. 6 The Rat-Catcher | Schubert: | Seligkeit D433 (Holty) Gretchen am Spinnrade, D118 Freudvoll und leidvoll Erlkönig | Sibelius: | Små flickorna (Text: Hjalmar Procopé) | Strauss, R: | Freundliche Vision, Op. 48 No. 1 Ein Obdach gegen Sturm und Regen, Op. 46 No. 1 | Tchaikovsky: | Why? Op 6 No. 5 None but the lonely heart, Op. 6 No. 6 The Cuckoo, Op. 54 No. 8 | Wolf, H: | Mögen alle bösen Zungen |
Elisabeth Söderström (soprano) Recorded 1971/84 | | | Usually despatched in 2 - 3 working days. |
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| |  | Liszt: | O lieb, so lang du lieben kannst! S540a Die Lorelei Die stille Wasserrose Es muss ein Wunderbares sein, S. 314 Kling Leise, mein Lied | Schubert: | Geheimnis, D491 (Mayrhofer) Die Forelle, D550 Der König in Thule, D367 Gretchen am Spinnrade, D118 Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Auf der Riesenkoppe, D611 Du bist die Ruh D776 (Rückert) La pastorella al prato, D528 (Goldoni) Heidenröslein, D257 Schwanengesang, D957 Wehmut, D772 (Collin) Der blinde Knabe D833 | Schumann: | Frauenliebe und Leben, Op. 42 | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 sung in Russian Do not believe, my friend Op. 6 No. 1 sung in Russian At the ball sung in Russian |
Dame Margaret Price (soprano), James Lockhart (piano) | | | Usually despatched in 3 - 4 working days. |
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| |  | In a Monastery GardenThe Immortal Works of Ketèlbey
Godard, B: | Berceuse from Jocelyn Josef Sakonov (violin) London Festival Orchestra | Hubay: | Hejre Kati Josef Sakonov (violin) London Festival Orchestra | Ketèlbey: | In a Monastery Garden Royal Philharmonic Orchestra & Chorus, Eric Rogers Wedgwood Blue Royal Philharmonic Orchestra & Chorus, Eric Rogers In the Mystic Land of Egypt Royal Philharmonic Orchestra & Chorus, Eric Rogers Bells across the Meadows Royal Philharmonic Orchestra & Chorus, Eric Rogers In a Chinese Temple Garden Royal Philharmonic Orchestra & Chorus, Eric Rogers Sanctuary of the Heart Royal Philharmonic Orchestra & Chorus, Eric Rogers Appy Ampstead Royal Philharmonic Orchestra & Chorus, Eric Rogers The Phantom Melody Royal Philharmonic Orchestra & Chorus, Eric Rogers In a Persian Market Royal Philharmonic Orchestra & Chorus, Eric Rogers | Korngold: | Garden scene Josef Sakonov (violin) London Festival Orchestra | Massenet: | Méditation (from Thaïs) Josef Sakonov (violin) London Festival Orchestra | Monti: | Czardas Josef Sakonov (violin) London Festival Orchestra | Sternhold: | Fêtes tziganes Josef Sakonov (violin) London Festival Orchestra | Tchaikovsky: | Valse sentimentale, Op. 51 No. 6 Josef Sakonov (violin) London Festival Orchestra None but the lonely heart, Op. 6 No. 6 Josef Sakonov (violin) London Festival Orchestra |
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| |  | Strauss & Wolf Lieder
Liszt: | Es muss ein Wunderbares sein, S. 314 | Strauss, R: | Gefunden Op. 56 No. 1 Die Nacht, Op. 10 No. 3 Morgen, Op. 27 No. 4 Allerseelen, Op. 10 No. 8 Ruhe, meine Seele!, Op. 27 No. 1 Du meines Herzens Krönelein, Op. 21 No. 2 Begegnung (Meeting), Op.72 Heimkehr, Op. 15 No. 5 Ach Lieb, ich muß nun scheiden!, Op. 21 No. 3 Die Zeitlose, Op. 10 No. 7 Zueignung, Op. 10 No. 1 | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 | Wolf, H: | Der Genesene an die Hoffnung In der Frühe Der Gärtner Anakreons Grab Verschwiegene Liebe In dem Schatten meiner Locken Bedeckt mich mit Blumen (from Spanisches Liederbuch, nach Heyse und Geibel) Mühvoll komm ich und beladen Mignon I - Heiß mich nicht reden Mignon II – Nur wer die Sehnsucht kennt Mignon III - So lasst mich scheinen Kennst du das Land Wie lange schon war immer mein Verlangen Nimmersatte Liebe |
Christa Ludwig, Erik Werba | | | Usually despatched in 2 - 3 working days. |
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| |  | Great Singers - Rosa PonselleAmerican Recordings 1939 and 1954
| | Star vicino attr. Rosa Interview with Ruby Mercer | Alvarez, A: | La partida | anon.: | Jeune fillette Carmen-Carmela | Arensky: | On Wings of Dreams | Beethoven: | In questa tomba oscura, WoO.133 | Bizet: | Agnus Dei | Brahms: | Von ewiger Liebe, Op. 43 No. 1 | Buzzi-Peccia: | Colombetta | Charles, A: | When I have sung my songs two versions | Chausson: | Poème de l'amour et de la mer, Op. 19 Le temps des lilas | Chopin: | Tristesse éternelle | Ciampi: | Tre giorni son che Nina Gli tre cicisbei ridicoli | Debussy: | Beau Soir La chevelure | Delibes: | Bonjour, Suzon! | Denza: | Se | Donaudy: | O del mio amato ben | Duparc: | L'Invitation au voyage | Falvo: | Dicitencello vuie | Farley: | The Night Wind | Fontenailles: | Al’aimé | Granados: | Tonadillas: No. 8, El mirar de la maja | Lockhart: | In the Luxembourg Gardens | Lully: | Bois épais (from Amadis de Gaule) | Luzzi: | Ave Maria | Martini, G B: | Plaisir d'amour | Millard: | Ave Maria | Mozart: | Le nozze di Figaro, K492 - Voi che sapete | Paisiello: | Nel cor più non mi sento | Paladilhe: | Psyché | Persico: | Rosemonde | Riego: | Homing | Rimsky Korsakov: | The Nightingale and the Rose | Sadero: | Fa la nana, bambin' Amuri, amuri I battitori di grano | Saint-Saëns: | Guitares et Mandolines (St-Saëns) | Sandoval: | Ave Maria | Schubert: | Ave Maria, D839 two versions Erlkönig, D328 An die Musik D547 Der Tod und das Mädchen, D531 | Strauss, R: | Morgen, Op. 27 No. 4 | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 | Tosti: | Si tu le voulais A vucchella Ideale Marechiare Could I Aprile Ave Maria | trad.: | Drink to me only with thine eyes | Trunk: | Mir träumte von einem Königskind, Op. 4, No. 5 | Wagner: | Träume from Wesendonk Lieder | Wolf-Ferrari: | Rispetto |
This 3 CD set includes her last studio recordings from 1939 as well as the historical sessions she made 15 years later at her home, ‘Villa Pace’, in Baltimore, when the great diva was persuaded to come out of retirement. New restorations by Ward Marston “This great artist proves herself an outstanding interpreter; singing with handsome tone, great attention to the text, and an ability to alter the basic colour of her voice…” Classics Today on previous release by Rosa Ponselle | | | Usually despatched in 2 - 3 working days. |
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