Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Pasión ArgentinaThe Music of Piazolla, Ginastera & Guastavino
Elena Gragera (mezzo-soprano) Cello Octet Conjunto Ibérico, Elias Arizcuren | | | Unfortunately, as of December 3rd 2008 the UK distributor for this label is in administration. Although an agreement has already been signed with a new distributor, we expect some delay before stock is available again. You may order this item now but please be aware that it may be early 2009 before we are able to despatch it. |
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| |  | Glass Reflections
Cello Octet Conjunto Ibérico, Elias Arizcuren The album Glass Reflections features works from the entire range of Glass’s compositional activities for the concert hall, theatre, opera and film. It’s a kind of ‘musical guide’ to his work. | | | Unfortunately, as of December 3rd 2008 the UK distributor for this label is in administration. Although an agreement has already been signed with a new distributor, we expect some delay before stock is available again. You may order this item now but please be aware that it may be early 2009 before we are able to despatch it. |
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| |  | Spiritual Spanish Music from the XXI Century
Cello Octet Conjunto Iberico, Elias Ariscuren | | | Usually despatched in 3 - 4 working days. |
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Conjunto Ibérico Cello Octet, Elias Arizcuren | | | Usually despatched in 2 - 3 working days. |
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| |  | Canciones y Danzas Vol. 2
Morera: | Melangía, for cello ensemble Canciones negras, for voice & piano (or orchestra), Nos. 1-5, complete | Nin: | Cantos populares españoles (20), for voice & piano Granadina Cantos populares españoles (20), for voice & piano Tonada de la niñ perdida Cantos populares españoles (20), for voice & piano Murciana Cantos populares españoles (20), for voice & piano Asturiana Cantos populares españoles (20), for voice & piano Canto andaluz Cantos populares españoles (20), for voice & piano Saeta Cantos populares españoles (20), for voice & piano El Vito | Turina: | Dedicatoria, for voice & piano, Op. 19/1 Nunca olvida, for voice & piano, Op. 19/2 Poema en forma de canciones, for voice & piano (or orchestra), Op. 19, No. 3, "Cantares", Op. 19/3 Poema en forma de canciones, for voice & piano (or orchestra), Op. 19, No. 4, Los Dos Miedos, Op. 19/4 Poema en forma de canciones, for voice & piano (or orchestra), Op. 19/1-5, complete Las locas por amor Sevillana, Op. 29: No. III: Rima Saeta en forme de Salve a la Virgen de la Esperanza, Op. 60 Triptico, for voice & piano, Op. 45 Farruca Canto a Sevilla for voice & piano, Op. 37: El Fantasma Canto a Sevilla, song cycle for voice & orchestra, Op. 37/1-7, complete La Giralda |
Cello Octet Conjunto Iberico, Elias Arizcuren | | | Usually despatched in 2 - 3 working days. |
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Orchestre Philharmonique De Liege, Cello Octet Conjunto Iberico, Pierre Bartholomee, Georges-Elie Octors, Elias Arizcuren Villa-Lobos was a composer of astonishingly prolific creativity, though most of his works are little-known and his discography is meagre. An autodidact, he developed a personal system of composition, inspired by Brazilian folk music (cf. Chôros VII which mixes winds and strings in a direct evocation of the streets of Rio), contemporary European music, and Bach (in the Bachiana brasileira nr. 1 which employs the special sound of an orchestra of cellos). The focal point of this record, Chôros XII, described by the composer as "strong, big and robust as an old elephant" is a monumental work that develops a structure based on variation form. Villa-Lobos displays an consummate art of orchestration. The publication Les indispensables du disque compact classique (Fayard) refers to this recording as "to be marked by a white stone: we had no idea these musicians from Liège could pick up Brazilian rhythms so naturally. A success" - one that is updated for the greater pleasure of listeners. | | | Usually despatched in 3 - 4 working days. |
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