Daniel Grimwood

As to Grimwood’s performances, they are compelling, fearless and nuanced, bearing all the hallmarks of having been in his fingers for a long time. — Gramophone Magazine, March 2023 More…

[The Prophecy] evinces a propulsion and cumulative intensity that speaks very much of youthful uninhibition...At the opposite end of the spectrum are brief pieces for flute, piano quartet, and... — Gramophone Magazine, November 2020 More…

Fascinating to hear new colours in a familiar work, with Brahms’s First Cello Sonata transcribed for French horn. It makes a fine prelude to a terrific performance of the Horn Trio. — BBC Music Magazine, February 2021, 4 out of 5 stars More…

Daniel Grimwood’s rather magnificent recording opens with a roller-coaster razzle-dazzle of the ‘Concert variations’ on a theme from Donizetti’s L’elisir d’amore. Anyone who loves Liszt and... — BBC Music Magazine, March 2017, 5 out of 5 stars More…

Walton and Grimwood consistently bring out the echoes of Soviet music that Britten no doubt intended as a tribute to his dedicatee...The natural warmth of Walton's playing, matching that of... — Gramophone Magazine, May 2012 More…

Grimwood [achieves] a really rhythmically driven set of performances...The final of the Fourth Sonata ranks as one of Grimwood's most memorable accounts for its controlled outpouring of intensity — International Record Review, October 2010 More…