Rubicon

From Emily Howard’s elegant, linear melody to Sally Beamish’s craggy soundscape, Humphreys channels Paganini’s virtuosity. She also displays playfulness and a light touch in pieces such as... — BBC Music Magazine, May 2022, 5 out of 5 stars (Perfrormance) / 4 out of 5 stars (Recording) More…

I’d suggest that not since Martin Isepp accompanied Janet Baker on that bargain Saga long-player from many moons ago has a British singer made a more auspicious recital debut on record. — Gramophone Magazine, March 2024 More…

Rosa’s tone is unfailingly lovely, and she and Buckle have a lovely rapport...this Rubicon album is everything a recital recording should be. — Gramophone Magazine, May 2021 More…

A 12-year-old boy treble with a delightfully pure, untroubled voice...The title is the Welsh word for “star”. He certainly can ping home the top notes, though Handel arias might best be left... — The Times, 3rd April 2020, 3 out of 5 stars More…

The Jubilees’ approach to both works is impressive and controversial in equal measure. Ensemble and tuning are phenomenally precise, and individual and collective tone never forced. — BBC Music Magazine, January 2023, 4 out of 5 stars More…

the playing is exquisitely judged, shifting between fragility and strength, alienation and familiarity. The recorded sound is intimate, creating compelling sonic affinities. — BBC Music Magazine, March 2023, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

This is a delight...The balance is inclined to overfavour the piano, but Driver’s playing is so good, one can’t complain. His rapport with Hanslip’s splendidly incisive yet sweet-toned violin... — Sunday Times, 29th April 2018 More…

Her Mozart is alternately convincingly lyrical and delightfully energized. One can only admire her solo statement of the second movement of K 488. The whole movement is sublime. The brisk tempo... — Fanfare, Nov/Dec 2023 More…