This page lists all recordings of Weepe you no more, sad fountaines, by John Dowland (1563-1626) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Songs for Tenor and Guitar
Philip Langridge (tenor), Stephen Marchionda (guitar) Maw works are premiere recordings “Philip Langridge in a beautifully balanced concert programme” BBC Music Magazine, 1st July 2005  BBC Music Magazine
Choral & Song Choice - July 2005 |
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| Music For A While - Baroque Melodies
Dowland: | In darkness let me dwell Can she excuse my wrongs? (First Booke of Songes, 1597) Weepe you no more, sad fountaines What if I never speed? | Ferrari, B: | Amanti io vo se dire | Frescobaldi: | Se l'aura spira | Johnson, R: | Fantasia | Kapsberger: | La Capona Arpeggiata | Monteverdi: | Ecco di dolce raggi (Scherzi Musicali) Quel sguardo sdegnosetto - Madrigali, Canzonette e Scherzi musicali (Book X) Adagiati, Poppea - Oblivion soave (L'incoronazione di Poppea) | Purcell: | Saraband with Division, Z 654 Sweeter than roses Dear pretty youth Music for a while, Z583 There's not a swain (Rule a Wife and Have a Wife) An Evening Hymn 'Now that the sun hath veiled his light', Z193 | Romano, G: | Dovrè dunque morire | Storace, B: | Ciaccone | Strozzi: | L'Eraclito amoroso 'Udite amanti' |
Anne Sofie Von Otter (Soprano), Jakob Lindberg (guitar & lute), Anders Ericson (theorbo) & Jory Vinikour (harpsichord & organ) "Poised, precise and beautifully characterised singing "
Gramophone on Sofie | | | In stock - usually despatched within 1 working day. |
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| |  | Garden of Early Delights
Pamela Thorby (recorders) and Andrew Lawrence-King (harps and psaltery) Garden of Early Delights is a mixed bouquet of diverse, joyous, unusual and eloquent pieces from the Renaissance and
Early Baroque periods. Performed by Pamela Thorby on recorders and Andrew Lawrence-King on harps and psaltery,
these are two virtuosic musicians unsurpassed in their respective fields. “Pamela Thorby's tone is silvery, alert and her intonation is impeccable” BBC Music Magazine “Whether on soprano, alto or tenor recorder, Pamela Thorby's tone has a limpid clarity which gives a crisp filigree-like quality to even the most fast and furious figurations...This crystalline sound is equally successful in conveying the melancholy expressiveness of slower and less highly ornamented items such as Van Eyck's arrangement of Caccini's Amarilli.” The Telegraph, 5th July 2008 “Thorby's playing exhibits a vitality, exuberance and earthiness that reminds me of the great David Munrow.” BBC Music Magazine, August 2008 ***** “Recorded sound is nothing short of stunning, while the cover image of a hummingbird nicely encapsulates Thorby's lightness and agility as she darts from piece to piece to extract its nectar. This is Paradise indeed.” Gramophone Magazine, September 2008 | 
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| |  | Elin Manahan-Thomas - Eternal Light
Elin Manahan-Thomas Orchestra of the Age of Enlightenment., Harry Christophers | | | Usually despatched in 2 - 3 working days. |
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| |  | The John Dowland CollectionWith new booklet article, Dowland timeline, and sung texts in English
Dowland: | Lachrimae Antiquae If my complaints could passions move Can she excuse my wrongs? (First Booke of Songes, 1597) Come away, come, sweet love My Lady Hudson's Allmande A Piece without title The Shoemaker's Wife Come again, sweet love doth now invite Come heavy sleep Mr. Dowland's Midnight Sir John Smith, His Almain Semper Dowland Semper Dolens Lachrimae Gementes I saw my Lady weepe Flow my teares (Lacrimæ) Fine knacks for ladies Shall I sue? Lachrimae Tristes Me, me, and none but me Forlorn Hope Fancy (Fantasie No. 2) Weepe you no more, sad fountaines Lachrimae Coactae Go, nightly cares The Right Honourable Ferdinando The most sacred Queene Elizabeth her Galliard Tell me, true Love Lachrimae Amantis In darkness let me dwell A Fantasie My Lord Chamberlaine his Galliard Far from triumphing Court I shame at mine unworthiness Lachrimae Verae |
Barbara Bonney, Anne Sofie von Otter, Nigel Rogers, Andreas Scholl & Göran Söllsche The Consort of Musicke Whether gay or sad, simple or complex, John Dowland’s music has the power to move us four centuries after its composition. This wide-ranging anthology explores all aspects of the work of England’s greatest songwriter and lutenist, performed by leading exponents of his art today. | | | Usually despatched in 2 - 3 working days. |
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| |  | John Dowland: Lute Songs
Andrew Dalton (Countertenor), Yasunori Imamura (Lute) | | | Usually despatched in 3 - 4 working days. |
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| |  | Dowland - Lute Songs
Dowland: | Flow my teares (Lacrimæ) Galliard Lady Laiton's Almain Fortune my foe Frogg Galliard Weepe you no more, sad fountaines Me, me, and none but me What if I never speed? Lasso vita mia The Shoemaker's Wife Can she excuse my wrongs? (First Booke of Songes, 1597) Mistress White's Thing Round Battle Galliard Wilt thou unkind thus reave me? Come away, come, sweet love Sorrow, stay If that a sinner's sigh Mr. Dowland's Midnight Say love if ever thou didst find Lachrimae Pavan Can she excuse my wrongs? (First Booke of Songes, 1597) If my complaints could passions move Katherine Darcy's Galliard Come again, sweet love doth now invite I saw my Lady weepe Orlando Sleepeth Tarleton's Riserrectione Sir John Smith, His Almain Mistress White's Nothing My Lord Chamberlaine his Galliard From silent night Flow not so fast, ye fountains My Lord Willoughby's Welcome Home Mrs. Winter's Jump Melancholy Galliard Lady Hunsdon's Puffe Shall I sue? In darkness let me dwell The First Galliard Can she excuse my wrongs? (First Booke of Songes, 1597) Come heavy sleep Captain Digorie Pipers Galliard Go, nightly cares |
Alfred Deller (counter-tenor), Robert Spencer (lute) Alfred Deller’s Dowland has become part of our history. The most legendary of English countertenors distilled the very essence of the melancholy of the 17th century English song in general and of the composer of the Lachrimae in particular. | | | Usually despatched in 2 - 3 working days. |
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| |  | In Darkness Let Me Dwell
John Potter (tenor) Barry Guy (double bass), Maya Homburger (violin), Stephen Stubbs (lute), John Surman (soprano saxophone, bass clarinet) A fascinating project initiated by Hilliard Ensemble tenorist John Potter with producer Manfred Eicher, which re-examines the beautiful songs of the great sixteenth century composer from a present-day perspective. Potter: "This is the first time anyone's approached Dowland not from an 'early music' angle, but simply as music. We're working with Dowland as though he were still with us." The subject matter of the songs, with despair and 'alienation' uppermost, is entirely pertinent for our times, and the exceptional ensemble ranged around John Potter restores an improvisational flexibility to the music. | | | Usually despatched in 2 - 3 working days. |
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