Aquila
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there’s a sense of eavesdropping on a spontaneous yet eloquently-argued soliloquy. Colouring is subtle, conversational banter deftly managed, and Lindberg’s tempos always feel spot on, allowing... — More…
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This recording unveils some of his most beguilingly lovely works…Baritone Romain Bockler’s rich, velvet voice captures their predominantly wistful mood, and lutenist Bor Zuljan realises their... — More…
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Marco dall’Aquila - Pieces for Lute
Paul O’Dette (lute: 6-course lute by Paul Thomson, London, 1984, after Magno Tieffenbrucker, c. 1550, 6-course alto lute by Grant Tomlinson, Vancouver, 1997, after Italian models)
O’Dette, whose playing is always beguilingly eloquent, presents as many dimensions of Dall’Aquila’s output as he can. Josquin’s In te Domine speravi is an appropriate conclusion given that the... — More…
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Dall'Aquila: La Battaglia, Music For Lute, Volume 2 Sandro Volta (6‐course lute - Ivo Magherini)
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Wilson's technically flawless and quietly unobtrusive performances of all this music reveal Marco to be a master who suffers nothing in comparison with Francesco da Milano...Indeed if discs... — More…
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Vergine bella
Italian Renaissance Music
Carolyn Sampson (soprano), Clare Wilkinson (contralto), Julian Podger (teno), Robert Meunier (lute & direction)
Carolyn Sampson is lively and light-voiced against the delicate halo of sound from the lute in Cara's Fugga pur chi vol — More…
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