The Barton Workshop

Christian Wolff: Works for Trombone

James Tenney - Melody, Ergodicity and Indeterminacy

This CD features Tenney's Ergodos compositions, forerunners of minimal music or drones, plus four solos for flute and clarinet, taken both from some of this earliest works, Poem (1955) and Monody (1959) and from relatively late in his career, Seegersong #1 & 2 (1999). First recordings.

Philip Corner - Extreme Positions

Frank Denyer - Faint Traces

Alvin Lucier - Wind Shadows

The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in the usual sense of this term. On the contrary, it is the physical behavior of sound itself that he so elegantly reveals, each work unveiling an otherwise hidden or ephemeral aspect of aural phenomena and allowing us time to witness its beauty. He achieves this by ruthlessly excluding any trace of self-expression, or indeed anything extraneous to the phenomenon itself.

Morton Feldman - Composing by Numbers

The Graphic Scores 1950-67

James Tenney - Postal Pieces

Christian Wolff - (Re): Making Music

Works 1962-99

Jos Kunst

The Barton Workshop plays Galina Ustvolskaya