Virgin: 5190442

Lamenti

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Lamenti

5099951904425

5190442

Lamenti


Carissimi:

Lamento della Maria Stuarda

Patrizia Ciofi (soprano)

Cavalli:

Hipparco, e di Climene, Lamento d’Egisto

Rolando Villazón (tenor)

Acate, Ilioneo, Lamento di Enea

Topi Lehtipuu (tenor)

Alle ruine del mio regno, Lamento d’Ecuba e Cassandra

Marie-Nicole Lemieux (alto) & Patrizia Ciofi (soprano)

Cesti:

Dure noie, Lamento d’Atamante

Laurent Naouri (bass-baritone)

Landi:

Superbe colli

Christopher Purves (baritone)

Monteverdi:

Lamento della ninfa

Natalie Dessay (soprano), Simon Wall (tenor), Topi Lehtipuu (tenor) & Christopher Purves (baritone)

Lamento d'Arianna

Véronique Gens (soprano)

Addio Roma

Joyce DiDonato (mezzo-soprano)

Tu se’ morta mia vita, Lamento d’Orfeo

Rolando Villazón (tenor)

Strozzi:

L'Eraclito amoroso 'Udite amanti'

Philippe Jaroussky (countertenor)


Le Concert Astrée, Emmanuelle Haim

Emmanuelle Haim follows her 2006 recording of Monteverdi’s Combattimento di Tancredi e Clorinda with an unusual and inventive programme on the theme of the Lamento, the literary and dramatic form that found its seventeenth-century musical archetype in Monteverdi’s celebrated Lamento d’Arianna.

Emmanuelle Haim has taken great care in choosing 9 soloists to perform these demanding works amongst which Véronique Gens sings the Lamento d’Arianna, the tantalising fragment from Monteverdi’s lost opera of 1608; Natalie Dessay is the abandoned nymph in the very different Lamento della ninfa from the Eighth Book of Madrigals. Alongside these familiar works by Monteverdi the programme includes Philippe Jaroussky in Barbara Strozzi’s dramatic monologue L’Eraclito amoroso, probably written for Strozzi herself, Carissimi’s Lamento di Maria Stuarda (with Patrizia Ciofi) and Strozzi’s teacher Cavalli’s Lamento d’Egisto (with Rolando Villazón, who also sings Orfeo’s Lamento). Joyce DiDonato, recently signed to EMI/Virgin Classics as an exclusive artist, adds Ottavia’s heartrending farewell to Rome from Monteverdi’s L’incoronazione di Poppea.

“Haim is pure dynamite” Daily Telegraph

“Haim’s meteoric rise has been well charted by the press. It’s easy to understand the excitement - her enthusiasm is infectious, her conducting demeanour distinctive, and her knowledge intense.” Gramophone Magazine

“Waif-like, driven, messianic or explosive, non-conformist, unruly, either way, the conductor Emmanuelle Haim has enough charisma to draw crowds in her wake. Haim is the most dynamic force to have hit the period movement since the 1970s. She’s a born leader” Financial Times

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Virgin - 5190442

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