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Delitić Musicć, Marco Longhini | | | Usually despatched in 2 - 3 working days. |
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Delitić Musicć, Marco Longhini | | | Usually despatched in 2 - 3 working days. |
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Delitić Musicć, Marco Longhini | | | Usually despatched in 2 - 3 working days. |
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Delitić Musicć, Marco Longhini “electrifying” (BBC Music Magazine) | | | Usually despatched in 2 - 3 working days. |
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Delitić Musicć, Marco Longhini | | | Usually despatched in 2 - 3 working days. |
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| |  | Monteverdi - Madrigals Book 7 ‘Concerto’
CD 1: Tempro la cetra; A quest’olmo, a quest’ombre; Non č di gentil core; O come se’ gentile; Io son pur vezzosetta; O viva fiamma; Vorrei baciarti, o Filli; Dice la mia bellissima Licori; Ah, che non si conviene; Non vedrň mai le stele; Ecco vicine, o bella tigre, l’ore CD 2: Perchč fuggi tra salci; Tornate, o cari baci; Soave libertate; S’el vostro cor, Madonna; Interrotte speranze; Augellin, che la voce; Vaga su spina ascosa; Eccomi pronta ai baci; Parlo, misero, o taccio?; Tu dormi?; Al lume delle stele; Con che soavitŕ; Romanesca: Ohimč dov’č il mio ben CD 3: Lettera amorosa: Se i languidi miei sguardi; Partenza amorosa: Se pur destina; Chiome d’oro; Amor che deggio far?; Ballo: Tirsi e Clori
Delitić Musicć, Marco Longhini The ‘Concerto’ (as Claudio Monteverdi entitled his Seventh Book of Madrigals) was published five years after the Sixth Book had appeared. It represents a clear break with Monteverdi’s earlier publications: here the madrigal is transformed or, perhaps, it would be better to say it has vanished, at least in the form that would have been recognised up to that point. Of 32 compositions there is not a single fivevoice madrigal, only pieces for one to four voices, all with basso continuo, some with violins, along with works that might be called ‘experimental’. It was the heterogeneous nature of this collection that led Monteverdi to use the title ‘Concerto’. Marco Longhini’s new complete critical edition, the first since Malipiero’s 1932 edition, was prepared specifically for this recording. “The countertenor duet in Ohimč dov'č il mio ben is ravishing, and is accompanied by some brilliantly stylish playing n the harpsichord by Carmen Leoni…” BBC Music Magazine, November 2008 **** “Despite the odd blemish, the set as a whole breathes a sense of commitment often lacking from La Venexiana's, and the sound recording has greater presence. The concluding ballo, "Tirsi e Clori", is something of a showstopper: the cast is audibly enjoying itself.” Gramophone Magazine, January 2009 | 
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