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See Terms & Conditions for p&p rates. | |  5099951903923 5190392 | Recorded Live in concert at the Barbican Hall, London - 7th & 9th December 2007
Nathan Gunn, Ian Bostridge, Gidon Saks, Neal Davies, Jonathan Lemalu & Matthew Rose London Symphony Orchestra and Chorus, Daniel Harding After the award-winning recording of Britten’s Turn of the Screw, released on Virgin Classics in 2002, Daniel Harding and Ian Bostridge meet again around Britten in his great masterpiece, Billy Budd. This new recording is a new asset to the label, which has planned a complete Britten opera cycle. The opera, in its definitive 2-act version, was recorded during the 2 concert performances at the Barbican Hall on 7th & 9th December 2007. As principal guest conductor, Daniel Harding conducts the London Symphony Orchestra. The all-male cast boasts, along with Ian Bostridge as Captain Vere, American baritone Nathan Gunn in the role of Billy Budd, and Israeli bass-baritone, Gidon Saks, portraying the fiendish Claggart. EMI artist Jonathan Lemalu also contributes to the cast. “Billy Budd is one of Britten’s greatest masterpieces, containing three of his major operatic roles. Set amid the claustrophobia and cruelties of a battleship in Nelson’s time, it shows the ruthless destruction of good-hearted able seaman Budd by sadistic master-at-arms Claggart, and the mental conflicts of intellectual but weak-willed Captain Vere, who is powerless to prevent it. The music is suitably gripping, by turns intense and exciting, and full of the insights and inspirations typical of its composer.” www.barbican.org.uk “Bostridge's voice, always smooth and luxuriant, is in its prime, with an extraordinary strength and flexibility of colour. And he's a storyteller and actor par excellence, with a massive emotional range” Evening Standard (following Barbican concert performances: 7th & 9th December 2007) “Bostridge portrays a solemn, neurotic and painfully rueful Captain Vere…His light, effete, officer-class tenor soars above his gruffer crew. The chorus sings the rolling 'heave away' with an infectiously queasy lilt, while Harding makes the LSO swell and recede like the Atlantic Ocean.” The Times, 13th September 2008 **** “When you can't see him, Ian Bostridge is one of the finest tenors we have…The great roles Britten wrote for Pears suit Bostridge's timbre perfectly…in this fine recording.” Anthony Holden, The Observer, 14th September 2008 “…this is a good, often exciting performance, but Hickox and especially Britten are hard acts to follow.” BBC Music Magazine, October 2008 **** | 
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