Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | I heard a Voice - The Music of the Golden AgeA stunning selection of anthems from the Tudor Times
Choir of King’s College, Cambridge & Fretwork, Stephen Cleobury "I would happily sit in King's College Chapel listening to this choir sing for the rest of my days." The Times “Fatigue seems to haunt this worthy performance. Stephen Cleobury's deliberate tempos tend to dissolve the impact of the text… - and impede any build-up towards cadential climaxes. Fretwork plays elegantly, but response to the text only listlessly.” BBC Music Magazine, November 2007 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert & Brahms: Motets & Chorale Preludes
Choir of King’s College, Cambridge, Sir Philip Ledger (piano & organ) | | | In stock - usually despatched within 1 working day. |
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| |  | Avro Pärt - Choral Works
Guy Johnston (treble), Tasmin Little & Richard Studt (violins), Martin Roscoe (piano) Choir of King’s College, Cambridge / Stephen Cleobury,
Bournemouth Sinfonietta / Richard Studt,
London Philharmonic / Franz Welser-Möst &
Estonian Philharmonic Chamber Choir / Tõnu Kaljuste | | | In stock - usually despatched within 1 working day. |
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| |  | The Best Of Arvo Pärt
Tasmin Little & Martin Roscoe Estonian National Symphony Orchestra/Paavo Järvi, Bournemouth Sinfonietta/Richard Studt, Choir of King’s College, Cambridge/Stephen Cleobury, Vasari Singers/Jeremy Backhouse | | | In stock - usually despatched within 1 working day. |
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| |  | The Best Of John Tavener
Steven Isserlis Vasari Singers/Jeremy Backhouse, Winchester Cathedral Choir/David Hill, Choir of King’s College, Cambridge/Stephen Cleobury | | | In stock - usually despatched within 1 working day. |
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John Mark Ainsley, Stephen Richardson, Catherine Bott, Michael Chance, Paul Agnew, Stephen Varcoe The Choir of King's College, Cambridge, The Brandenburg Consort, Stephen Cleobury | | | In stock - usually despatched within 1 working day. |
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| |  | Noël - Christmas at King's College
Choir of Kings College Cambridge, David Willcocks | | | In stock - usually despatched within 1 working day. |
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| |  | Evensong and Vespers from King's College CambridgeSelected songs for choir by Hassler, de Vivanco and more
Choir of King's College Chapel Cambridge, Stephen Cleobury | | | In stock - usually despatched within 1 working day. |
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Elly Ameling, Janet Baker, Robert Tear & Dietrich Fischer-Dieskau Choir of King’s College, Cambridge & Academy of St Martin-in-the-Fields, Sir Philip Ledger Johann Sebastian Bach performed his Christmas Oratorio during the festive season 1734/5 in Leipzig. It does not conform to the usual meaning of the word Oratorio in that it is not a single self-contained work but is split into six sections or cantatas for six different services between Christmas Day and Epiphany, indeed the soloists and instrumentalists employed are varied thus enforcing the view that Bach did not expect all six to be performed in one evening concert. There is the usual blend of choruses and chorales for the choir with arias and recitatives for the soloists with the Tenor also allocated the role of Evangelist. This recording, featuring the choir of King’s College, Cambridge, together with soloists closely associated with the works of the composer and of international renown, took place in July and December 1976 in King’s College Chapel with the Academy of St. Martin in the Fields under the direction of the Sir Philip Ledger, the then College musical director | 
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| |  | Palestrina - Masses & Motets
Choir of King’s College, Cambridge, Sir Philip Ledger & Sir David Willcocks Giovanni Pierluigi da Palestrina (c1525-1594), took his name from the small town in the Sabine Hills about 25 miles from Rome where he was born. He was the eldest of four children of reasonably well-off parents and went to S. Maria Maggiore in Rome as a choirboy and even remained there after his voice broke. In 1544 he returned to Palestrina as organist and singing teacher but in 1551 he joined the town’s Bishop, who had been elected Pope, in Rome. A mass dedicated to his patron won him a place in the Papal Choir of the Sistine Chapel in 1554 but a year later his patron died and a successor, Paul IV, threw all the married men out of the choir and that included Palestrina. It was in 1561 that the appointment of maestro at S. Maria Maggiore, where he had been a choirboy, gave him the security he needed and his fame as a composer rose consistently thereafter. In all he wrote 104 settings of the mass and 375 motets, this collection, sung by the choir of King’s College in Cambridge, includes four of the most famous masses as well as six motets. | 
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