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See Terms & Conditions for p&p rates. | |  | Recorded at Rossini Theatre, Pesaro, 15th – 18th August, 2007
Marco Vinco, Alessandra Marianelli, Andrea Concetti, Filippo Adami, Bruno Taddia, Elena Belfiore & Daniele Zanfardino Prague Chamber Choir & Orchestra Haydn di Bolzano e Trento, Antonello Allemandi Composed in 1814, Il Turco in Italia is one of Rossini’s most popular operas. Following the example of his beloved Mozart, Rossini mixes the comic and serious genre in this musical comedy. This is a live recording from the Rossini Opera Festival in Pesaro - the most important opera Festival dedicated to Rossini’s works. “Allemandi conducts with conviction and feeling.” Gramophone | | | In stock - usually despatched within 1 working day. |
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Judith Howarth, Manuela Custer, Jennifer Larmore, Colin Lee & Pauls Putnin Geoffrey Mitchell Choir & Philharmonia Orchestra, Antonello Allemandi world premiere | | | Usually despatched in 2 - 3 working days. |
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| |  | Pacini Rediscovered
Annick Massis, Jennifer Larmore, Majella Cullagh, William Matteuzzi, Yvonne Kenny & Bruce Ford Philharmonia Orchestra, London Philharmonic Orchestra, Academy of St Martin in the Fields & Geoffrey Mitchell Choir, David Parry & Antonello Allemandi Compilation disc created from recordings available in the Opera Rara catalogue.
The introduction (in English, French, Italian and German) and accompanying booklet notes are by Jeremy Commons. | | | Usually despatched in 2 - 3 working days. |
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| |  | Bravura DivaWorks by Costa, Rossini, Pacini, Mercadante and Lauro Rossi
Jennifer Larmore with Majella Cullagh, Bruce Ford, Geoffrey Mitchell Choir, Antonello Allemandi, David Parry, Giuliano Carella | | | Usually despatched in 2 - 3 working days. |
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Annick Massis, Pietro Spagnoli, Jennifer Larmore, Bruce Ford, Alfonso Antoniozzi Geoffrey Mitchell Choir, London Philharmonic Orchestra, Antonello Allemandi One of the Hundred Outstanding Recordings in
the Penguin Guide to Compact Discs and DVDs | | | Usually despatched in 2 - 3 working days. |
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Annick Massis, Bruce Ford, Jennifer Larmore, Pietro Spagnoli Geoffrey Mitchell Choir, London Philharmonic Orchestra, Antonello Allemandi ‘An eye-opener to a side of the composer
rarely heard’ – American Record Guide | | | Usually despatched in 2 - 3 working days. |
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| |  | The Young Donizetti
Philharmonia Orchestra, Academy of St Martins in the Fields, Royal Philharmonic, Geoffrey Mitchell Choir, David Parry, Antonello Allemandi, Alun Francis | | | Usually despatched in 2 - 3 working days. |
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Marco Berti (tenor), Susan Neves (soprano), Giacomo Prestia (bass) & Carlo Guelfi (baritone) Orchestra and Chorus of Teatro Regio di Parma, Antonello Allemandi (conductor) & Pier’Alli (director) The première of Ernani at Venices’ Teatro La Fenice in 1844 failed to come up to Verdi’s expectations, primarily because of the poor health of some of the singers. Both critics and audiences, however, soon warmed to Ernani, especially after the following performances. The opera contains some of Verdi’s most successful, impassioned arias (first and foremost Elvira’s cavatina and Silva’s cantabile) and clearly denoted an evolution in terms of dramatic structure, more cohesive and with lesser use of blocks of closed numbers. Despite a turbulent ’premiere’, Ernani became a real international success, beginning with the felicitous Vienna productions of May/June 1844. The cast of this Teatro Regio of Parma production features some of today’s best singers for this type of repertoire. | | | Usually despatched in 2 - 3 working days. |
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Marco Bert (tenor), Susan Neves (soprano), Carlo Guelfi (baritone), Giacomo Prestia (bass) Orchestra e Coro del Teatro Regio di Parma, Antonello Allemandi The première of Ernani at Venices’ Teatro La Fenice in 1844 failed to come up to Verdi’s expectations, primarily because of the poor health of some of the singers. Both critics and audiences, however, soon warmed to Ernani, especially after the following performances. The opera contains some of Verdi’s most successful, impassioned arias (first and foremost Elvira’s cavatina and Silva’s cantabile) and clearly denoted an evolution in terms of dramatic structure, more cohesive and with lesser use of blocks of closed numbers. Despite a turbulent ’premiere’, Ernani became a real international success, beginning with the felicitous Vienna productions of May/June 1844. The cast of this Teatro Regio of Parma production features some of today’s best singers for this type of repertoire. | | | Usually despatched in 2 - 3 working days. |
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