Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Marilyn Horne - A Profile
Marilyn Horne (mezzo soprano) Directed by Nigel Wattis English commentary with French and German subtitles Marilyn Horne is acclaimed as the finest mezzo soprano of the twentieth century, with a voice known for its brilliant sound and its extraordinary range. Her career has spanned everything from Grand Opera to light entertainment and pirate recordings of pop singles. She started singing in public when she was just three years old and for over thirty years she has been at the top of her profession. Home’s greatest contribution to music has been in developing and popularising the mezzo soprano repertoire of composers such as Rossini and she was the first non-Italian ever to win the coveted Rossini Medal, honouring her as the greatest singer in the world. This programme looks back over Marilyn Horne’s long and remarkable career, celebrating her formidable achievements and giving an insight into her unique talent. Specially-shot performance items, together with archive footage and recordings, demonstrate her magnificent vocal ability and at the heart of the profile is an interview in which the engaging and dynamic singer talks about her life and her music. The film visits Marilyn Horne’s home town of Bradford, Pennsylvania, and travels with her to Long Beach, California, where her family moved when she was eleven years old. Here she talks about her early days: singing in church choirs, making recordings for television sitcoms with the Robert Wagner Chorale, cutting pirate pop records and acting as voice double for Dorothy Dandridge in Otto Preminger’s film Carmen Jones. A clip from the movie displays Marilyn Horne’s astonishing powers of imitation. She touches on the rich musical life that existed in California at that time and on her association with Stravinsky. The composer dedicated his last work to Horne and encouraged her to go to Europe to further her career as an opera singer. It was her work with Dame Joan Sutherland in the bel canto operas of composers such as Rossini, Donizetti and Bellini, that first brought Marilyn Horne major stardom in the mid-1960s. Dame Joan is one of the contributors to the programme and talks about the chemistry that made their performances together so special. Other contributors include her former husband and good friend, the conductor Henry Lewis, fellow American singer Samuel Ramey and her biographer Jane Scovell. Highlights of the programme include coverage of Horne’s final appearance in a Rossini opera -Isabella in L’Italiana in Algeri recorded at the Royal Opera House Covent Garden in 1993 -and of the gala recital at Carnegie Hall in January 1994, which marked her sixtieth birthday and the launch of the Marilyn Horne Foundation, set up to revive the art of the vocal recital in America. Her passion for this cause is matched by her commitment to training young singers and she is seen giving a masterclass during the Cardiff Singer of the World competition. An archive clip recalls one of Horne’s finest moments, when, as President Clinton’s favourite classical singer, she sang at his inauguration in Washington in 1993, a performance watched by hundreds of millions of television viewers. Another side of Horne’s vivacious personality emerges in a clip from the Carol Burnett Show, in which she features in a song and dance routine. | 
| | | EMI - 2165819 (DVD Video) Normally: $16.99 Special: $11.89 |
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Kiri Te Kanawa, José Carreras, Tatiana Troyanos, Kurt Ollmann & Marilyn Horne Leonard Bernstein To celebrate the 50th anniversary of the première of West Side Story, Deutsche Grammophon has prepared this deluxe limited edition of its memorable 1984 recording of the musical under the baton of Bernstein himself, with Kiri te Kanawa and José Carreras in the leading roles, together with the DVD of “The Making of West Side Story”. The latter uniquely documents the production’s genesis, ups-and-downs, triumphs and tribulations. This is the first time both these discs have been released as a set. | | | In stock - usually despatched within 1 working day. |
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| |  | Staged and Directed by Jean-Pierre Ponnelle
Marilyn Horne, Paolo Montarsolo, Douglas Ahlstedt & Allan Monk The Metropolitan Opera Orchestra and Chorus, James Levine From the Metropolitan Opera in January 1986 | | | In stock - usually despatched within 1 working day. |
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Marilyn Horne, Victoria de los Angeles, Lucia Valentini-Terrani, Carmen Gonzales, Lajos Kozma, Sesto Bruscantini & Nicola Zaccaria Coro Amici della Polifonia & I solisti Veneti, Claudio Scimone | | | In stock - usually despatched within 1 working day. |
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Samuel Ramey, Kathleen Battle, Clara Foti, Nicola Zaccaria, Ernesto Palacio, Marilyn Horne & Domenico Trimarchi Prague Philharmonic Chorus & I solisti Veneti, Claudio Scimone | | | In stock - usually despatched within 1 working day. |
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| |  | (complete)
Kiri Te Kanawa, José Carreras, Tatiana Troyanos, Marilyn Horne, Kurt Ollmann Leonard Bernstein | | | In stock - usually despatched within 1 working day. |
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| |  | I will breathe a mountain
Marilyn Horne (mezzo soprano) & Martin Katz (piano) | | | In stock - usually despatched within 1 working day. |
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June Anderson, Marilyn Horne, Stanford Olsen, Samuel Ramey, Young Ok Shin, John Cheek, Michael Forest, Jeffrey Wells Metropolitan Orchestra & Chorus, James Conlon, stage direction by John Copley Subtitles in German, English, French, Italian, Spanish | | | In stock - usually despatched within 1 working day. |
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Marilyn Horne, Pilar Lorengar, Helen Donath Royal Opera House Orchestra, Georg Solti | | | In stock - usually despatched within 1 working day. |
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| |  | Pavarotti, Sutherland & Horne - Live from the Lincoln Center
Luciano Pavarotti, Joan Sutherland & Marilyn Horne Three of operas greatest stars came together under the baton of Richard Bonynge for this sensational concert which took place in New York's Avery Fisher Hall in March 1981 and which first appeared as a 2-LP set later that year. The complete concert now appears on CD for the first time. “All credit to Decca for capturing in vivid digital sound, well-balanced, and with the audience rarely intrusive (except of course in the vociferous applause), the performances given in gala concerts earlier this year [1981] … with Horne giving a dazzling display [in La donna del lago] … still superbly agile, and with gloriously tough chest tone … in the Masnadieri aria … [Sutherland’s] agility remains amazing, and commandingly at the end she prolongs her trill so long that the orchestra has to wait and the audience too seems to catch a breath before the launching of the ringing, absolutely true and steady top C.
The real point of the collection lies in the ensembles, most of them with all three singers … choice rarities include the Ernani trio (starting the concert) with Horne taking the baritone role, as Alboni evidently did at Covent Garden in 1847. It makes a splendid item, with Horne’s chest tones again magnificent … the Norma trio is interesting in that Pavarotti has yet to be persuaded to sing the role of Pollione … Sutherland is at her finest too. The Otello duet brings treasure with another role which as yet Pavarotti refuses to tackle in the opera house … the firmness and heroic power certainly have one thirsting for more … Sutherland first sang Desdemona at Covent Garden in 1957 … she has been singing the role again in Australia recently. I don’t wonder; because the voice, though mature for Desdemona … rides the phrases gloriously and “Amen risponda” is treated with sweet expansiveness. A flaw or two is inevitable in live performances … what matters is the vigour and realism of live communication and, with the help of digital sound, there is no lack of that.”
(Gramophone) | 
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