APR: APR5667

Grigory Ginzburg - The Goldenweiser School

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Grigory Ginzburg - The Goldenweiser School

5024709156672

APR5667

Grigory Ginzburg - The Goldenweiser School

His Early Recordings 1


Balakirev:

Islamey

rec. Moscow c.1942 (78: 015798/9)

Beethoven:

The Ruins of Athens -Turkish March

rec. Moscow c.1930 (78: 4172)

Liszt:

Hungarian Rhapsody, S244 No. 10 in E major 'Preludio'

rec. Moscow c.1940 (78: 12916/7)

Hungarian Rhapsody, S244 No. 11 in A minor

rec. Moscow c.1942 (78: 16967/8

Les cloches de Genève (Année de Pèlerinage I) S160

rec. Moscow c.1942 (78: 015946/7)

Etude d'exécution transcendante d'après Paganini No. 3 in G sharp minor, S.140 (La Campanella)

rec. Moscow 1951 (78: 19784/5)

Paganini Etude No 4 in E major 'Arpeggio' S140

La Chasse

recorded Moscow 1951 (78: 18558/9)

Gondoliera from Venezia e Napoli

Tarantella from Venezia e Napoli

Concert Paraphrase on Rigoletto, S.434 after Verdi's opera

rec. Moscow 1951 (78: 20994/5)

Fantasia on two themes from Mozart's The Marriage of Figaro

(arranged Busoni) rec. Moscow 1948 (from 78 LP: 456/7)

Rossini:

Il barbiere di Siviglia: Largo al factotum

(arranged Ginzburg) rec. Moscow 1951 (78: 18269/70)


Grigory Ginzburg (piano)

Grigory Ginzburg (1904-1961) was perhaps the most astounding virtuoso to emerge in Soviet Russia and it is a tragedy that he was never allowed to travel to the west after the mid 1930’s. He focussed his repertoire very much on the 19th century Romantic period and, above all, in Liszt, and his prolific recordings include many of Liszt’s virtuosic opera paraphrases that had fallen into neglect. This CD is the first of two devoted to his earliest 78rpm recordings mainly dating from the 1940s. These discs are extremely rare and many of the performances included will be unknown to even the most ardent collectors. The disc finishes with the most astounding performance of the greatest virtuoso warhorse of the 19th century – Balakirev’s Islamey. Ginzburg’s supremely elegant performance shows total control in even the thorniest passages, for him it appears no more difficult than a Haydn sonata, and the result is that we hear so much more in the music than is normally the case.

“…Grigory Ginzburg's… legendary performance of the Mozart / Liszt Figaro Fantasy remains a marvel and stylised elegance and dazzling fluency.” Gramophone Magazine, 2008 Awards Issue

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APR - The Russian Piano Tradition - APR5667

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