Poe Evermore: The Legacy in Film, Music and Television

Contents

• Table of Contents
• Preface delete 1
• Introduction delete 3
• The Angel of the Odd delete 17
• Annabel Lee delete 21
• The Assignation delete 23
• The Balloon Hoax delete 29
• The Bells delete 33
• Berenice delete 36
• The Black Cat delete 38
• The Cask of Amontillado delete 44
• The City in the Sea delete 48
• The Colloquy of Monos and Una and
• The Conversation of Eiros and Charmion delete 52
• A Descent into the Maelström delete 55
• The Devil in the Belfry delete 57
• The Domain of Arnheim, or The Landscape Garden delete 61
• The Duc De L’Omelette delete 64
• Eleonora delete 66
• Eureka delete 69
• The Facts in the Case of M. Valdemar delete 74
• The Fall of the House of Usher delete 76
• The ­Gold-Bug delete 92
• The Haunted Palace delete 93
• Ligeia delete 95
• Maelzel’s ­Chess-Player delete 101
• The Man Who Was Used Up delete 102
• The Masque of the Red Death delete 104
• Mellonta Tauta delete 110
• Metzengerstein delete 111
• Morella delete 112
• The Murders in the Rue Morgue delete 115
• The Mystery of Marie Rogêt delete 118
• The Narrative of Arthur Gordon Pym of Nantucket delete 120
• Never Bet the Devil Your Head delete 126
• The Oblong Box delete 128
• The Oval Portrait delete 129
• Philosophy of Furniture delete 131
• The Pit and the Pendulum delete 134
• A Predicament delete 144
• The Premature Burial delete 146
• The Purloined Letter delete 152
• The Raven delete 153
• Some Words with a Mummy delete 160
• The Sphinx delete 162
• The System of Dr. Tarr and Professor Fether delete 164
• A Tale of the Ragged Mountains delete 169
• The ­Tell-Tale Heart delete 171
• “Thou Art the Man” delete 176
• Three Sundays in a Week delete 178
• The Unparalleled Adventure of One Hans Pfaall delete 179
• William Wilson delete 182
• Epilogue delete 187
• Notes delete 189
• Bibliography delete 200
• Index delete 203