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Bonus Tracks Signore ascolta; Tu che di gel sei cinta (Turandot) Maria Callas with Philharmonia Orchestra conducted Tullio Serafin. Rec.1954
Maria Callas, Giuseppe di Stefano, Elisabeth Schwarzkopf & Eugenio Fernandi Chorus & Orchestra of La Scala Milan, Tullio Serafin | 
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| |  | Bruxelles 1958
Renata Tebaldi, Giuseppe di Stefano, Ettore Bastianini & Nicola Zaccaria Orchestra of La Scala Milan, Gianandrea Gavazenni | 
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| |  | La scala production
Roberto Alagna, Violeta Urmana & Ildiko Komlosi Milan La Scala Orchestra, Riccardo Chailly (conductor) & Franco Zeffirelli (director) Picture Format: High Definition 16:9 - please note this Blu-ray disc - BD is not compatible with standard DVD players | 
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Giuliano Romagnoli (Faust), Gemma Bosini (Margherita), Fernando Autori (Mefistofele), Gilda Timitz (Siebel), Napoleone Limonta (Wagner), Adolfo Pacini (Valentino) & Nelda Garrone (Marta) La Scala Milan Chorus & Orchestra, Carlo Sabajno Faust was first performed in Italy at La Scala, Milan, on 11 November 1862. The Italian libretto was provided by Achille De Lauzières, and published by Ricordi & Co. The recorded version follows this edition very closely, with the omission of the ballet scene and minor cuts in the Waltz, Love Duet, Soldiers’ Chorus and (three) in the final scene. Also the Act IV Prelude and Marguerite’s recitative are omitted. The recording was made by the Gramophone Company’s Milan office over the period 1st – 14th June, 1920 and issued on twenty 12” Green label “Concert-Record Gramophone” discs. The original discs were in mint condition but of course were recorded acoustically without any microphones or electrical amplification. Digital restoration was carried out by Andrew Rose of Pristine Audio and has been applied carefully to avoid digital distortion; surface hiss may seem quite high at the start of CD1, but the Prelude was recorded very faintly and was almost inaudible prior to treatment. Given the age of the set, however, the overall sound quality is most remarkable and allows the superb performances to shine through. In order to offer this important historical document at special price, we have not printed the libretto in French or English. However this may be downloaded from the Divine Art website or ordered by post. The CD booklet contains a synopsis of each act as well as brief biographical details of the key performers. The Italian libretto is included. Principal artists are: Giuliano Romagnoli (Faust), Gemma Bosini (Margherita), Fernando Autori (Mefistofele), Gilda Timitz (Siebel), Napoleone Limonta (Wagner), Adolfo Pacini (Valentino), Nelda Garrone (Marta). The Chorus and Orchestra of La Scala, Milan conducted by Carlo Sabajno. We believe that this is the first time this recording has appeared on CD and is our most important historical operatic release to date. | 
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Maria Callas, Mario del Monaco, Nicola Zaccaria & Giulietta Simionato La Scala Milan Orchestra, Antonio Votto A live performance from La Scala Milan recorded Scala live 7th December 1955 | 
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Corena, Poli, Lazzari & La Gatta Chorus and Orchestra of La Scala Milan, Armando La Rosa Parodi Afro Poli first sang the role of Dr Malatesta in “Don Pasquale” in 1932. Twenty years later he recorded his most famous operatic role alongside one of the great opera-buffo basses of the time, Fernando Corena. Armando La Rosa Parodi conducts the chorus and orchestra of La Scala Milan. The recording was made by Urania Records in 1952. | 
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Cechhele, Vinco, Suliotis & Cossotto Chorus and Orchestra La Scala, Oliviero De Fabritiis La Scala live in Tokyo 30th August 1971 | | | Usually despatched in 3 - 4 working days. |
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Merighi, Cappuccilli & Gencer Chorus and Orchestra La Scala, Nino Verchi La Scala Milan 8th April 1973 | | | Usually despatched in 3 - 4 working days. |
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Giuseppe Di Stefano, Maria Callas, Rolando Panerai, Fedora Barbieri, Nicola Zaccaria & Renato Ercolani Chorus and Orchestra of La Scala, Milan, Herbert von Karajan Before Maria Callas made this August 1956 recording of Il trovatore, at La Scala, Milan, in August 1956, she had been singing it often since 1950 and with notable success. Callas's 1953 Covent Garden performances earned golden opinions. The Times critic considered the opera should have been syled Leonora: “[she] sang and acted everyone off the stage… The beauty of her line, its plasticity, and its strength, and the easy richness with which she unfolds long phrases, was memorably shown in Tacea la notte “Despite later uncut performances, Callas, di Stefano and Karajan at his most dramatic, are a thrilling team, with an excellent cast and vivid recording from EMI's LPs rather than master tapes.” BBC Music Magazine, July 2008 ***** | | | Usually despatched in 2 - 3 working days. |
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Antonietta Stella, Giuseppe Di Stefano, Tito Gobbi, Elvira Galassi, Giuseppe Zampieri, Nicola Zaccaria & William Dickie Orchestra and Chorus of La Scala, Milan, Tullio Serafin Recorded 15th – 21st September, 1955 in the Teatro alla Scala, Milan When the recording was released in Britain in 1956, the Gramophone reviewer thought “Stella sings with a good deal of fine intention… Di Stefano is much better [than his rivals] …Gobbi is a really impressive vocal actor”. | | | Usually despatched in 2 - 3 working days. |
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