Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Jascha Heifetz plays Bach & Mozart Violin Concertos
Bach, J S: | Violin Concerto No. 1 in A minor, BWV1041 Recorded 6th December, 1953 in Republic Pictures Studios, Hollywood Los Angeles Philharmonic, Alfred Wallenstein Violin Concerto No. 2 in E major, BWV1042 Recorded 6th December, 1953 in Republic Pictures Studios, Hollywood Los Angeles Philharmonic, Alfred Wallenstein Concerto for Two Violins in D minor, BWV1043 Recorded 14th and 19th October, 1946 in Hollywood Jascha Heifetz (both solo parts) RCA Victor Chamber Orchestra, Franz Waxman | Mozart: | Violin Concerto No. 5 in A major, K219 "Turkish" Recorded 29th-30th May, 1951 in EMI Abbey Road Studio No. 1, London (Cadenzas: Joseph Joachim) London Symphony Orchestra, Malcolm Sargent |
One of the great 20th century violinists, at his best Heifetz played the concerto and sonata repertoire with a strong command of structure, minute attention to detail and an unequalled sensuous beauty of tone. Although Heifetz regarded the music of Mozart and Bach as integral to his repertoire, his style was grounded in a Romantic sensibility that sometimes courted controversy. Of the Mozart Concertos, Heifetz favoured the D major, K218 (recorded on Naxos 8.110941) and the A major, K219, which is heard on this re-issue in the second of three he made. Heifetz recorded the two Bach solo concertos only once. On these and his first recording of the Double Concerto, Heifetz’s playing (of both parts) is typically elegant and emotionally charged. | | | In stock - usually despatched within 1 working day. |
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| |  | Jascha Heifetz - Violin Encores
Works by Gershwin, Weill, Korngold, Lalo etc.
Including Gershwin Medley Deep River Threepenny Opera Jamaican Rumba Korngold Concerto Symphonie Espagnole | | | In stock - usually despatched within 1 working day. |
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| |  | Jascha Heifetz plays Bach
Studio Recordings 1952 "For speed, dead-on accuracy, heated intensity, and blemish-free tone control in all registers, Jascha Heifetz…. refuses to yield the throne after ruling for nearly half a century.” Classics Today “Heifetz's Bach was always perhaps more about Jascha than Johann Sebastian. There's no denying the urgency and passion of his playing, but there's indulgence too, and over time the relentlessness is wearing.” BBC Music Magazine, Proms 2008 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Sibelius, Tchaikovsky & Glazunov - Violin Concertos
Jascha Heifetz (violin) London Philharmonic Orchestra, Sir Thomas Beecham & Sir John Barbirolli | | | In stock - usually despatched within 1 working day. |
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| |  | Heifetz - Concertos
Heifetz had long associations with each of these works, and made the premiere recordings of the Sibelius and Prokofiev concertos. These Living Stereo remakes display all the lustre, virtuosity and wisdom that were his hallmarks. | | | In stock - usually despatched within 1 working day. |
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| |  | Sir William Walton Collected Works
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Jascha Heifetz Charles Munch | | | In stock - usually despatched within 1 working day. |
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| |  | Gershwin and Friends(1927-1951)
George Gershwin (piano), Oscar Levant (piano), Samuel Dushkin (violin), Larry Adler (harmonica), Hildegarde (vocal), Emmanuel Bay (piano), Jascha Heifetz (violin) Victor Symphony Orchestra, Frank Black Orchestra, Carroll Gibbons Orchestra, Paul Whiteman Orchestra, Hollywood Bowl Symphony Orchestra, Nathaniel Shilkret, Frank Black, Carroll Gibbons, Paul Whiteman, Johnny Green | | | In stock - usually despatched within 1 working day. |
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| |  | Saint-Saëns & Dvorak - Cello Concertos
Gregor Piatigorksy (cello), Jascha Heifetz (violin) & Artur Rubinstein (piano) Boston Symphony Orchestra & RCA Victor Symphony Orchestra, Carl Munch & Fritz Reiner Gregor Piatigorksy plays three of the most beautiful cello concertos in the classical repertoire, by Dvorak, Saint Saens and Tchaikovsky. | 
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| |  | Jascha Heifetz - FireworksStudio Recordings 1951-1953
Chausson: | Poème for Violin & Orchestra, Op. 25 Studio Recording 1952 RCA Victor Symphony Orchestra, Izler Solomon | Lalo: | Symphonie espagnole, Op. 21 Studio Recording, 1951 RCA Victor Symphony Orchestra, William Steinberg | Ravel: | Tzigane Studio Recording 1953 Los Angeles Philharmonic, Alfred Wallenstein | Saint-Saëns: | Havanaise, Op. 83 Studio Recording, 1951 RCA Victor Symphony Orchestra, William Steinberg Introduction & Rondo capriccioso, Op. 28 Studio Recording, 1951 RCA Victor Symphony Orchestra, William Steinberg | Sarasate: | Zigeunerweisen, Op. 20 Studio Recording, 1951 RCA Victor Symphony Orchestra, William Steinberg |
“Heifetz was and is supreme, as all other great fiddlers would surely acknowledge.” Gramophone | 
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