SDG: SDG150

Bach Cantatas Volume 17

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Bach Cantatas Volume 17

0843183015023

SDG150

Bach Cantatas Volume 17

Cantatas for New Year’s Day and the Sunday after New Year


Bach, J S:

Cantata BWV143 'Lobe den Herrn, meine Seele'

Cantata BWV41 'Jesu, nun sei gepreiset'

Cantata BWV16 'Herr Gott, dich loben wir'

Cantata BWV171 'Gott, wie dein Name, so ist auch dein Ruhm'

Cantata BWV153 'Schau, lieber Gott, wie meine Feind'

Cantata BWV58 'Ach Gott, wie manches Herzeleid'


Ruth Holton, Sally Bruce Payne, Lucy Ballard, Charles Humphries, James Gilchrist & Peter Harvey

The Monteverdi Choir & The English Baroque Soloists, John Eliot Gardiner

The final volume to be released this year in John Eliot Gardiner’s award-winning Bach cantata pilgrimage series on SDG. Recorded in January 2000 within the grand neo-Gothic Gethsemanekirche in Prenzlauer Berg, Berlin, the programme features Cantatas for New Year’s Day and for the Sunday after New Year. In contrast to the modest BWV 143 Lobe den Herrn, meine Seele II that opens the programme, Bach begins BWV 41 Jesu, nun sei gepreiset with the fantastically grand opening chorus, Jesu, nun sei gepreiset. The jewel in this particular cantata is the tenor aria ‘Woferne du den edlen Frieden’ (No.4), wonderfully rich and descriptive. BWV 171 Gott, wie dein Name, so ist auch dein Ruhm is equally magnificent as a cantata replete with emotional and thematic contrast. As the tenor (No.4) pleads for salvation in BWV 153 Schau, lieber Gott, wie meine Feind, crying ‘…help, Helper, help! Save my soul!’, we are reminded that our afflictions have been heard as the alto (No.8) sings of the ‘blessed rapture and eternal joy’ of heaven. BWV 58 Ach Gott, wie manches Herzeleid II continues this theme of the beleaguered Christian. This is beautifully illustrated through the use of the distressed, persecuted soul (soprano) in dialogue with a guardian angel, by implication, Jesus (bass).

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SDG Gardiner Bach Cantatas - SDG150

(CD - 2 discs)

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