Browse: SACD, Strauss, R (composer)
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Did Jurowski need to record the work again after his spectacular London Philharmonic Orchestra two-disc set?...The production here gives one good reason; the other is the pacing, never rushed... — More…
Awards:
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Record Review, 14th August 2021, Record Review
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Symphonic Music
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Opus Klassik, 2022, Conductor of the Year
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These militant, tightly controlled, sometimes breathtaking performances demand to be heard and may divide opinion. — More…
Awards:
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Gramophone Awards, 2022, Finalist - Orchestral
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Presto Recordings of the Year, Finalist 2022
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Soirée
RecommendedMagdalena Kožená (mezzo), Sir Simon Rattle (piano), Rahel Rilling (violin), Wolfram Brandl (violin), Yulia Deyneka (viola), David Adorjan (cello), Andrew Marriner (clarinet)
There is some lovely singing from Kožená, whose fawn-tinted mezzo retains its attractive quality from her earliest discs…She sings the two Brahms collections well, especially the Ophelia Songs,... — More…
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Presto Recording of the Week, 13th September 2019
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International Classical Music Awards, 2019, Nominee - Assorted Program
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Strauss, R: Elektra
RecommendedJeanne-Michèle Charbonnet (Elektra), Angela Denoke (Chrysothemis), Dame Felicity Palmer (Clytemnestra), Matthias Goerne (Orestes), Ian Storey (Aegisthus)
London Symphony Orchestra, Valery Gergiev
[Gergiev] conveys passions and tensions with compelling, sometimes deafening power...[Charbonnet is] strongly involved without, thankfully, overplaying the weirdness...[Palmer's Klytaemnestra... — More…
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Presto Recording of the Week, 9th July 2012
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Offer,
R. Strauss: Don Juan, Death and Transfiguration & Till Eulenspiegel’s Merry Pranks Pittsburgh Symphony Orchestra, Manfred Honeck
Honeck's interpretations have huge personality, and mostly in the right way. He's not averse to Stokowski-style touchings-up if they help the drama...Honeck likes to underline something pathological... — More…
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Gramophone Magazine, March 2014, Editor's Choice
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a virtuosic Cleveland Orchestra, with shrilling clarinets outstanding, responds brilliantly to Franz Welser-Möst’s justifiable hell-for-leather tour of the medieval prankster’s shortlived exploits...... — More…
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Record Review, 18th June 2022, Record of the Week
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Gramophone Awards, 2022, Finalist - Spatial Audio
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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Strauss, R: Salome
Emily Magee (Salome), Wolfgang Koch (Jochanaan), Michaela Schuster (Herodias), Peter Bronder (Herodes), Benjamin Bruns (Narraboth)
Frankfurt Radio Symphony, Andres Orozco-Estrada
What we gain here in exemplary clarity of Strauss’s sonic spider-web we lose in momentum for, say, the climactic welter which ends in Jokanaan’s curse…Magee as the spoiled princess propels the... — More…
Awards:
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Gramophone Magazine, January 2018, Editor's Choice
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Gramophone Awards, 2018, Shortlisted - Opera
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Strauss: Also Sprach Zarathustra – Debussy: Jeux
RecommendedLondon Symphony Orchestra, François-Xavier Roth
As with his earlier recording [of Also sprach], Roth never loses sight of the work’s structure, tying everything together with the surest of touches, but this new account adds to that a new and... — More…
Awards:
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Presto Recording of the Week, 24th March 2023
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this celebration of song is infused with heartfelt joy. — More…
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Richard Strauss: Symphonia Domestica & Die Tageszeiten
RecommendedRundfunk-Sinfonieorchester Berlin & Rundfunkchor Berlin, Marek Janowski
those who don't know the least often heard of the symphonic poems should be amazed by Marek Janowski's sympathetic, detailed interpretation; but even Straussians don't often get to hear Die Tageszeiten…I... — More…
Awards:
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BBC Music Magazine Awards, 2016, Orchestral Finalist
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Presto Recordings of the Year, Finalist 2015
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