Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  |
Adina - Kathleen Battle, Nemorino - Luciano Pavarotti, Belcore - Juan Pons & Dulcamara - Enzo Dara Metropolitan Opera Orchestra & Chorus, James Levine | | | In stock - usually despatched within 1 working day. |
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Samuel Ramey, Kathleen Battle, Clara Foti, Nicola Zaccaria, Ernesto Palacio, Marilyn Horne & Domenico Trimarchi Prague Philharmonic Chorus & I solisti Veneti, Claudio Scimone | | | In stock - usually despatched within 1 working day. |
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Kathleen Battle, Thomas Allen, Frank Lopardo Berlin Philharmonic Orchestra, Saito Kinen Orchestra, Seiji Ozawa | | | In stock - usually despatched within 1 working day. |
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Kathleen Battle Tanglewood Festival Chorus & Boston Symphony Orchestra, Seiji Ozawa | | | In stock - usually despatched within 1 working day. |
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Kathleen Battle (soprano) & Itzhak Perlman (violin) Orchestra of St. Luke's, John Nelson | | | In stock - usually despatched within 1 working day. |
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Kathleen Battle, Luciana Serra, Barbara Kilduff, Francisco Araiza, Heinz Zednik, Manfred Hemm, Andreas Schmidt, Kurt Moll Metropolitan Opera Orchestra & Chorus, James Levine | | | In stock - usually despatched within 1 working day. |
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Kathleen Battle, Frederica von Stade, Judi Dench, Tanglewood Festival Chorus Boston Symphony Orchestra, Seiji Ozawa | | | In stock - usually despatched within 1 working day. |
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Kathleen Battle, Florence Quivar, John Aler & Samuel Ramey Toronto Mendelssohn Choir & Toronto Symphony Orchestra, Sir Andrew Davis Handel’s most popular oratorio, if not his most popular work, was premiered in Dublin in 1741. Although Handel achieved wonders in his music some of the success is surely due to the superb text provided by Charles Jennens, a highly educated man who towards the end of his life embarked on an edition of Shakespeare. He was 41 when he gave Handel who was then 56, words that were not too literary nor too specific, but, by using Old Testament prophecy, escaped the accusation of blasphemy had he given a life of Christ drawn from the gospels; even the title itself Messiah (rather than Christ) shows his determination to make the work appreciated by all religious denominations not specifically Christians. Handel must have been pleased since he responded with music that is at once immediate and memorable and works equally well with small forces – soloists, choir of 20, orchestra of 35 – to ones which fill the largest possible halls. This recording, conducted by Sir Andrew Davis, is of the latter kind. | 
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Kathleen Battle & Samuel Ramey English Chamber Orchestra, Ion Marin "You could hardly desire a starrier cast for this 'comic farce in one act' than that assembled by DG" Penguin Guide | | | Usually despatched in 2 - 3 working days. |
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| |  | Johann & Josef Strauss - New Year's Concert
Strauss, J, I: | Beliebte Annen - Polka Op. 137 Radetsky March, Op. 228 (Arr. Leopold Weninger) | Strauss, J, II: | Die Fledermaus Overture Annen-Polka, Op. 117 Vergnügungszug, Op. 281 Pizzicato Polka Unter Donner und Blitz, Op. 324 Wiener Philharmoniker, Herbert von Karajan Frühlingsstimmen Walzer Op. 410 vocal version Kathleen Battle Wiener Philharmoniker, Herbert von Karajan An der schönen, blauen Donau, Op. 314 Kaiser-Walzer, Op. 437 | Strauss, Josef: | Sphärenklänge, Op. 235 Delirien Waltz, Op. 212 Ohne Sorgen! - polka schnell, Op. 271 |
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