Nimbus: NI1733Beethoven: Piano Sonata No. 13 in E flat major, Op. 27 No. 1 'Quasi una fantasia', etc. |
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See Terms & Conditions for p&p rates. | |  0710357173325 NI1733 | Bach, J S: | Chaconne in D minor | Beethoven: | Piano Sonata No. 13 in E flat major, Op. 27 No. 1 'Quasi una fantasia' | Berg: | Piano Sonata, Op. 1 | Bernstein: | Touches - Chorale, Eight Variations and Coda | Brahms: | Variations on a theme by Paganini in A minor, Op. 35 | Chasins: | Rush Hour in Hong Kong (No. 3 of Three Chinese Pieces) | Chopin: | Scherzo No. 1 in B minor, Op. 20 Andante spianato & Grande Polonaise, Op. 22 Nocturne No. 8 in D flat major, Op. 27 No. 2 Mazurka No. 25 in B minor, Op. 33 No. 4 Piano Sonata No. 3 in B minor, Op. 58 Variations on Mozart's 'La ci darem la mano' in B flat major, Op. 2 | Franck, C: | Prélude, Choral et Fugue M21 (1884) | Grieg: | Sonata for piano solo, Op. 7 | Hofmann, J: | Kaleidoskop Op. 40 No. 4 | Liszt: | Piano Sonata in B minor, S178 Hungarian Rhapsody, S244 No. 2 in C sharp minor Funérailles Harmonies poétiques et réligieuses, S173, No. 7 | Messiaen: | Quatre Études de rythme | Mussorgsky: | Pictures at an Exhibition (piano version) | Pabst: | Paraphrase on themes from Tchaikovsky's 'Eugene Onegin' | Rachmaninov: | Variations on a theme of Corelli, Op. 42 | Schubert: | Impromptu in E flat major, D899 No. 2 Impromptu in G flat major, D899 No. 3 Sonata in A for Piano Op. post. 120 | Schumann: | Etudes symphoniques, Op. 13 Kreisleriana, Op. 16 | Strauss, J, II: | Wein, Weib und Gesang, Op. 333 | Stravinsky: | Three Movements from Petrushka |
"He might be termed the last of the great individualists among the pianist fraternity, an artist whose credo stems from his teacher, the great virtuoso Josef Hofmann. It is a school of personal quirk and technical brilliance that has seemed out of kilter with our era of po-faced accent on authenticity and perfect manners, all tending towards uniformity of execution... Nimbus is to be congratulated for taking charge of Cherkassky during the 1980s and offering him the company's Welsh headquarters to record in at will on his own time scale. As a result of long takes and pleasant surroundings in which Cherkassky thrives, this collection is truly representative of a player who hasn't always had his due."
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