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Laura Albino, Nils Brown, Jennifer Enns Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such & Sean Watson Aradia Ensemble, Kevin Mallon Handel’s oratorio Israel in Egypt was written three years before the Messiah and, like the Messiah, is somewhat atypical of the composer’s oratorios. Scored for double chorus and an orchestra using trombones, trumpets, timpani, woodwinds and strings with continuo, Israel in Egypt contains relatively little solo material but is dominated by large-scale virtuosic choruses that fully exploit Handel’s lavish and sophisticated word-painting. Set pieces for which the work is most famous include swarming strings representing flies in ‘He spake the word’, the furious brass and timpani in ‘He gave them hailstones for rain’ and the famous depiction of frogs in the aria ‘Their land brought forth frogs’. | 
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| |  | Leclair - Violin Concertos Volume 2
Collegium Musicum 90, Simon Standage (violin & direction) | | | In stock - usually despatched within 1 working day. |
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Rachel Brown (flute) The Brandenberg Consort, Roy Goodman ‘Rachel Brown gives performances it would be hard to better. Her agility and articulation are breathtaking. She and her hyper-alert orchestra realise all the highly strung volatility of Allegros and bring a rhapsodic freedom to the brooding slow movements’ (BBC Music Magazine) | | | In stock - usually despatched within 1 working day. |
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| |  | The English Orpheus 50 - Orpheus with his LuteMusic for Shakespeare from Purcell to Arne
Arne: | To fair Fidele's grassy tomb When daisies pied (from Love's Labours Lost) Honour, riches, marriage, blessing Where the Bee Sucks | Chilcot: | Pardon, goddess of the night Orpheus with his lute Hark, hark the lark | Clarke, Jeremiah: | Overture to Titus Andronicus | Eccles, J: | Can life be a blessing | Fesch: | All fancy sick | Greene, M: | Orpheus with his lute | Leveridge: | When daisies pied, and violets blue | Purcell: | Dear pretty youth | Smith, J C: | You spotted snakes Full fathom five | Weldon: | Take, O take those lips away Dry those eyes which are o'erflowing | Woodcock, R: | Concerto No. 9 in E minor |
Catherine Bott (soprano), Rachel Brown (flute) The Parley of Instruments, Peter Holman | | | Usually despatched in 2 - 3 working days. |
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| |  | Telemann - Ouverture Comique
Peter Holtslag (treble recorder), Rachel Brown (flute), Anthony Robson (oboe d'amore), James Eastaway (oboe d'amore) Collegium Musicum 90, Simon Standage | | | Usually despatched in 2 - 3 working days. |
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| |  | Quantz - Flute Sonatas
Rachel Brown (flute), Mark Caudle (viol), James Johnstone (harpsichord) | | | Usually despatched in 2 - 3 working days. |
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| |  | Telemann - Triple Concertos
Rachel Brown (flute), Anthony Robson (oboe), Cherry Forbes (oboe), Richard Earle (oboe), Simon Standage (violin), Micaela Comberti (violin), Catherine Weiss (violin), Jane Coe (cello) Collegium Musicum 90, Simon Standage | | | Usually despatched in 2 - 3 working days. |
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| |  | Music from the Court of Frederick the Great
Rachel Brown (flute), Micaela Comberti (violin), Jane Coe (cello), Lars Ulrik Mortensen (harpsichord) Collegium Musicum 90, Simon Standage | | | Usually despatched in 2 - 3 working days. |
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| |  | Telemann - Ouverture burlesque
Rachel Brown (flute), Siu Peasgood (flute), Simon Standage (violin), Micaela Comberti (violin), Jane Coe (cello) Collegium Musicum 90, Simon Standage | | | Usually despatched in 2 - 3 working days. |
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| |  | Telemann - La Changeante
Rachel Brown (flute), Simon Standage (violin), Andrew Manze (violin), Micaela Comberti (violin), Miles Golding (violin) Collegium Musicum 90, Simon Standage | | | Usually despatched in 2 - 3 working days. |
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